Qzerty

 "Danilo’s lyrics dive right into the depths of the 'imagined smoothie' only to resurface like pieces of banana, with the irony of someone who has internalized certain deviant aspects of our Italian society for years."

 "Pop, power-pop, banana-pop, Modaxì are pop, I’ll say it again, the mix of multiple styles is something they’ve pulled off quite well."

Modaxì's debut album 'Con Le Mani Nel Sacco' offers a sharp, ironic dive into Italian society through clever, socially aware lyrics. The band blends multiple pop styles smoothly, capturing themes of crisis, social ambition, and youthful escapism. Their artistic packaging and recycled imagery complement the music's message. Featuring Caparezza in their video, the album is a fresh and cool addition to contemporary Italian pop. Listen to Modaxì's 'Con Le Mani Nel Sacco' now and dive into the sharp social portrait behind their fresh pop sound!

 "Kittenz and thee Glitz plays with the identities of the main creators: Felix da Housecat and Miss Kittin."

 "This album can be a small manifesto of electronic disco music, which is self-citationist and why not, sly as well."

Released during a pivotal year, Felix da Housecat's 'Kittenz and Thee Glitz' revives Italo disco and rides the electroclash wave with savvy production. Partnering with Miss Kittin, the album offers catchy tracks and style-setting spoken rhymes. It features classic electro nods like Kraftwerk influences and a notable 'Magic Fly' cover, positioning itself as a clever manifesto of electronic disco music. Dive into the electroclash revival—listen to Felix da Housecat’s ‘Kittenz and Thee Glitz’ and experience a dance music landmark!

 Lorna’s character, who claims her sexual satisfaction and aspires to a better life in a decent place, is a beautiful destabilizing bomb at the phallocratic system of the time.

 The director already shows an excellent mastery of the medium and anticipates some aspects of his lexicon that we will find in other of his films.

The review explores Russ Meyer’s 1964 film Lorna, highlighting its role as a pioneering sexploitation movie with feminist undertones. It praises the director’s mastery of cinematography and storytelling, portraying a provocative female protagonist who challenges the patriarchal system. The film is seen as both a moral parable and a visually compelling piece that influenced later work. Overall, it acknowledges Meyer’s lasting impact on cinema. Explore Russ Meyer’s groundbreaking Lorna – watch, analyze, and dive into one of 60s sexploitation cinema’s most intriguing films.

 Bread Pitt sometimes pack potentially revolutionary anthems with great mass appeal.

 Bread Pitt play like gods at least as much as their CD sounds.

Bread Pitt's 2007 album Ipseon delivers a unique blend of punk attitude and Krautrock-inspired rhythms. Emerging from the Apulian underground, the trio's energetic and thoughtful compositions stand out with memorable lyrics and solid instrumentals. While their primitive use of electronics sometimes falls flat, the album largely impresses with creativity and mass appeal. This work marks Bread Pitt as one of the most interesting acts in their regional scene. Listen to Bread Pitt's Ipseon and explore the vibrant Apulian underground punk scene today!

 The genius lies in the bass lines, and the perfect/precarious balance the Cranes manage to infuse in the rhythm section.

 Alison's voice, like a lullaby, almost atonal, often in unison with her brother’s electric guitar, gives rise to dissonances that are more incestuous than ancestral, and therefore quite beautiful.

Cranes' Self-Non-Self EP skillfully blends post-punk and electronic influences with hypnotic rhythms and textured instrumentation. The album stands out through its innovative bass lines and measured, deconstructed drumming. Alison Shaw's distinctive, almost atonal vocals add depth and beauty despite their monotony. Gothic and alternative rock fans will appreciate this 20-minute musical journey, enhanced by unreleased tracks in the reissue. Discover the hypnotic sounds of Cranes' Self-Non-Self—listen now and dive into a unique blend of gothic, electronic, and post-punk mastery.

 The enemy is not the Muslim, the Jew, or the Christian, but stupidity itself.

 The release of his album had already raised concerns among the public due to its content considered to be poorly patriotic.

The review explores Jihad Jerry & The Evildoers' album 'Mine Is Not A Holy War' as a bold, provocative work mixing technopop with political and cultural satire. It highlights media controversy caused by the album and its videos, which challenge patriotism and foreign policy narratives. The artist’s intent to confront ignorance rather than specific religions is noted. The overall reception is balanced, appreciating the concept while recognizing public concern. Discover the daring edge of Jihad Jerry’s provocative technopop—listen now and join the conversation!

 Drunken thoughts is undoubtedly among the best tracks on this CD and moves between trip-hop and industrial.

 The entire playlist as it is sequenced could easily be the ideal soundtrack for an endless torture session.

Il Juke-Box del Diavolo is a well-crafted compilation from the Italian label Fridge that brings together diverse electronic music projects. Curated by industrial scene figure Mauro Teo Teardo, it features trip-hop, drum & bass, techno metal, and more. The compilation showcases collaborations with notable artists like Lydia Lunch and Martin Atkins. Its sequencing and unique tracklist create a dark, intense listening experience. Dive into ‘Il Juke-Box del Diavolo’ and explore a captivating blend of Italian electronic and industrial sounds now!

 Mr. Spencer has charisma to spare; from his lateral position, he dominates with his stage presence everything and everyone.

 When the setlist ends, Heavy Trash pretend to leave the stage but they already know the audience hasn’t had enough...

The review vividly portrays Jon Spencer's 2006 live performance in Alberobello with his project Heavy Trash. It highlights his charismatic stage presence, the raw and direct sound, and the strong connection with the audience. The lively festival setting and an extended backstage jam session added to the unforgettable experience. It captures the energy and spontaneity of the night perfectly. Dive into the vibrant energy of Jon Spencer’s 2006 live show and relive an unforgettable night of rock and roll magic!

 "Tiga’s work is a pleasant listen but only a few tracks meet expectations; the dimensional leap from the club-culture planet to the galaxy of highway rest stop shelves is successful with reservations."

 "’Louder than a Bomb’ is made and finished for the dance floor."

Tiga's debut album Sexor arrives after years of acclaimed singles and remixes. Although key tracks like 'You Gonna Want Me' and 'Louder than a Bomb' stand out, the album overall struggles to maintain consistent quality. It blends electroclash and techno elements but doesn’t fully meet the high expectations set by his singles. Fans of club culture will find enjoyment, though the album is less impactful as a full-length work. Discover Tiga’s Sexor and judge for yourself if this electroclash album lives up to its iconic singles!

 Nitzer Ebb is the only legitimate heir of the legendary DAF.

 A collection to buy, consume, and own in spite of those who wish us ill.

Nitzer Ebb, the influential English EBM trio, delivers a powerful double CD compilation celebrating their legacy and comeback. 'Body of Work' gathers their biggest hits alongside rare tracks and notable remixes by Alan Wilder and William Orbit. The album's minimalistic artwork matches its intense sonic identity. It's a must-have collection for both newcomers and longtime fans of industrial and electronic body music. Dive into Nitzer Ebb's 'Body of Work' and experience the powerful roots of EBM with essential tracks and rare gems!