Carlo V.

 The elixir is the journey into the unknown, the challenge to what is unknown, always holding your head high despite the total inability to understand what will be.

 Here lies everything, or almost everything, of the professor, and if you like this type of approach, where the entire output of an artist is encapsulated in an LP or a track, here I could almost say that there’s a track that is ‘the’ track, the one where all of Vecchioni is present, all his artistic strength and poetic gentleness, namely ‘Figlia.’

This review praises Roberto Vecchioni’s album Elisir as a cornerstone of Italian music, highlighting its conceptual depth and poetic qualities. It contrasts Vecchioni’s journey motif with other artists and emphasizes the album’s artistic coherence and lasting impact. The reviewer sees Elisir as embodying Vecchioni’s essence and recommends the track ‘Figlia’ as a definitive example of his strength. The album is celebrated as both a tribute to travel and artistic purity. Dive into the timeless melodies and profound poetry of Roberto Vecchioni’s Elisir—an essential listen for lovers of Italian music and concept albums.

 "The ship is ready, the crew is already on board, there is no more waiting to set off toward a destination that does not exist, an island that hasn’t been found, and that will never be found."

 "The existentialism of 'The Hill' greatly influences my high regard for the album, capturing the elusive passage of time and human uncertainty."

Francesco Guccini's 1970 album 'L'isola non trovata' marks a pivotal moment in his career, embracing themes of time, existential unease, and the endless search for meaning. The album features a strong side A with standout tracks like the title track and 'Another Day Has Gone,' while side B is more uneven but still compelling. Guccini's poetic lyricism and folk melodies create a deeply reflective journey, influencing Italian singer-songwriters including Vecchioni. This album is a foundational masterpiece in Guccini's discography. Discover the poetic depth of Guccini's 'L'isola non trovata'—listen now and embark on a timeless musical journey.

 The idea doesn’t excite me, and the album compilation feels forced.

 'Lager' stands out for its word choice, sensitivity, and bitter anger.

This review assesses Francesco Guccini's 1981 album Metropolis as a weaker entry in his discography, positioned between two stronger works. The concept tying the album together is seen as lackluster and less compelling than his usual songwriting. While some tracks like 'Lager,' 'Bisanzio,' and 'Bologna' stand out, the album overall feels like a forced compilation. The reviewer expresses limited personal connection with the album's urban themes. Explore Francesco Guccini's Metropolis to decide if this reflective album fits your taste in thoughtful Italian songwriting.

 Gaber should be appreciated for his honesty, his immediacy, his communicative force, halfway between poetry and subversive speeches.

 'Ci sono dei momenti' stands out as a poetic, sincere, and touching introspection beyond Gaber's usual social commitment.

Giorgio Gaber's album Dialogo tra un impegnato e un non so marks the peak of his theatrical-song project with Luporini. Its long format and theatrical prose present a challenging but rewarding listening experience. The album combines irony, social critique, and moments of sincere introspection, highlighting Gaber's simple and direct language. Classic tracks like 'Al bar Casablanca' and 'Ci sono dei momenti' offer memorable insights into societal indifference and personal emotions. Overall, the album showcases Gaber's communicative strength and honest approach. Explore Giorgio Gaber's unique blend of theater and song—listen to Dialogo tra un impegnato e un non so and dive into Italian musical storytelling.

 'No album... except Polli di allevamento.'

 'The level of the songs is always high, both in the usual ironic episodes and in the attention to current affairs, contemporary man and his fears and manias.'

This review highlights Giorgio Gaber's 'Polli di Allevamento' as the standout album among his theatrical works from 1970-1985. It praises the album's thematic coherence, social and political insight, and emotional depth. The reviewer considers it Gaber's best classic, emphasizing its critique of conformity and generational disillusionment. While noting challenges in listening to Gaber's theater-song albums at home, 'Polli di Allevamento' successfully balances irony, introspection, and commitment. Explore Giorgio Gaber's 'Polli di Allevamento' to experience a masterful blend of theater, social critique, and timeless songwriting.

 In these two works we find in 'nuce' much of the later Vecchioni.

 Two very enjoyable LPs, even more so if listened to while anticipating those that will follow.

This review discusses Roberto Vecchioni’s first two LPs, highlighting their youthful experimentation and poetic depth. 'Parabola' stands out as more interesting and lyrically rich, while 'Saldi di fine stagione' contains fewer inspired tracks. Themes of unrequited love, absence, and mythological references are central. Despite some unevenness, the albums offer a valuable insight into Vecchioni’s evolving artistry before his acclaimed 1970s peak. Discover Roberto Vecchioni’s poetic beginnings—listen to Parabola and Saldi di fine stagione and experience the roots of a legend.

 'The album opens and closes with two very good episodes, 'Io ti racconto'... and 'La giacca,' where the musings stand on their own, just listen to the poetic quality of the text.'

 'Un uomo in crisi doesn’t have much to say to those who know Lolli... it suffers from a lack of inspiration, from the obsessiveness of concepts that are neither original nor easy to listen to.'

The review places 'Un uomo in crisi' as the second album in Claudio Lolli's existentialist trilogy, noting its thematic closeness to his debut but less inspired execution. While it contains standout tracks like 'Io ti racconto' and 'La giacca,' much of the album feels repetitive and lacks originality. The album is appreciated for its poetic qualities but not considered among Lolli's best works. It serves as a prelude to his later, more successful albums. Discover Claudio Lolli's early work—listen to 'Un uomo in crisi' and explore his poetic journey through existential themes.

 This album collects four important moments of Guccini’s production. And it’s among his best episodes, along with 'Radici,' 'Amerigo' etc.

 It’s a great album, one that is easy to listen to, also thanks to its brevity, but that leaves many stimuli for the listener, a great desire to listen again, to love every song, and then maybe to stop, once finished listening, to reflect.

The review of Francesco Guccini's album 'Guccini' highlights its short length but deep thematic content focused on travel, existence, and love. Despite some tracks being less impactful, the album overall offers profound reflections and poetic beauty. The reviewer praises the emotional authenticity and calls it one of Guccini's best works, noting its stimulating and contemplative nature. Particular emphasis is given to songs like 'Argentina,' 'Gulliver,' 'Autogrill,' and 'Inutile.' Listen to Guccini’s profound reflections on life and love—discover the beauty in his timeless songs today!

 "Compagni a venire is certainly one of the songwriter’s best tracks, and perhaps the best of this first phase."

 "The first truly suggests the possibility of a new beginning, of a new inspiration, with the exit from a tunnel and the desire to live clashing against existential malaise."

Claudio Lolli’s third LP, Canzoni di rabbia, completes his existential trilogy with a more hopeful and motivated energy than previous albums. The album is divided into two contrasting sides—solitary rage and lucid rage—highlighting moments of personal and social reflection. Key tracks like 'Vent’anni,' 'Al milite ignoto,' and 'Compagni a venire' illustrate themes of war, loss, and the possibility of love and empathy. Overall, this album marks Lolli’s artistic evolution and is regarded as the most successful in the trilogy. Listen to Claudio Lolli’s Canzoni di rabbia and experience a powerful blend of existential rage and hopeful reflection.

 The slight decline begins precisely with 'Signora Bovary' from 1987, the first album... which cannot be called a masterpiece.

 If this LP deserves not to leave you indifferent, it is almost only for a single song... which I consider, perhaps the most beautiful text Guccini has ever written in his career.

Signora Bovary marks a slight decline for Francesco Guccini after a strong output in the seventies and early eighties. While not a masterpiece, it includes standout tracks like 'Scirocco' and 'Culodritto' that showcase his storytelling and emotional depth. The album reflects a transition period in Guccini's career with moments of melancholy and tenderness. Overall, it's a respectable effort but falls short compared to his earlier works. Discover the bittersweet journey of Guccini's Signora Bovary—listen now and explore the depth of Italian storytelling in music.