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DeRank ™: 13,42 • DeAge™ : 4991 days
You absolutely cannot accuse good Giovanni of Wales of being banal, boring, or static, musically speaking, not even in the case of his seemingly more banal productions. Among these numbers and a few decent New Wave experiments, some raw pearls stand out.
You absolutely cannot accuse good Giovanni of Wales of being banal, boring, or static, musically speaking, not even in the case of his seemingly more banal productions.
Among these numbers and a few decent New Wave experiments, some raw pearls stand out.
This review challenges the common negative perception of John Cale's Caribbean Sunset, highlighting its bold musical experimentation and raw energy. While acknowledging flaws like disorienting mixing and weaker vocals, it praises standout tracks blending punk, goth, and krautrock influences. The album is seen as a unique and interesting work that deserves more appreciation, especially as a follow-up to Honi Soit. Explore John Cale’s Caribbean Sunset for a daring blend of raw punk, goth, and krautrock—listen now and discover hidden gems!
A whirlwind of gray and black emotions, seasoned with flashes of wild hope for a glimpse of light. This quartet lays out what it takes to annihilate and leave scorched earth, regardless of execution speed.
A whirlwind of gray and black emotions, seasoned with flashes of wild hope for a glimpse of light.
This quartet lays out what it takes to annihilate and leave scorched earth, regardless of execution speed.
Full of Hell's 'Roots of Earth Are Consuming My Home' is a fierce blend of grindcore, powerviolence, crust punk, sludge, and noise. The album offers an intense, chaotic, and dark listening experience with fleeting moments of hope. The review highlights the band's ability to create a rarefied, psychedelic shroud around their destructive sound. With a high rating, the album is praised for its raw emotion and brutal execution. Experience Full of Hell's intense chaos—listen to Roots of Earth Are Consuming My Home now!
Everything is so dissonant, mechanically oppressive, with that touch of filth. And it creates a pleasant addiction. It makes me feel violated every time it comes to an end. But our Swans are so good at doing it that I let them.
Everything is so dissonant, mechanically oppressive, with that touch of filth. And it creates a pleasant addiction.
It makes me feel violated every time it comes to an end. But our Swans are so good at doing it that I let them.
Swans' 1986 album 'Holy Money' is a dark, mechanically oppressive No Wave record that captivates with its addictive dissonance. Michael Gira's commanding vocals contrast with Jarboe's hypnotic singing, creating emotional tension. The reviewer finds the album intense yet compelling, evoking confusion and alienation. This sibling to 'Greed' finalizes the band's first era with a uniquely challenging sound. Dive into Swans' 'Holy Money' and experience the dark, hypnotic intensity of this No Wave classic today!
Four notes, yes, but millions of nuances. The smoke isn’t black and oppressive as it used to be. This time it’s colorful and smells of jubilation, of purification.
Four notes, yes, but millions of nuances.
The smoke isn’t black and oppressive as it used to be. This time it’s colorful and smells of jubilation, of purification.
Pyroclasts is a companion album to Sunn O)))'s Life Metal, featuring four improvisations each based on a single note. The album presents an ambient and meditative experience, blending drone metal with hypnotic sonic textures. It evokes imagery of volcanic forces and a transformative atmosphere, emphasizing jubilation and purification rather than oppression. Fans will appreciate the subtle shift toward ambient composition while maintaining the essence of Sunn O))). Dive into Sunn O)))'s Pyroclasts and experience a hypnotic blend of ambient and drone metal—listen now to a transformative sonic journey!
‘The Doctor Came At Dawn’ is a manifesto of rawness, anguish, and brutality on both an emotional and musical level. Every heart-wrenching lament of that tormented voice, searching for melodies that don’t exist, is an arrow to the chest.
‘The Doctor Came At Dawn’ is a manifesto of rawness, anguish, and brutality on both an emotional and musical level.
Every heart-wrenching lament of that tormented voice, searching for melodies that don’t exist, is an arrow to the chest.
This review highlights the dark, raw, and emotionally brutal nature of Smog's album 'The Doctor Came at Dawn.' It praises the therapeutic quality of its minimalist and intense compositions. The sparse instrumentation combined with Bill Callahan's anguished voice creates a challenging but deeply rewarding listening experience. The album grows in intensity, plunging the listener into increasingly darker moods. Dive into Smog’s raw and haunting world—listen to ‘The Doctor Came at Dawn’ and experience its powerful emotional journey.
It’s an album I adore visualizing as a very soft, fragrant, and velvety blanket, one that’s so pleasant to touch. Loneliness arrives without making a noise.
It’s an album I adore visualizing as a very soft, fragrant, and velvety blanket, one that’s so pleasant to touch.
Loneliness arrives without making a noise.
Tacoma Radar’s album No One Waved Goodbye is a rare and intimate musical work filled with bittersweet emotions and delicate vocals by Jennifer Cosgrove. Released in 2004 following a brief career, this evocative collection blends themes of departure and return. The reviewer likens the album to a warm, soft blanket that offers comfort during emotional coldness. Its mystery and sincere simplicity make it a treasured find. Dive into Tacoma Radar’s evocative soundscape and experience the warm, intimate embrace of No One Waved Goodbye.
It is Industrial Techno, laden with that pungent spice of Power Electronics, meeting the obsessive and hypnotic percussion of Haitian Voodoo tradition. It will travel through the depths of your most unknown self and bring you to nausea, just to free you.
It is Industrial Techno, laden with that pungent spice of Power Electronics, meeting the obsessive and hypnotic percussion of Haitian Voodoo tradition.
It will travel through the depths of your most unknown self and bring you to nausea, just to free you.
Festival of the Dead by Cut Hands, led by William Bennett, is a compelling fusion of industrial techno and Haitian Voodoo percussion. This album evokes a modern ritualistic experience, blending hypnotic rhythms and provocative soundscapes. It stands as a distorted, possessive celebration that pushes listeners toward a transformative sonic journey. The album carries forward Bennett's legacy beyond Power Electronics into rich, new territories. Dive into the hypnotic fusion of industrial beats and voodoo rhythms—listen to Festival of the Dead now!
31 minutes is the duration of catharsis, of the out-of-body experience. This track for me represents the astral mix of Converge’s entire catalog, not just that track.
31 minutes is the duration of catharsis, of the out-of-body experience.
This track for me represents the astral mix of Converge’s entire catalog, not just that track.
Converge's Endless Arrow is a free, experimental 31-minute remix that expands on the original Aimless Arrow track from 2012. Released at the start of the COVID-19 pandemic, it creates a transcendent and immersive sonic experience. The track is described as an astral, multi-layered journey representing the band's entire catalog. This release is seen as a cathartic and angelic sound exploration that deeply resonates. Dive into Converge's Endless Arrow on Bandcamp and experience this unique sonic journey today!
"Sleaford Mods have found new vitality, freshness, and more reasons to go all out, as always." "They have truly created a fusion of colors, tones, and flavors with this musical offering, capable of satisfying various tastes."
"Sleaford Mods have found new vitality, freshness, and more reasons to go all out, as always."
"They have truly created a fusion of colors, tones, and flavors with this musical offering, capable of satisfying various tastes."
Sleaford Mods return strongly with Spare Ribs, blending their signature post-punk style with fresh electronic influences inspired by the pandemic. The album addresses socio-political themes and social media critique, featuring standout guest appearances by Billy Nomates and Amy Taylor. It marks a creative resurgence after a less impressive previous album, offering a variety of sounds that satisfy diverse tastes. Explore Spare Ribs now to experience the dynamic post-punk revival and sharp social commentary of Sleaford Mods.
"If I had to choose an adjective to describe this album, I think 'intimate' would suffice." "Simple review, just as they were. Pure and straight to the heart."
"If I had to choose an adjective to describe this album, I think 'intimate' would suffice."
"Simple review, just as they were. Pure and straight to the heart."
Mandalay's album 'Instinct' is praised for its intimate and ethereal qualities. The review highlights the album's ability to evoke bittersweet yet peaceful moods, perfect for quiet, reflective moments. The musical style is pure and straight to the heart, capturing a dreamy atmosphere. The reviewer suggests 'Instinct' is a hidden gem worth discovering. Listen to Mandalay's 'Instinct' and experience an intimate blend of ethereal trip hop that touches the heart.
DeRank™: 5,19
DeRank™: 3,99
DeRank™: 32,23
DeRank™: 18,52
DeRank™: 7,33
DeRank™: 5,57
DeRank™: 4,45
DeRank™: 0,49
DeRank™: 1,96
DeRank™: 6,75
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