Cover of Prong Power Of The Damn MiXXXer
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For fans of prong, lovers of industrial metal and remix culture, listeners interested in experimental metal and electronic fusion genres
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THE REVIEW

God bless Tommy Victor*.

Or may he be incinerated once and for all.

There's little to add about the mammoth, wall-like, ultra-estrogenated vitriolic stop-and-go guitar riffs of our man: after coining that authentic Post-Thrash gem called “Beg To Differ” (1990), all of us old-school mono-neuronal music lovers are somewhat grateful to him. Or perhaps not.

However, dear Tommy, it's all well and good that you've always shown a consistent inclination for Techno-EBM-Industrial remixes (admittedly weak ones) of your works, and in this, there's commendable (stubborn) consistency, but with this “Damn MiXXXer” album, practically speaking, what are we supposed to do?

Don't take it the wrong way, dear, but the original materials for the current remixing (“Power of the Damager” 2007), weren't all that wonderful to begin with, and no one, mind you, expected them to be: a few tough mountain-splitting riffs, it’s well known, aren’t exactly akin to springtime (or was it the swallow? Who knows!) and we, now with tough skin tempered by the worst para-musical nonsense, aren't so easily impressed anymore.

The combination of ferocious guitar/drum machines with a few frenzied electronic bleeps (somewhere a vocoder even appears..), let's be honest, isn't exactly a grand novelty, especially when, we reiterate for the less attentive (there's always someone), the original source wasn't exactly brimming with intrinsic quality.

To be frank, I've never quite understood who might be drawn to such work: excessively stern and ruinous for the dance floor [see the apocalyptic “No Justice (Crackmix)”], too mixed and varied for the die-hard ultra-metal fans [listen to “The Banishment (Wolfzilla & The Angry Moon Mix)”]; I think it's safe to say, in extreme synthesis, that it resides in that classic limbo that elevates it to the role of a readily forgettable piece.

However: “No Justice (Crackmix)really rocks! And also “Looking For Them (Contagious Mix)” is a solid punch in the face. Actually, upon closer listening, Spirit Guide (Reality's Edge Mix)” also has an exaggerated drive. And what about the Godfleshian “Power of The Damager (Fabrication Mix)” not to mention the mephistophelian technological “3rd Option (Naked In The Cadillac Mix)”; finally, how can we not mention the ultra-thrash raw guitars of “Message Inside of Me (Chicxulub Impactor Mix).”

In short, I really don’t know who this album might appeal to. But maybe yes.

 

*look him up on Wikipedia if you don't know who he is (geez!)

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Summary by Bot

The review analyses Prong's remix album Power Of The Damn MiXXXer, noting the consistent but weak attempts at blending Techno-EBM and industrial styles with metal. While some tracks deliver strong moments, the album overall struggles with a lack of coherent appeal, falling into a forgettable middle ground. Fans of original post-thrash work or heavy remix experiments might find highlights, but the album does not fully satisfy either.

Tracklist

01   Worst of It (Worst of the Worst mix) (04:13)

02   Can't Stop the Bleeding (SMack! mix) (04:17)

03   The Banishment (Wolfzilla & The Angry Moon mix) (05:52)

04   Power of the Damager (Fabrication mix) (03:38)

05   3rd Option (Naked in the Cadillac mix) (03:45)

06   Pure Ether (Big Riddim mix) (04:41)

07   Messages Inside of Me (Chicxulub Impactor mix) (03:46)

08   No Justice (Crack mix) (04:30)

09   Looking for Them (Contagious mix) (04:05)

10   Spirit Guide (Reality's Edge mix) (04:24)

11   Changing Ending Troubling Times (Abandoned Structures mix) (05:24)

12   The Banishment (Bitter Harvest mix) (05:42)

13   Bad Fall (Smile on Your Face mix) (04:22)

Prong

Prong is an American metal band formed in New York City in 1986 by guitarist/vocalist Tommy Victor with bassist Mike Kirkland and drummer Ted Parsons. Blending thrash, hardcore, groove and industrial elements, they influenced 1990s alternative and industrial metal. After a 1997–2002 hiatus, Victor revived the band and continues to lead it.
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