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 Without a precise style, 10cc built their songs by citing the most diverse groups, particularly the Beach Boys and the Beatles.

 Many other artists have tried to copy their non-style style, Queen for instance, but Stewart and Gouldman are of an entirely different caliber.

Deceptive Bends, released by 10cc in the late 1970s, showcases the band's signature blend of pop, rock, and progressive elements. Despite losing two original members, Stewart and Gouldman created perhaps their finest work, marked by irony, complex vocal overdubs, and varied musical influences. Highlight tracks include 'Good Morning Judge' and 'The Things We Do For Love,' with the album concluding in a richly orchestrated mini-suite. This quirky yet carefully crafted album remains a vibrant example of British pop sophistication. Listen to 10cc's Deceptive Bends and experience a clever and entertaining journey through 70s British pop rock!

 "Personal Juke Box is not a trivial collection of hits; rather, it is a true journey that the artist decides to embark on in her repertoire from 1980 onwards, reinterpreting some pieces in new forms and often disrupting their original structure."

 "Those who were truly children understand what Alice tries to express in the song, the balance with the world, peace, freedom, not being alone even in the face of nothingness is a typical sensation of those who manage to find their space in the environment."

Alice’s Personal Juke Box is a thoughtful and cultured album that reinvents her earlier works with innovative electronic arrangements. The review praises standout tracks like “Il Giorno Dell’Indipendenza” for its lyrical depth and unique instrumentation. Collaborative tracks with Bluvertigo and Mauro Pagani highlight a refined, mature sound while the album balances tradition and experimentation. Personal reflections on songs like “Non Ero mai Sola” emphasize emotional depth and artistic growth. Discover Alice’s daring musical reinvention—listen to Personal Juke Box and experience the fusion of electronic innovation and poetic depth.

 Genesis reached peak live performance between 1980 and 1982, establishing themselves as a fantastic live band with incredible energy and a phenomenally powerful sound.

 Live the song takes on entirely different colors, pure rock with an extraordinary percussive final coda, played by Collins and Thompson in sync, that sends chills down your spine.

Genesis' 'Three Sides Live' captures the band at their live peak between 1980 and 1982, featuring powerful rock-oriented performances and fantastic energy. The album favors rock tracks from the Duke and Abacab albums, delivering an exhilarating listening experience. Despite a few missing songs, the live renditions transform studio tracks into dynamic performances, highlighted by excellent vocal and instrumental work. This album is a must for fans wanting to appreciate the band’s live prowess and evolution away from their 70s prog roots. Explore Genesis' dynamic live sound by listening to Three Sides Live—experience the energy and power of their early 80s peak performances now!

 "In 'Falsi Allarmi' you can feel among the grooves this need for evolution on Alice’s part, and to detach from the easier and more traditional song form."

 "'Carthago'... the music is rhythmic, almost Caribbean, but it breaks halfway through the track to give way to a beautiful vocalization supported only by the synthesizer."

The review highlights Alice's 1983 album 'Falsi Allarmi' as a significant moment of artistic growth, exploring new emotional and perceptual themes. Blending New Wave, pop, and light vocal experimentation, it marks a departure from her earlier traditional forms. Tracks like 'Notte A Roma' and 'Carthago' showcase subtle irony and rhythmic diversity. Though signs of fatigue appear, the album is praised for its production and thematic depth, closing the first chapter of Alice's career. Discover the emotional and sonic evolution of Alice in 'Falsi Allarmi'—listen now and explore the depths of 80s Italian New Wave pop.

 "Inside And Out is the best track on the single, a pure poetic masterpiece with magical twelve-string arpeggios."

 "Match Of The Day is the first song signed by the 'remaining three,' a cheeky football anthem full of typical fan attitudes."

Genesis' 1977 EP Spot The Pigeon stands as a rare and interesting footnote in the band's history, showcasing their final work with guitarist Steve Hackett. Featuring tracks from the Wind And Wuthering sessions, it offers a mix of simple, playful songs and a deeply poetic finale. Despite being excluded from the main album, these songs show the band's versatility and hints of future directions. Now rare, this EP is a must-listen for Genesis fans and progressive rock collectors. Explore Genesis' rare Spot The Pigeon EP and rediscover a unique piece of prog rock history today!

 Gabriel is most probably the greatest frontman in the history of rock up to today.

 If you don’t have this record you’re crazy, they are the best live band in history, in any lineup.

This review praises Genesis Live 1973 as a milestone in rock history, highlighting Peter Gabriel's remarkable frontman skills and the band's theatrical, multidimensional performance. It notes the album captures essential live energy but laments the absence of certain tracks due to production constraints. The album is described as pure perfection, showcasing the band’s prowess and emotional connection with the audience. Listen to Genesis Live 1973 to experience one of rock's most theatrical and unforgettable performances!

 The packaging is very well done and inside it shows all the original covers, plus the publication data of all the tracks.

 "Jesus He Knows Me," with Phil as a guru, Tony and Mike as collaborators, for an amusing parody of U.S. TV evangelists.

The Genesis - The Video Show DVD compiles the band's music videos from the 70s through the 90s, offering excellent packaging and nostalgic value. The collection especially appeals to completists interested in 70s material while also featuring iconic 80s MTV-era clips. Some videos vary in quality and creativity, with highlights like 'Jesus He Knows Me' and 'Mama'. While extras are missing, the overall release is well-crafted and recommended for dedicated fans. Explore Genesis' iconic videos on DVD and relive classic moments from their legendary rock career!

 In the song "Hi Hi Hi", McCartney uses double entendres of a distinctly sexual nature.

 "Cmoon" can be defined as the "little sister" of "Obladì-Obladà" for its theme and reggae influence.

The review highlights Paul McCartney and Wings' 1972 single 'Hi Hi Hi' as a turning point toward more serious and impactful music after earlier experimental works. The provocative lyrics sparked controversy but helped establish the band’s classic status. The B-side 'Cmoon' is praised as a lively reggae track showcasing Paul and Linda's musical chemistry. The single set the stage for Wings’ successful 1973 albums. Discover the daring vibes of Paul McCartney & Wings' 'Hi Hi Hi' and groove to the reggae rhythms of 'Cmoon' today!

 Five Miles Out is a work that doesn’t disappoint the fans of good Mike and once again gives music a beautiful page of great inspiration and fantasy.

 Taurus II is an emotional crescendo, the most successful composition of this kind in Mike’s ’80s work.

Five Miles Out is Mike Oldfield's standout 1980s album, combining electronic innovation with Celtic and progressive elements. It features a memorable suite, Taurus II, alongside diverse tracks blending various musical styles. The album showcases Oldfield's creative strengths, despite some vocal artificiality. It marks a high point before his work declined in later years. Dive into Mike Oldfield's Five Miles Out and experience one of the 80s finest progressive and electronic albums.

 Annie Haslam is not just the voice of a rock band; she embodies the perfection of singing, intonation, and above all, she has an incredible vocal range.

 The group is still capable of reaching magnificent heights, Annie’s voice in the chorus gives you chills.

Azure D'Or (1979) by Renaissance showcases Annie Haslam's remarkable soprano and the band's blend of classical motifs and prog rock. The album features dynamic synth arrangements and poetic lyrics by Betty Thatcher. While from their later period, it retains the distinctive Renaissance sound with some pop touches. The review highlights tracks like "Jekyll And Hide" and "The Flood At Lyons," praising the band's musical perfection and vocal expressiveness. Renaissance remains a respected name in prog rock, particularly in the USA and Europe. Explore Renaissance's Azure D'Or and experience Annie Haslam's iconic voice in classic prog rock style.