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DeRank ™: 0,31 • DeAge™ : 8104 days
"The Boatman’s Call is one of the most intimate, delicate and bitter albums, a love story, its end, and a quest for a God to quell suffering." "The beauty of the tracks, their hybrid of sweetness and bitterness, has often been my companion on melancholic evenings."
"The Boatman’s Call is one of the most intimate, delicate and bitter albums, a love story, its end, and a quest for a God to quell suffering."
"The beauty of the tracks, their hybrid of sweetness and bitterness, has often been my companion on melancholic evenings."
This review highlights Nick Cave and The Bad Seeds' album The Boatman’s Call as an intimate, bittersweet reflection on love’s end and personal suffering. Unlike the anger of previous works, this album offers a fragile yet profound meditation on faith, loss, and human weakness. It resonates deeply with listeners facing emotional pain. The reviewer praises its delicate storytelling and therapeutic nature, calling it one of Cave’s most sensitive albums. Dive into the haunting depths of The Boatman’s Call and experience Nick Cave’s raw, emotional storytelling.
This first Tomahawk album is a real trip, which makes me think of trashy fake chic hotel rooms with black sheets and lines of coke spread out on the table. Patton keeps you in suspense, you become his toy, because he totally captures you; he is your puppeteer, he plays with you and his voice, with his sound tricks.
This first Tomahawk album is a real trip, which makes me think of trashy fake chic hotel rooms with black sheets and lines of coke spread out on the table.
Patton keeps you in suspense, you become his toy, because he totally captures you; he is your puppeteer, he plays with you and his voice, with his sound tricks.
This review reflects on the difficulty of writing about music while vividly capturing the hypnotic and intense nature of Tomahawk's debut album. Mike Patton's vocal versatility and the album's unpredictable atmosphere create a unique and immersive listening experience. The reviewer is deeply affected by the soundscape, describing it as a thrilling and sensory rollercoaster. Despite playful digressions, the overall admiration for the album is clear. Dive into Tomahawk's gripping debut and experience Mike Patton's mesmerizing voice firsthand!
They were/are real, they don’t care what the masses might like, and they go their own way. Their imperfections make me love them even more.
They were/are real, they don’t care what the masses might like, and they go their own way.
Their imperfections make me love them even more.
Royal Trux’s album Accelerator stands as a genuine, rebellious garage rock record, rooted deeply in 70s blues and rock influences. The album’s raw and imperfect sound defies mainstream commercial trends, showcasing a fearless mix of chaotic and avant-garde noise. The band’s authenticity and experimental approach highlight their unique place in rock's underground scene. Despite overshadowing myths, their music remains powerful and unpolished, appealing to true garage rock fans. Listen to Accelerator by Royal Trux and experience raw, rebellious garage rock at its finest.
From the title, we immediately understand the ironic and playful spirit of our bassist who loves excesses. Oliveri invites his followers to party, copulate on his grave, and generally 'lose their minds' in memory of a poor devil who somehow managed to live the dream he believed in.
From the title, we immediately understand the ironic and playful spirit of our bassist who loves excesses.
Oliveri invites his followers to party, copulate on his grave, and generally 'lose their minds' in memory of a poor devil who somehow managed to live the dream he believed in.
The album 'A Drug Problem That Never Existed' by Mondo Generator reflects Nick Oliveri's raw, instinctive expression of his personal trials, blending punk energy with melodic elements. While more melodic than their previous release, the album remains somewhat unoriginal but offers honest and playful storytelling. It includes notable ballads and tributes, illustrating Oliveri's departure from commercial mainstream music. The reviewer remains cautious about the project's future as Oliveri’s main musical outlet. Discover the raw and melodic journey of Nick Oliveri in Mondo Generator's 'A Drug Problem That Never Existed' – listen now!
The tracks are 'explained' with captions, as if reading what you’re meant to feel could actually make you feel it... Goldblade only confirm what we already knew in our hearts, and that is PUNK IS DEAD and if it’s not, it’s at least in terminal phase.
The tracks are 'explained' with captions, as if reading what you’re meant to feel could actually make you feel it...
Goldblade only confirm what we already knew in our hearts, and that is PUNK IS DEAD and if it’s not, it’s at least in terminal phase.
This review critically examines Goldblade's debut album, pointing out its lack of originality and clichéd punk themes. Although the band shows energy and some speed, the lyrics are repetitive and predictable. Despite their commitment to punk style and aesthetics, the album ultimately suggests that punk is past its prime. The 32-minute record is brisk but doesn't inspire as much as intended. Discover the raw energy and flaws of Goldblade’s debut—listen and decide if punk still rocks for you!
'This debut album is a celebration of Rex Everything’s ego, who, in almost every track, screams with the same ferocity as a monkey suffering from terminal stage hemorrhoids.' ‘The drugs have stopped having their effect, and the final result is just a squalid “hangover.”’
'This debut album is a celebration of Rex Everything’s ego, who, in almost every track, screams with the same ferocity as a monkey suffering from terminal stage hemorrhoids.'
‘The drugs have stopped having their effect, and the final result is just a squalid “hangover.”’
The debut album 'Cocaine Rodeo' by Mondo Generator reveals Nick Oliveri's punk-inspired side project under the name Rex Everything. While the album includes some stoner rock elements featuring Kyuss members, it suffers from chaotic, unpolished vocals and a disorganized feel. The reviewer finds it often unpleasant and overly ego-driven, with only a few redeeming moments. The album ends with a self-parody hinting at Oliveri's struggles and creative hangover. Discover the raw energy and flaws of 'Cocaine Rodeo'—listen now to explore Nick Oliveri's wild debut!
The Kings of Leon seem to have arrived in 2003 on a time machine directly from Woodstock. "Holy Roller Novocaine," nine minutes and forty-one seconds of easy rock’n’roll, to listen to with a bit of spirit and relaxation.
The Kings of Leon seem to have arrived in 2003 on a time machine directly from Woodstock.
"Holy Roller Novocaine," nine minutes and forty-one seconds of easy rock’n’roll, to listen to with a bit of spirit and relaxation.
Kings of Leon’s debut EP Holy Roller Novocaine channels a vintage 1970s southern rock vibe inspired by blues and iconic bands like The Doors. With youthful energy and themes of adventure and discovery, the EP is described as easy, melodic, and engaging. Although the band is still developing a unique sound, this early work shows promise and captures a relaxed, road-trip spirit. Listen to Kings of Leon’s debut EP Holy Roller Novocaine and experience a fresh take on classic southern rock.
"Earthlings? do not write 'hits.' Despite having individual close connections with much more 'famous' bands, Earthlings? stick to their philosophy and make the music they like." "'Human Beans' asks no questions and demands no answers, it simply is."
"Earthlings? do not write 'hits.' Despite having individual close connections with much more 'famous' bands, Earthlings? stick to their philosophy and make the music they like."
"'Human Beans' asks no questions and demands no answers, it simply is."
Earthlings?' second album 'Human Beans' offers a unique, narcotizing blend of psychedelia, blues, stoner rock, and electronica. With standout collaborations from Josh Homme and Dave Grohl, the album crafts a dreamy, often unsettling atmosphere. Pete Stahl’s versatile vocals combined with Fred Drake’s atmospheric keyboards and Dave Catching’s instrumentation create a deeply emotional and experimental sound. This album rejects commercial trends, embracing a niche, uncompromising style that explores darker, hallucinatory themes. Listen now to Earthlings?' 'Human Beans' and dive into a mesmerizing world of psychedelic and experimental rock.
Jesse Malin was born in Brooklyn and tells stories of drinking, emotions, shattered loves, and desperate drop-outs, with that typical flair that only someone born and raised in that technicolor chaos could have. 'The Fine Art of Self Destruction' is without a doubt an excellent album, with Ryan Adams’ production helping to create an album that is both raw and romantic.
Jesse Malin was born in Brooklyn and tells stories of drinking, emotions, shattered loves, and desperate drop-outs, with that typical flair that only someone born and raised in that technicolor chaos could have.
'The Fine Art of Self Destruction' is without a doubt an excellent album, with Ryan Adams’ production helping to create an album that is both raw and romantic.
Jesse Malin's debut album 'The Fine Art of Self Destruction' reflects his Brooklyn roots through emotional storytelling and candid enthusiasm. The album, produced by Ryan Adams, balances raw energy with romantic depth. Tracks like 'Queen of the Underworld' and 'Riding on the Subway' showcase his narrative style and musical influences from Young, Waits, and Dylan. A highly recommended listen, especially for fans of heartfelt and well-crafted music. Listen to Jesse Malin’s captivating debut and discover a blend of raw emotion and storytelling.
Vanhamel tells stories and personal situations, but does so in a 'universal' way: he takes you into his world and makes you believe you are him, but you are not him, you are yourself in the same stories and situations. "OTSF" is a decidedly unique album, which can either be very appealing or absolutely repulsive to those who listen, but - in my view - there is no middle ground.
Vanhamel tells stories and personal situations, but does so in a 'universal' way: he takes you into his world and makes you believe you are him, but you are not him, you are yourself in the same stories and situations.
"OTSF" is a decidedly unique album, which can either be very appealing or absolutely repulsive to those who listen, but - in my view - there is no middle ground.
Millionaire’s debut album Outside the Simian Flock showcases a unique blend of funk, punk, and indie rock influences. Fronted by Tim Vanhamel, the band offers energetic and introspective music with poetic lyrics. The album resists easy categorization but rewards attentive listeners with its intense and addictive qualities. It stands apart from trend-driven music, embracing a personal and distinctive sound. Listen to Millionaire’s Outside the Simian Flock and experience a fresh, intense rock journey unlike any other.
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DeRank™: 0,96
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