Cover of Lucio Battisti Emozioni
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For fans of lucio battisti, lovers of italian singer-songwriter music, listeners who appreciate poetic and emotional lyrics, and readers interested in deep music analysis.
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THE REVIEW

I still wonder after all these listens what a heron is. It must be my ignorance on the subject, and surely I’ll be reprimanded, but I don’t know what it is. But if it says fly, it must certainly be a bird, I think, I dunno. Anyway, yes, let’s watch it fly. Lucio, what kind of flight are you talking about? A mental flight maybe. Are you saying that by seeing a heron fly, you manage to fly too? My compliments then, if that’s all it takes for you. However, I see a bit of contradiction. You can’t lie happily on the grass and then wade through a sorrow, however subtle it may be. You can’t change feelings like that, from one moment to the next. Are you referring to something bittersweet? That dear sensation of almost unjustified happiness surrounded by a sadness that you can’t even explain? How much I understand you, dear Lucio. And then what do you do, you sit there watching the sun set? How much happiness can you feel through such a vision? After all, that sun you’re watching is setting today just as it set yesterday and will set tomorrow. And I must say it is an inexplicably familiar pleasure to me; we're two madmen, dear Lucio. Then that sun goes to sleep... Just as you left us that sad '98. But is it worth asking certain questions? The sadness we talked about before, if it is the one I know, makes no noise. It's soft, like snow. Are these questions to be asked? In Poggio Bustone, did it work differently? You said it yourself, subtle. Too subtle to really feel it. It’s part of us, no use asking questions. And we need it, trust me. And don’t do such foolish things. We’re talking about subtle, intrinsic sorrows, who knows if this word exists, it's not worth driving around like a madman. And turn on those headlights, you can’t see anything. In the end, it is so, when the sadness we talk about accumulates, at a certain point it can lead to this. But we’re too smart, me and you, for such foolishness, you know it well. Like a medicine, that's what we need. Friendly hands, hands to hold, clean and sincere hands. Which after all cannot guarantee that what we feel is also felt by the other. But are people so difficult? Let's hold these hands tight, and hold on to them. Don't hold them too hard, otherwise they'll hurt. And woe betide if we lose them.

And now I am in difficulty. I don't remember ever taking a walk in the heath, but I must tell you, I can sort of imagine it. You say you found yourself this way? And above all, what do you mean by 'finding oneself'? It’s not easy to find oneself and trust me, I don’t know how a heath can be helpful. But if Mogol puts it that way, it must really be. Is it an invitation? Is any heath okay or do I have to go to the one you’re talking about, I dunno, maybe it has something magical. Then you have to explain another thing to me. But what do you have to talk about all this time with a fisherman? Will you get him to tell you the best techniques to catch a swordfish? Or do you ask him how to cook clams? Or tell me, aren’t you telling us that you find yourself also through simple and humble gestures like talking with an honest man? I think I’ll have to go down to the pier more often. I just hope that the fact that something inside dies isn’t related to the conversation with the fisherman, otherwise, you go talk to him. Just as you go to grow a little plant. It's not that I mind, you know, it’s just that I’m not good with botany. Is botany related to plants? I guess so. Anyway, I don’t know how to handle these little plants, let alone make red roses come out. Although I do not deny the immense impact that such an apparently mundane transformation can have, yet so rich in beauty and meaning. And now, once again. Wasn’t it enough to drive with the lights off? Do you also have to slap a guy on the street? You said it yourself, he was just a bit rude, what he said didn’t hurt you. But you must take it out on someone, there’s no escaping that. Let's look for another way, dear Lucio, let's buy a punching bag... Let’s vent there... The need is there and it’s strong, but we know it’s unfair. I hope you didn’t really do it... But if you tell me you close your eyes to stop that thing we talked about earlier, you make me think that those hands you have let go. And then I believe you that in his mind it’s not there. And trust me, it never will be.

I think I'll call them emotions.

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Summary by Bot

The review delves into the evocative and introspective nature of Lucio Battisti's album Emozioni. It reflects on themes of subtle sadness, fleeting happiness, and human connection, while pondering the poetic imagery Battisti uses. The author shares a personal, contemplative response that balances admiration with thoughtful questioning.

Tracklist Lyrics Videos

01   Fiori rosa, fiori di pesco (03:15)

02   Dolce di giorno (02:40)

03   Il tempo di morire (05:40)

04   Mi ritorni in mente (03:42)

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07   Dieci ragazze (02:57)

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08   Acqua azzurra, acqua chiara (03:40)

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10   Non è Francesca (03:56)

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11   Io vivrò (senza te) (04:01)

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Lucio Battisti

Lucio Battisti (born 5 March 1943, Poggio Bustone – died 9 September 1998, Milan) was an Italian singer, songwriter and composer. A central figure in Italian pop, he achieved major success in the late 1960s–70s with lyricist Mogol, then pursued radical studio experimentation with Pasquale Panella in the late 1980s–90s. From 1980 he withdrew from concerts, TV and interviews, asserting that his art should speak for him.
101 Reviews

Other reviews

By Viva Lì

 The most beautiful pop-rock album in history isn’t dated 1992. It’s dated 1970 and it’s 'Emozioni' by Lucio Battisti.

 Friends, Debaserian, Castaldo: this is music, everything else, as Shakespeare said, is silence.


By TONI E FURMINI

 "This CD is the result of the work of an incredibly inspired Mogol and Lucio Battisti in an extraordinary moment."

 "The lyrics of this track are as valuable as those of the great foreign bands that were popular in the 70s... almost worthy of a Nobel Prize for literature."


By Fiumani

 Battisti revolutionized well-established canons with rhythmic beat focus rather than traditional bel canto.

 'Emozioni' is the masterpiece of his first period, equally revolutionary and closer to Italian song.


By Boop07

 'Emozioni remains the best of the best expressed by Battisti over the years with Mogol.'

 'A mixture of Rock and Rhythm ’n’ Blues, for which Battisti’s personal voice was perfect, and the lyrics that spoke of everyday life and feelings were textbook examples.'


By mirocotti

 Lucio Battisti, after his debut album 'Luci Battisti,' introduces Italy to sounds never heard before.

 Lyrics filled with tales of marital infidelity and fleeting loves.