You are not logged in
DeRank ™: 0,18 • DeAge™ : 4463 days
Just make a lot of noise and give the impression you’re thinking it through and you immediately get some damn contract with a damn major like Sony Music. If this is a good hard rock album, the Saxons were fundamental pioneers. Compared to them even late Pearl Jam are suddenly reevaluated.
Just make a lot of noise and give the impression you’re thinking it through and you immediately get some damn contract with a damn major like Sony Music.
If this is a good hard rock album, the Saxons were fundamental pioneers. Compared to them even late Pearl Jam are suddenly reevaluated.
This review harshly critiques Audioslave's debut album as a derivative and repetitive hard rock effort, lacking originality and overshadowed by commercial motives. The reviewer compares the band unfavorably to both Rage Against the Machine and classic influences like Led Zeppelin. The social and musical messaging is dismissed as superficial, with the album seen as a product targeting mainstream consumption rather than true artistic innovation. Read this candid review and decide if Audioslave’s debut is truly worth your time or just another overhyped rock release.
I wish someone would kick Bob Geldof’s ass once and for all. If you have the guts to get close because they stink like hell... 'The Priests haven’t been the same since Defenders of The Faith.'
I wish someone would kick Bob Geldof’s ass once and for all.
If you have the guts to get close because they stink like hell... 'The Priests haven’t been the same since Defenders of The Faith.'
The reviewer harshly criticizes classic rock icons like Black Sabbath, Genesis, and Judas Priest, expressing strong contempt for their music and personas. The rant targets Live Aid and some musicians’ careers, describing repetitive concerts and lack of originality. It reveals frustration with aging rock acts still drawing fans despite declining quality. The language is aggressive, loud, and emotionally charged throughout. Dive into this fierce critique and discover a brutally honest take on classic rock legends!
The most "known" song, absolute crap without question when it comes to metal, is "Enter Sandman". Metallica represents metal crap in the absolute sense.
The most "known" song, absolute crap without question when it comes to metal, is "Enter Sandman".
Metallica represents metal crap in the absolute sense.
This review delivers an unfiltered and harsh criticism of Metallica's Black Album, condemning its musical quality and the band members' skills. It accuses the band of commercializing their music and lacking real artistic depth. The reviewer dismisses famous songs like 'Enter Sandman' as overrated and criticizes the members individually, labeling the album as unworthy metal. The review is emotionally charged and deeply sarcastic throughout. Read this brutally honest Metallica Black Album review and decide if their iconic metal sound lives up to the hype.
Use your illusion, or the shit consumed by young people as if it were white truffle pulp... At one point AXL screams all excited 'I want to fuck all the girls on Venice Beachhhh!!! I have a piece of meat that measures 35 cm!!!!'... just go fuck yourselves.
Use your illusion, or the shit consumed by young people as if it were white truffle pulp...
At one point AXL screams all excited 'I want to fuck all the girls on Venice Beachhhh!!! I have a piece of meat that measures 35 cm!!!!'... just go fuck yourselves.
This review harshly criticizes Guns N' Roses' Use Your Illusion I & II, describing the albums as overproduced and disappointing compared to their earlier work. The author mocks the band’s style, lyrics, and public persona, suggesting the albums fail to live up to the hype. Despite Axl Rose's efforts, the music is likened to a 'pile of shit' catering to a juvenile audience. The review blends biting sarcasm with vivid imagery to emphasize disillusionment with the band's work. Dive into this fiercely honest review and decide if Guns N' Roses' Use Your Illusion albums deserve their legendary status or your skepticism.
So I see them and I say "Let's give these sacks of shit a chance"... I was so disgusted that I switched to ReteAllmusic...
So I see them and I say "Let's give these sacks of shit a chance"...
I was so disgusted that I switched to ReteAllmusic...
The review offers a scornful and sarcastic critique of Oasis and their album (What's The Story) Morning Glory?. It mocks their live performance and talent, accuses them of plagiarism, and dismisses their appeal to MTV and fans. Despite the heavy sarcasm, it acknowledges the album’s mix of melancholy and rock elements but ultimately condemns the band’s artistic originality. Dive into this brutally honest and sarcastic review to discover the darker side of Oasis' Morning Glory!
One of the most erotomaniac albums ever, dip the biscuit for sure. Vic will tell you that he’s smelled many little birdies thanks to this album...
One of the most erotomaniac albums ever, dip the biscuit for sure.
Vic will tell you that he’s smelled many little birdies thanks to this album...
The review celebrates Morphine's album 'Yes' as one of the most erotomaniac and funky records ever made. The reviewer highlights the vivid and repetitive lyrics that create a unique atmospheric experience. Rated 5 out of 5, the album is praised for its distinct style and memorable content. The reviewer hints at its addictive nature, suggesting a lasting impression on listeners. Listen to Morphine's 'Yes' now and experience one of the most uniquely erotic and funky albums ever released!
Self-destruction hides in what you most desire because it is what holds true power over you. "Hurt" transcends personal pain and becomes an indictment of all modern society as an "empire of dirt."
Self-destruction hides in what you most desire because it is what holds true power over you.
"Hurt" transcends personal pain and becomes an indictment of all modern society as an "empire of dirt."
This detailed review offers a psychoanalytical exploration of Nine Inch Nails' 1994 album The Downward Spiral. It examines themes of control, identity, rebellion against God, and the struggle between humanity and mechanization. The analysis interprets lyrics and music as a journey through self-destruction, power, and eventual acceptance of mortality. The review positions the album as a seminal masterpiece of the 90s, engaging a mature, thoughtful audience. Dive deep into the dark genius of Nine Inch Nails' The Downward Spiral and uncover its haunting psychological themes.
Dangerous is a colossal pile of crap extending over 12 songs and more, also known as the musical demise of the pedophile. Thank you, filthy pedophile, for stirring up the discussion with my girlfriend.
Dangerous is a colossal pile of crap extending over 12 songs and more, also known as the musical demise of the pedophile.
Thank you, filthy pedophile, for stirring up the discussion with my girlfriend.
This review harshly criticizes Michael Jackson's Dangerous album, intertwining it with intense personal anger about the artist's alleged behavior and public controversies. The reviewer expresses deep disdain for Jackson both as a person and musician, dismissing the album entirely. The review includes an imagined, sarcastic interview portraying Jackson negatively, with heavy focus on allegations of pedophilia. Ultimately, the review rejects any notion of musical appreciation due to personal disgust. Read this fierce critique of Michael Jackson's Dangerous and decide for yourself!
Slash rock has been dead for at least 15 years???? You Velvet Revolver aren’t transgressive today, you’re just scum adding to the scum.
Slash rock has been dead for at least 15 years????
You Velvet Revolver aren’t transgressive today, you’re just scum adding to the scum.
This review harshly critiques Velvet Revolver's 'Contraband' album, condemning its lack of originality and connection to past rock legends. The author expresses frustration with the current state of rock and metal music, calling out clichés, commercialization, and posing within the fan base. The review is filled with sarcasm and disillusionment about the band's contribution to the genre. Dive into this bold review to challenge your view of Velvet Revolver’s Contraband and explore the fight for true rock authenticity!
"The Holy Bible is one of the most 'violent' British Rock albums (in a... psychological sense), since the days of Joy Division." "Since James’ disappearance, the Manics are dead and buried, but many haven’t noticed and continue to listen to this crap that comes out every three years."
"The Holy Bible is one of the most 'violent' British Rock albums (in a... psychological sense), since the days of Joy Division."
"Since James’ disappearance, the Manics are dead and buried, but many haven’t noticed and continue to listen to this crap that comes out every three years."
The review highlights The Holy Bible as one of the most emotionally intense British rock albums since Joy Division. It praises the album's raw, blunt impact and psychological themes. The reviewer reflects on the tragic figure of Richey James and criticizes the band's later work. The overall tone conveys respect for the album's dark legacy while condemning the band’s current trajectory. Listen to The Holy Bible now and experience one of British rock's darkest and most powerful records.
DeRank™: 0,00
DeRank™: 0,03
Drag here or click to upload a photo.
Drag here or click to upload a video.
Drag here or click to upload an audio file.
You can take a note on this content. What you write here is visible only to you. To view your notes, go to the bookmarks section.