hyeronimus

 "The reason for that triumph...is to be found in the perfect mix of almost all existing genres at the time in the modern music world."

 "It almost seems like the 'FGTH' enjoy composing or rearranging musical pieces according to their whim...the important thing is that everything follows its own logic and is not unpleasant to the human ear."

Frankie Goes To Hollywood’s 1984 debut double album 'Welcome To The Pleasuredome' stands out for its daring mix of genres, from pop and disco to rock and electronica. Despite initial critical skepticism, its commercial success proves its impact and wide appeal. The album’s ambitious scope and rich arrangements have made it a lasting 80s classic. However, the band's later work failed to live up to this high bar. A reevaluation of this vibrant and genre-defying album is long overdue. Explore 'Welcome To The Pleasuredome' and experience a timeless blend of 80s musical genres that defined a generation!

 "The music is of such depth that it resulted in the best Italian prog album of all time."

 "Garofano Rosso is the most underrated album of BMS’s production and of all Italian prog."

The review highlights Garofano Rosso as Banco Del Mutuo Soccorso’s most underrated and musically sophisticated album. Released in 1975 during prog rock’s decline, it stands out with its classical, jazz, and ethno-folk elements. The absence of lead vocals by Francesco Di Giacomo allowed the Nocenzi brothers to experiment freely. Despite being released on a foreign label and overshadowed by other works, the album remains a profound and mature masterpiece in Italian progressive rock. Explore the depth of Garofano Rosso and experience one of Italian prog rock's finest hidden gems today!

 "Francesco 'Big' Di Giacomo no longer has a voice; he cannot hold a high note for more than a measure."

 "Those who remember the great concerts held by Banco between the seventies and eighties partly find the same atmosphere."

This review examines Banco del Mutuo Soccorso's live album 'No Palco,' marking their 30th anniversary concert. While the band's legendary status and instrumental performances shine in parts, vocal struggles and a lack of energy characterize much of the album. Some tracks stand out, providing moments of nostalgia and unique live reinterpretation, making the album primarily appealing to longtime fans despite its imperfections. Discover the live legacy of Banco del Mutuo Soccorso by exploring 'No Palco'—a must-listen for prog rock fans and nostalgia seekers alike.

 Robert Fripp conceives the daring idea of creating a mini-rock symphony in several movements, like a real classical symphony.

 Lizard is a true musical gem that draws from both the rigid romantic tradition and the freer jazz conception.

King Crimson's Lizard is a bold and overlooked progressive rock album that merges rock, jazz, and symphonic music into a cohesive mini-rock symphony. Despite its initial tepid reception, the album features innovative compositions and performances, notably the title suite with guest Jon Anderson. The work remains a unique experiment in the genre, blending romantic and free-jazz elements while pushing the boundaries of rock music. Explore King Crimson's Lizard today and experience a groundbreaking fusion of rock, jazz, and symphonic innovation.

 "Kimono My House was (and remains) a milestone in its genre, now called glam-rock."

 "A successful mix of atmospheres, of simple and decisive rock with marked colors and a decidedly Central European background."

Kimono My House is Sparks' defining 1974 album that blends glam-rock with German cabaret influences. The Mael brothers, backed by skilled musicians, crafted energetic and theatrical tracks. Highlights include 'This Town Ain't Big Enough for Both of Us' and 'Falling in Love With Myself Again.' Though some tracks are less impactful, the album remains a unique masterpiece and a major influence on later glam-rock and rock artists. Explore the theatrical glam-rock brilliance of Sparks' 'Kimono My House' and hear the album that inspired legends!