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 The [usual] soup (reheated) is ready.

 Preferably consume piping hot and, if desired, serve with a drizzle of blood, raw.

The review describes Slayer's Hate Worldwide as an intense, raw thrash metal experience with familiar elements. The metaphorical and playful tone highlights its raw vocals and pounding rhythm but suggests it feels like reheated material rather than something fresh. Dive into Slayer's raw thrash energy with Hate Worldwide—listen and judge if it's fresh or familiar!

 The artistic 'Darkest Day(s)' have been positively circumvented and they are once again capable of extracting some decently delivered and effective blows from the rusty sickle.

 John Tardy effectively continues to howl at the moon and the merry band embarks on unraveling the usual deadly and ferocious rhythmic-percussive blanket of blind death adherence.

Obituary's Darkest Day marks a notable comeback for the Floridian death metal veterans after two disappointing albums. The album returns to their raw, brutal roots with renewed vigor, particularly in tracks like 'List Of Dead' and 'Blood To Give.' While it offers nothing new, it satisfies longtime fans who appreciate the band's classic ferocity and style. Newcomers with different metal tastes may find it less appealing. Dive into Obituary's Darkest Day and experience the raw death metal revival—listen now and feel the power of a true metal comeback!

 Six tracks, six wavering, fragmented, pleasantly naive, irritable jabs at our mummified senses.

 The promising, carefree, bizarre and talented twenty-three-year-old from Minnesota... intrigues us, first sweetly seducing, then demolishing our age-old certainties.

Anni Rossi's Afton EP offers six brief yet captivating tracks featuring her viola-led sound. The Minnesota-born artist's debut impresses by blending innocence with emotional intensity. Her quirky and fragmented style challenges conventional listening experiences and promises great potential. Released via 4AD, this EP is both seductive and thought-provoking. Listen to Anni Rossi's Afton EP and experience the unique blend of viola-driven indie charm and emotional intensity.

 Don’t take it the wrong way, dear, but the original materials for the current remixing weren’t all that wonderful to begin with.

 I think it’s safe to say, in extreme synthesis, that it resides in that classic limbo that elevates it to the role of a readily forgettable piece.

The review analyses Prong's remix album Power Of The Damn MiXXXer, noting the consistent but weak attempts at blending Techno-EBM and industrial styles with metal. While some tracks deliver strong moments, the album overall struggles with a lack of coherent appeal, falling into a forgettable middle ground. Fans of original post-thrash work or heavy remix experiments might find highlights, but the album does not fully satisfy either. Discover the challenging blend of metal and industrial remixes in Prong’s Power Of The Damn MiXXXer. Listen now and form your own opinion!

 After months of unacceptable silence, our Poet, our Spiritual Guide, our Illustrious Prime Minister... has finally had to yield to the pressostatic and pressing pressures.

 The DeBaseriota people hypothesize that you 'are not well' (but I’m not in great shape either) and that you should be helped: what are your health (mental) conditions?

This review tackles G's album 'Cinque (x2) Domande al Presidente G' with biting irony, focusing on surreal and rhetorical questions supposedly posed to the artist. The tone mocks the elusive nature of G and the theatrical controversies surrounding him. Despite the intrigue, the reviewer expresses frustration and dissatisfaction, evidenced by the low rating. The album is framed as an enigmatic discourse rather than straightforward music. Dive into the eccentric world of G's provocative album and unravel the mystery behind these bizarre questions and answers!

 The one that allowed you to challenge the terrible and well-organized (truthfully also a bit stupid, always aligned in a square) aliens and that allowed you to send a few dozen of your young neurons into unconscious self-combustion.

 Then I remember the day when, without any warning, they sadly took away our favorite three-button box... from that moment my, indeed, our lives were never the same again.

This review fondly recalls the intense and social experience of playing the 1978 arcade game Space Invaders. The author reminisces about the competitive environment, the challenges of the game, and the childhood memories tied to the classic coin-operated machine. The review highlights the cultural significance of the game and laments changes that replaced the beloved cabinet, marking the end of an era. Dive into this vivid nostalgic review and relive the thrills of Space Invaders, a timeless classic that shaped arcade culture forever!

 The shy yet confident initial notes and the introductory, gentle vocalizations immediately makes you realize...

 The sketches scattered over the fifty-plus minutes seem to possess the salvific power to reconcile us with the surrounding world.

Andrew Bird's album Noble Beast combines shy yet confident melodies and gentle vocals to create an emotionally tender and inspiring experience. The 14 tracks spread over fifty minutes evoke a sense of reconciliation with the world around us. The review praises Bird's songwriting and multi-instrumental talents, making the album a notable artistic endeavor. For deeper insights, additional detailed reviews of the artist's path are available. Listen to Andrew Bird's Noble Beast and experience a tender, captivating musical journey today!

 I consider 'Rage For Order'... to be the bearer of an impressive progression from its predecessor 'The Warning', the maximum qualitative peak reached by the Seattle band in terms of intense visionary capacity, ingenuity, imagination, foresight both from the sound perspective and from the bold solutions undertaken within this enduring work.

 Over twenty years later, I remember perfectly each vocal and instrumental passage: I’m practically due for a mental lock-up.

This review highlights the progressive and visionary qualities of Queensrÿche's 'Rage for Order,' emphasizing its intricate guitar harmonies, sophisticated production, and lasting impact. Initially met with confusion, the album grew on the reviewer over time, revealing its depth and complexity. The record represents a peak of creative and sonic ambition in Queensrÿche's early career. The reviewer praises the band members' performances and the production by Neil Kernon, suggesting a continued path of innovation could have yielded even greater achievements. Explore Queensrÿche's 'Rage for Order' and experience a groundbreaking progressive metal classic today!

 RatBoy and RatGirl send everything-and-everyone, without mincing words, à “Fuck You” for 37 consecutive times.

 They even took the trouble to coin a new genre: Gloom.

The album 'Space Death' by Crossover showcases a bold but somewhat inconsistent electroclash style. The lead single 'Black Mess' stands out with raw, intense lyrics. The band introduces a new genre called Gloom, but the rest of the album does not consistently match the single's memorability. Overall, the album offers a moderately mediocre electroclash experience with moments of distinctiveness. Dive into Crossover's bold electroclash world—listen to 'Black Mess' and explore the unique 'Gloom' genre today!

 A damnably lopsided and polymorphous work, the fourth by the Berlin-based Guido Möbius.

 An artisanal patchwork openly undefined and infinite, a smeared canvas with Pollockian vigor where the sound rivulets and noise drippings seem to be thrown there randomly.

Guido Möbius' fourth album 'Gebirge' is a polymorphous and lopsided work blending fleeting pop elements with bizarre avant-garde and pre-industrial sounds. Its structure is reminiscent of Dadaist and situationist art, creating an artisanal patchwork of noise and melody that is both challenging and surprisingly accessible. Dive into the eclectic world of Guido Möbius' 'Gebirge' and experience avant-garde music like never before.