santi_bailor

 No one ... CAN FORBID THE 1990S FROM HAVING FUN, AND THE BEST PART IS THAT IF YOU FORBID THEM, THEY WILL AT LEAST FART IN YOUR FACE (and I, drunk, with them).

 The clear sensation is that of a water balloon on the guy in a suit, tie, and briefcase passing along the seafront. FUNNY.

The reviewer discovers the British indie band 1990s' album Cookies during a relaxed moment. The album is celebrated for its fresh, playful energy and carefree spirit, providing a fun soundtrack to daily life. Humorous and vivid imagery highlights the joyful vibe of the music. The review emphasizes the band's irreproachable ability to have fun and bring light-heartedness to listeners. Listen to 1990s' Cookies album now and enjoy a fresh, fun indie rock journey!

 I jump, I scream, I spin and no one hears me.

 3 euros to see these guys is the (potential) deal of 2007.

This review captures the visceral and chaotic energy of Appaloosa's live show at Ask191 Occupato in Palermo. The author describes a wild, immersive experience blending punk and hip-hop influences. They highlight the audience's enthusiasm and the unexpected musical intensity. The low ticket price makes this show a standout deal in 2007. Overall, it's a passionate recommendation for music lovers seeking raw live performances. Dive into the intense world of Appaloosa live at Ask191 — listen now and feel the raw energy!

 "I dare you, damn it, I dare you to try not humming at the 4:51 mark of 'Kingdom of Doom' the bass of that famous song from his former band..."

 "Simonon's eyes freeze you, make you feel cold, and make you think that you could/should be out there screwing that friend who flirts so much with you..."

This review vividly recounts the author's experience at The Good, The Bad And The Queen's live debut at London's Roundhouse. It highlights Paul Simonon's iconic presence, the unique sound blending various influences, and the intimate atmosphere of the cold London night. The performance defies easy categorization, embodying a distinct 'London music' vibe. Overall, the review conveys admiration and a deep emotional connection to the event. Discover the raw London sound and iconic presence of The Good, The Bad And The Queen live at Roundhouse—listen and experience it yourself!

 The Velvet Underground invented paranoia in music, the sickness, the degradation of modern life, urban alienation, existential despair, chronic loneliness, moral violence, physical violence, Hell and Heaven together.

 A better world does not exist. A better world has never existed. The Velvet Underground were pessimists.

This review highlights The Velvet Underground & Nico as a stark, realistic counterpoint to 1960s hippie optimism. The band’s themes explore urban decay, paranoia, and existential despair. Their collaboration with Andy Warhol elevated their dark aesthetic through multimedia art. Though initially ignored, their influence grew to legendary status, marking a rebellious chapter in rock history. Dive into the dark, revolutionary world of The Velvet Underground & Nico – listen now and experience the birth of punk's raw edge.

 The microphone... That conveyor of images, words... is the true protagonist of the group now.

 Maroccolo’s bass, even in total cacophonous noise, always finds new notes, as if playing alone...

The review highlights the artistic evolution of Marlene Kuntz in their album 'S-low', emphasizing the shift towards poetic lyrics and subtle musicality. The cover art symbolizes this transformation. While the album is less cathartic and noisy compared to previous works, tracks like 'Lieve' and 'L'inganno' showcase emotional depth and Moorian influence. The reviewer appreciates the sophisticated bass work and evocative atmosphere, despite a difficulty in fully articulating the album's impact. Dive into Marlene Kuntz's 'S-low' and experience their poetic transformation—listen now!

 "...I find a guitar and start playing 'Time for Heroes' by the Libertines (a really nice song)..."

 "...what meets our eyes is a war zone: broken glass bottles everywhere, overturned soil pots, burning trash cans, and in front of the kebab stand even blood on the ground!!"

The review weaves a personal story around listening to The Libertines' 'Time for Heroes' amidst an evening of friends, drinks, and chaos caused by unruly English football fans. It captures both the enjoyment of music and the turmoil of a wild night out. The account blends music appreciation with vivid descriptions of real-life events, concluding with reflections on disorder and camaraderie. Discover the raw energy of The Libertines' 'Time for Heroes' and dive into this unforgettable night of music and chaos!

 When Music Smells Like Earth.

 You truly believe it and decide to write the review... maybe intrigued, they download the songs, fueling the hope that one day it will all end.

Famelika’s Live @ Palermo album delivers a heartfelt blend of rock and folk music deeply rooted in Sicilian culture. Their lyrics confront the mafia’s grip on society with honesty and pride. The band’s unique sound, featuring accordion and tarantella influences, highlights their cultural identity. This live performance captures their raw energy and political passion. The review encourages listeners to support their music and hope for change. Discover Famelika’s powerful live sound and join the movement against mafia through music—listen now!

 "The new compositions... are heavily drawn from 'Solo un grande sasso', meaning pseudo-psychedelia good for teens drunk on sparkling water with endless plots and zero jolts: a regression."

 "We played it like crap..." - Alberto's own admission after a poor cover performance.

The review critiques Verdena's live set at Arezzo Wave, noting mainly new songs performed with noticeable roughness. The audience remains largely inactive, revealing disappointment with the limited and weak performance. The reviewer questions whether live concerts should focus on audience participation or new material. Overall, the show fell short of expectations and received a low rating. Explore Verdena's live show and decide if their new direction is for you. Watch clips and listen to their latest tracks now!

 Violante Placido is THE WOMAN.

 I'm talking about a good 10 minutes of G-D-Am-C repeated over and over... anyone would go insane.

The reviewer humorously recounts their eagerness to propose to Violante Placido during her concert at I Candelai Palermo. The live performance featured strong moments like 'Together' but also repetitive chords in later songs, causing some boredom. Viola’s Nirvana cover 'Serve the Servants' added amusement, especially when the singer cheered the wrong guitarist’s solo. Overall, the review is a quirky mix of affection and critique. Discover the quirky charm of Violante Placido's live show—read the full review and listen to Viola's standout moments today!

 It’s really stuff to break the windows, to make cats screech, to be like nails on a chalkboard.

 Maybe now with this breath of noise independence, the Miuz won’t spend every minute on MTV.

This review critiques Muse's album Black Holes And Revelations for its surprising shift toward a noisy and experimental sound. The reviewer expresses frustration with the band's reverb-heavy style and genre blending, noting influences from various artists but ultimately disliking the album's direction. Tracks like 'Starlight' and 'Supermassive Black Hole' are highlighted as examples of this controversial change. Despite a sarcastic tone, the rating ironically awards 5 stars. Dive into the bold sounds of Muse’s Black Holes And Revelations and decide if this noisy twist is a hit or miss!