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DeRank ™: 32,23 • DeAge™ : 4134 days
"'Ultimo Mondo Cannibale' is a fundamental pillar of extremism in music." "Slipknot do not play Death Metal. Slipknot are crap...CANNIBAL HOLOCAUST..."
"'Ultimo Mondo Cannibale' is a fundamental pillar of extremism in music."
"Slipknot do not play Death Metal. Slipknot are crap...CANNIBAL HOLOCAUST..."
The review passionately praises Impetigo’s 1990 debut 'Ultimo Mondo Cannibale' as a cornerstone of extreme Death Metal and Grindcore. It highlights the album’s raw and putrid sound, horror film samples, and iconic vocal style. The reviewer strongly emphasizes the album’s influence on numerous bands and rejects misconceptions about other bands' genres. Overall, the review is a heartfelt tribute and call to respect Impetigo’s legacy. Explore the blistering rawness of Impetigo’s 'Ultimo Mondo Cannibale' and experience a true Death Metal classic.
With this first discographic release, Hüsker Dü immediately makes one thing clear: they want to play and produce what they think is appropriate, without considering trends and fashions. Often we found ourselves playing in front of a dozen people; and then it seemed logical to try to completely clear the room where we were performing, playing louder and faster until the few attendees... left.
With this first discographic release, Hüsker Dü immediately makes one thing clear: they want to play and produce what they think is appropriate, without considering trends and fashions.
Often we found ourselves playing in front of a dozen people; and then it seemed logical to try to completely clear the room where we were performing, playing louder and faster until the few attendees... left.
This review revisits Hüsker Dü's 1981 debut single 'Statues / Amusement,' highlighting the band's raw energy and unexpected post-punk sound. The band, known for its hardcore punk roots, surprised listeners with lengthy, atmospheric tracks influenced by P.I.L. and Joy Division. Despite modest live audiences, the trio pushed boundaries, self-producing a single that foreshadowed their influential career. It captures the early spirit and future promise of Hüsker Dü. Discover Hüsker Dü's groundbreaking debut—listen to 'Statues / Amusement' and experience punk history in the making!
Two tracks each for a little under eight minutes of total uncontrolled chaos. By a hair’s breadth, the friendly challenge sees the Napalm Death prevail.
Two tracks each for a little under eight minutes of total uncontrolled chaos.
By a hair’s breadth, the friendly challenge sees the Napalm Death prevail.
This split EP from Converge and Napalm Death showcases intense, chaotic hardcore and grindcore tracks. Both bands bring their legendary extremism to the table, with Napalm Death slightly edging out in intensity. Highlights include Converge’s urgent 'No Light Escapes' and a brutal cover of Entombed’s 'Wolverine Blues'. A punishing listen recommended only for the strong-hearted. Dive into the relentless intensity of this Converge and Napalm Death split EP—listen now for a brutal hardcore and grindcore experience!
My Dying Bride have no rivals and know no other musical creed. The solemn and dark atmospheres typical of My Dying Bride meeting and marrying the decadent Trip Hop of the Bristol band. Spine-chilling everywhere.
My Dying Bride have no rivals and know no other musical creed.
The solemn and dark atmospheres typical of My Dying Bride meeting and marrying the decadent Trip Hop of the Bristol band. Spine-chilling everywhere.
My Dying Bride's Meisterwerk II delivers an intense Gothic-Doom-Death Metal experience marked by slow, spectral compositions and evocative dark themes. Highlights include the eight-minute 'She Is The Dark,' showcasing Aaron Stainthorpe's dynamic vocals, and 'Two Winters Only' with its haunting violin. The unexpected yet fitting cover of Portishead's 'Roads' completes this chilling collection, affirming the band's mastery and consistency since the early nineties. Dive into the dark world of My Dying Bride's Meisterwerk II—listen now to experience the haunting Gothic doom metal masterpiece!
Listening to the track “Get Ready” is enough to support my writerly proclamations: direct, swift, and terrifyingly compact. All except David, always detached from the others and expressionless.
Listening to the track “Get Ready” is enough to support my writerly proclamations: direct, swift, and terrifyingly compact.
All except David, always detached from the others and expressionless.
This review reflects on the recent passing of Robert "Strings" Dahlqvist, guitarist for The Hellacopters, and revisits the 2001 White Trash Soul split album with The Flaming Sideburns. It highlights the album's high-energy garage rock style and strong covers, while noting the somber contrast in Dahlqvist's photos and absence during recent reunions. Overall, it honors his musical contribution and the intense, raw sound delivered by both bands. Discover the raw energy and heartfelt tribute in White Trash Soul—listen now and honor Robert Dahlqvist’s legacy.
A Noise-Punk cannon shot of uncontrolled power. In my view, one of their peaks.
A Noise-Punk cannon shot of uncontrolled power.
In my view, one of their peaks.
This review covers the 1993 split single release featuring The Jesus Lizard and Nirvana. Both bands deliver intense and raw performances, with The Jesus Lizard's noise-punk power and Nirvana's ferocious grunge sound. Produced by Steve Albini and released by Touch and Go Records, the single highlights the strengths of two alternative rock pioneers. The reviewer regards the tracks as equally strong, declaring the match a perfect tie. Discover the intense power of The Jesus Lizard and Nirvana's iconic split single—listen now and experience alternative rock history.
An endless chaotic progression; a nightmare deserving of top marks. The concluding trash: twenty-seven minutes... of electronic Techno-Thrash... compel me to give a thumbs down without any second thoughts.
An endless chaotic progression; a nightmare deserving of top marks.
The concluding trash: twenty-seven minutes... of electronic Techno-Thrash... compel me to give a thumbs down without any second thoughts.
The review praises Integrity 2000 for delivering powerful, chaotic metalcore with epic and harsh elements reminiscent of Bolt Thrower. The first ten tracks captivate with dense production and intense vocals. A surprising but positive acoustic-psychedelic folk-rock track introduces variety. However, the final two electronic techno-thrash tracks heavily disappoint, dragging down the overall rating. Despite the flawed ending, the album is highly regarded for its first two-thirds. Experience the raw intensity of Integrity 2000—listen now and judge the epic metalcore clash and its controversial finale yourself!
If Chuck’s human and lyrical component hadn’t been there, probably, I wouldn’t have fallen in love so much with his Death. The most appropriate way to pay homage to Chuck is to keep listening to those masterful songs at high volume. Letting the metal flow (Cit. Steve DiGiorgio).
If Chuck’s human and lyrical component hadn’t been there, probably, I wouldn’t have fallen in love so much with his Death.
The most appropriate way to pay homage to Chuck is to keep listening to those masterful songs at high volume. Letting the metal flow (Cit. Steve DiGiorgio).
This review praises Rino Gissi's comprehensive book that chronicles the artistic journey of Death and its iconic leader Chuck Schuldiner. It highlights the evolution of Death Metal through their music and lyrics, emphasizing Chuck's unique philosophy and lyrical depth. The author appreciates the personal dedication to detail and the homage paid to Chuck's legacy. The review closes with a strong recommendation to celebrate Chuck's influence by listening to his masterful music. Discover Chuck Schuldiner's profound legacy through Rino Gissi's book and dive into the heart of Death Metal—listen now and feel the metal flow!
They reminded us that being independent means above all being oneself. 'Ice Cold Ice' is a continuous chase even of the two voices, with Bob intent on shouting the verses while Grant repeats the song’s title with his tone so soft and light.
They reminded us that being independent means above all being oneself.
'Ice Cold Ice' is a continuous chase even of the two voices, with Bob intent on shouting the verses while Grant repeats the song’s title with his tone so soft and light.
This review highlights Hüsker Dü's unique position in 1980s American rock, focusing on their raw and fearless approach to music. 'Ice Cold Ice,' their final single from 'Warehouse: Songs and Stories,' is praised for its intense energy and emotional tension. The ongoing conflicts between band members Bob Mould and Grant Hart are portrayed as a central theme leading to the band's breakup in 1987. The review captures both the musical brilliance and the turbulent personal dynamics within the band. Dive into Hüsker Dü's legacy and experience the raw power of 'Ice Cold Ice'—listen now and explore the roots of indie punk rock.
This mini-album... is the least appreciated work by Mudhoney. But not by yours truly. Another Mudhoney record that rocks and cuts you in half... naturally!
This mini-album... is the least appreciated work by Mudhoney. But not by yours truly.
Another Mudhoney record that rocks and cuts you in half... naturally!
This review celebrates Mudhoney's EP Five Dollar Bob's Mock Cooter Stew as an underrated gem full of raw energy and signature garage-noise grit. Despite being less appreciated by critics, the reviewer praises the band's unpolished, chaotic recording style and standout tracks that blend garage punk and psychedelic elements. The EP captures the spirit of early 90s Seattle grunge with powerful vocals and distorted guitars. The reviewer awards it five stars and highlights the EP’s visceral and captivating nature. Listen to Mudhoney's gritty EP and experience their raw garage noise and psychedelic vibes firsthand!
DeRank™: 0,21
DeRank™: 14,42
DeRank™: 9,08
DeRank™: 0,00
DeRank™: 3,68
DeRank™: 0,12
DeRank™: 0,31
DeRank™: 11,03
DeRank™: 15,93
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