tambor

 Verdena play really well, aided by fantastic drum sounds, a slight effect/delay on the vocals, and bass and guitar that make their mark both in sound and stage presence.

 I speak well of Verdena without considering the keyboardist a part of Verdena. He seems like a stage sound engineer who occasionally presses a keyboard, starts tracks, and even walks off the stage because he’s not needed.

Verdena's live show at Goa Boa 2004 in Genoa showcased a strong and energetic performance with impressive drum, bass, and guitar work. The setlist favored newer songs over older hits, creating a well-structured experience. However, the reviewer harshly criticizes the keyboardist's role as unnecessary and distracting. Overall, the concert is positively received despite this flaw. Discover Verdena's powerful 2004 live show and hear the vibrant Italian rock energy for yourself!

 "Take me away comes out in 2004, three years after 'You kill me,' a gem of One Dimensional Man, and immediately amazes the listener."

 "One Dimensional Man is one of the absolute best bands in the Italian music scene, with a well-defined identity that still manages to amaze by innovating just enough to appease both progressives and conservatives."

One Dimensional Man's 2004 album 'Take Me Away' introduces new guitarist Carlo Veneziano while maintaining the band's distinctive blues-rock style. The record is more refined and melodic than previous releases, showcasing strong individual performances and cohesive songwriting. Despite the band's talent and excellent management, they remain underrated outside Italy. The album is best enjoyed as a complete experience. Listen to 'Take Me Away' and experience the raw energy and refined melodies of One Dimensional Man’s 2004 breakthrough album.

 Prozac still draw people but give the sad impression of a band living on past successes.

 The attempt at evolution by introducing electronics didn’t seem like a stroke of genius.

The 2004 Prozac+ live show at Capriolo Beer Festival attracted a decent crowd, fueled by nostalgia and old hits. The band showed signs of struggle, with lineup changes and a new drummer reading music on stage. Despite some attempts to evolve by adding electronic elements, the performance felt anchored to their established punk-pop sound. Gianmaria’s energy and crowd engagement were highlights, but overall the show lacked fresh impact. Discover the full live review and see if Prozac+ can still rock the punk-pop scene!

 Too much gear on stage, serving just to flaunt something unclear.

 Extrema aren’t young anymore, but they want to be at all costs, mixing pure metal, which I personally can’t stand, with rehashed nu-metal.

This review of Extrema's live performance at Jestrai Rock in Bergamo criticizes the band's excessive stage equipment and uninspired mix of metal and nu-metal. The reviewer expresses disappointment and an urge to leave early, highlighting a populist insult that further diminishes the experience. Overall, the concert is viewed as a failure to captivate and honor the band's legacy. Read this candid review and decide if Extrema's live Jestrai Rock performance is worth your time.

 The repetitiveness of the electronics triumphs, leaving the listener suspended once again like in the days of 10 000 hertz legend.

 Alone in Kyoto is splendid, lulling the listener with its calm into who knows what journeys...

This review evaluates Air's Talkie Walkie album through two distinct listening experiences reflecting different moods. While initially perceived as decent but not innovative, the album reveals deeper psychedelic and electronic richness upon a second listen. Key tracks like Cherry Blossom Girl and Alone in Kyoto stand out, blending pop elements with Air's signature sound. Overall, the album is considered a good work with a rating of 4 out of 5, applauding the French duo's consistent quality. Dive into Air's Talkie Walkie and discover its dreamy blend of pop and psychedelia—listen now!