You are not logged in
DeRank ™: 19,12 • DeAge™ : 3137 days
"Boys who rape should all be destroyed" – a raw, overwhelming chant addressing tragic themes. The album's style is encapsulated in the dichotomy 'noise plus melody': elegant, nocturnal, volatile.
"Boys who rape should all be destroyed" – a raw, overwhelming chant addressing tragic themes.
The album's style is encapsulated in the dichotomy 'noise plus melody': elegant, nocturnal, volatile.
The Raveonettes’ 2009 album In and Out of Control deepens their signature noise pop style with raw and dark lyrics, vintage dance beats, and haunting melodies. The duo blends influences from 60s girl groups and the Jesus and Mary Chain, creating a mix of frenetic and somber tracks. The album features standout songs addressing violence and despair with stark honesty. While not a masterpiece, it is an engaging, creative effort that stays true to their artistic vision. Listen to The Raveonettes' 'In and Out of Control' for a dark, melodic noise pop journey.
"Listening to it today, 'Begin' is timeless." "'Begin', today, rises to the status of a classic, having long ignored being one."
"Listening to it today, 'Begin' is timeless."
"'Begin', today, rises to the status of a classic, having long ignored being one."
The Millennium's only album, 'Begin,' is a sophisticated and timeless sunshine pop record crafted in 1968 Los Angeles. Combining surf rock, psychedelia, and baroque influences, producer Gary Usher and Curt Boettcher assembled a supergroup to create lush and ethereal melodies. Despite being a commercial failure at release, 'Begin' has grown into a cherished classic with enveloping harmonies and complex arrangements. The review highlights its unique sound, thematic depth, and evocative album cover. Listen to The Millennium's 'Begin' and experience the timeless beauty of sunshine pop's hidden gem.
They specialize more in covers than in original songs and have the enormous merit of making damnably tacky songs pleasant, if not irresistible. They are the car air conditioner on a cold and damp November day... And you feel good 'like someone who dreams.'
They specialize more in covers than in original songs and have the enormous merit of making damnably tacky songs pleasant, if not irresistible.
They are the car air conditioner on a cold and damp November day... And you feel good 'like someone who dreams.'
Pomplamoose's 'Besides' is a charming electro-indie album combining playful and original covers with distinctive DIY production. The duo's angelic vocals and inventive interpretations create a fresh, warm listening experience. Their music balances retro and modern sounds with emotional subtlety. Well suited for fans of indie pop looking for bold yet accessible music. Listen to Pomplamoose's 'Besides' for a refreshing blend of indie electro and creative covers. Discover their unique sound today!
These songs had a social function... A disarming fragility. The essentiality coupled with perfect intonation. ‘500 Miles’ is a wound received in the depths of the heart... distances do not crush you and hope does not die.
These songs had a social function... A disarming fragility. The essentiality coupled with perfect intonation.
‘500 Miles’ is a wound received in the depths of the heart... distances do not crush you and hope does not die.
This review discusses Peter, Paul & Mary's influential role in the 1960s folk scene and their social activism through gentle, memorable protest songs. The compilation 'Ten Years Together' captures the trio's essential decade of music, highlighting their delicate harmonies and political relevance. Despite being overshadowed later by other artists, their contribution to raising awareness and shaping folk music remains significant. The review also reflects on key tracks like 'If I Had a Hammer' and '500 Miles', praising their emotional depth and historical context. Discover the heartfelt melodies and social spirit of Peter, Paul & Mary — listen to 'Ten Years Together' and experience the voice of a generation.
The sound of The Fall is dark, skewed, aggressive, syncopated, hallucinatory, schizophrenic. Perfect, wonderful, stunning. An emotional push that’s quite evocative.
The sound of The Fall is dark, skewed, aggressive, syncopated, hallucinatory, schizophrenic.
Perfect, wonderful, stunning. An emotional push that’s quite evocative.
The review highlights The Fall’s distinctive dark and aggressive post-punk sound, emphasizing Mark E. Smith’s unique vocal presence and artistic persona. The live 1982 Melbourne recording captures a pivotal moment showcasing both spontaneous and intense performance qualities. Special attention is given to key tracks such as 'Hard Life in the Country,' noted for its emotional depth and iconic bassline. The album, despite lo-fi audio, holds up well against other seminal post-punk live recordings. Dive into the mesmerizing chaos of The Fall’s 1982 live performance—listen now and experience post-punk history in its rawest form!
Her almost unreal delicacy is impetuous. Suzanne Vega is somewhat the courage within weakness. A creator of diaphanous, transparent, clean songs.
Her almost unreal delicacy is impetuous.
Suzanne Vega is somewhat the courage within weakness. A creator of diaphanous, transparent, clean songs.
This review appreciates Suzanne Vega’s poetic and fragile songwriting style, emphasizing the narrative depth and emotional subtlety across her career. The 'Retrospective' compilation showcases her blend of folk roots and later experimental sounds. Noteworthy tracks like 'Tom’s Diner' and 'Luka' highlight her storytelling skill and social awareness. The review also acknowledges her influence on the female music scene of the 90s and her courageous artistic evolution. Discover Suzanne Vega’s timeless folk storytelling—listen to 'Retrospective: The Best of Suzanne Vega' now!
"The Santigold style flows like an underground river—heterogeneous, yet cohesive." "A protest song with a sunny melody but a not reassuring text: 'While we sleep in America our house is burning down.'"
"The Santigold style flows like an underground river—heterogeneous, yet cohesive."
"A protest song with a sunny melody but a not reassuring text: 'While we sleep in America our house is burning down.'"
Santigold's 'Master of My Make-Believe' is a richly textured indie electronic album that masterfully blends punk, reggae, hip-hop, and afro beats. Frontwoman Santi White leads with elegant compositions and a unique style, creating a cohesive yet eclectic soundscape. The album explores themes of self-creation and social awareness with a chilled but vivid mood. Notable collaborations and production add depth, making it a compelling follow-up to her debut. Discover the eclectic sounds of Santigold’s ‘Master of My Make-Believe’ and dive into her vibrant indie electronic world today!
Les definitively imposes himself here as a contrapuntist, as an architect, but also as a maestro, for whom dance is a reason for living. Primus haec intellegit. Anyone who has been hanging around Debaser for a long time should listen to the album at least once, indeed two, three, four, five, six...THE SEVEN...!!!
Les definitively imposes himself here as a contrapuntist, as an architect, but also as a maestro, for whom dance is a reason for living.
Primus haec intellegit. Anyone who has been hanging around Debaser for a long time should listen to the album at least once, indeed two, three, four, five, six...THE SEVEN...!!!
The review presents Primus' ninth album as a bold and imaginative project dedicated to goblin-inspired themes. Les Claypool’s bass work shines alongside Larry LaLonde’s distinctive guitar, with influences ranging from classical dance forms to psychedelic polka. Despite some lyrical critiques and a somewhat divisive style, the album remains true to Primus’ adventurous spirit. The reviewer expects the band to continue surprising fans despite changes in musical trends. Dive into the quirky world of Primus’ The Desaturating Seven and experience their signature psychedelic sound today!
The Yo La Tengo logic is illogical. In this, it is Indie. It steps outside the markets. Unfailingly connected to the heart. The Extended 'Today Is The Day,' far from being a mere assortment of sketches and cast-offs, could have served as the base for an album for anyone.
The Yo La Tengo logic is illogical. In this, it is Indie. It steps outside the markets. Unfailingly connected to the heart.
The Extended 'Today Is The Day,' far from being a mere assortment of sketches and cast-offs, could have served as the base for an album for anyone.
This review praises Yo La Tengo's 2003 EP 'Today Is the Day' as an essential companion to their album 'Summer Sun,' highlighting the band's dual acoustic and electric styles. It emphasizes their inventive eclecticism, emotional depth, and the cohesive artistic relationship between Ira Kaplan and Georgia Hubley. The EP is recognized as more than a collection of outtakes, but as a creative statement bridging folk, noise, jazz, and pop influences. The review situates the band firmly as indie rock icons with a rich, balanced sound. Dive into Yo La Tengo’s ‘Today Is the Day’ EP and experience their unique blend of indie rock eclecticism and heartfelt music creativity!
The music sharpens the beauty of a voice untouched by the years: immature tint, venomous flickers, intriguing, clear, decisive spoken word that sometimes hides a black heart. "We Belong Together" remains an unparalleled ode, timeless, reflecting deep emotion and poetic beauty.
The music sharpens the beauty of a voice untouched by the years: immature tint, venomous flickers, intriguing, clear, decisive spoken word that sometimes hides a black heart.
"We Belong Together" remains an unparalleled ode, timeless, reflecting deep emotion and poetic beauty.
The review celebrates Rickie Lee Jones's 2001 live album recorded at Red Rocks Amphitheatre, highlighting her poetic lyrics and velvety voice. Mixing jazz, folk, blues, and pop influences, the album reflects her artistic maturity and emotional depth. The collaboration with musicians and guest Lyle Lovett enriches the performance. While the live recording shows minor imperfections and misses some fan favorites, it's praised for its intimate and sophisticated delivery. Listen to Rickie Lee Jones’s heartfelt Live at Red Rocks and experience the timeless charm of a musical icon.
DeRank™: -7,38
DeRank™: 2,44
DeRank™: 32,23
DeRank™: 6,75
DeRank™: 2,36
DeAge 6957
DeRank™: 0,28
DeRank™: 0,53
DeRank™: 1,28
DeRank™: 1,53
Drag here or click to upload a photo.
Drag here or click to upload a video.
Drag here or click to upload an audio file.
You can take a note on this content. What you write here is visible only to you. To view your notes, go to the bookmarks section.