Untilted

 "Snackwitch is a little gem: with daring colossal strings, funky bongos, vintage breaks, massive bass lines and analog synths making everything very warm and enveloping."

 "The truly unmissable track is 'Mag,' a solid instrumental hip hop experiment with a remarkably street flavor, featuring typical funk samples and a heavy old-school beat."

Gescom EP 2 presents a distinct fusion of hip hop and electronic music, diverging from usual IDM and electro sounds. Featuring collaborations within the SKAM community, it highlights tracks like 'Snackwitch' and the instrumental 'Mag,' showcasing innovative acid-hop elements. The release is praised as a strong comeback following a prior weaker effort. Listen to Gescom EP 2 now and dive into the innovative blend of hip hop and electronic sounds!

 Otto literally dominates the release, unleashing himself among horse verses, rapped growls, concrete fields, and death metal digressions.

 Probably one of the most incredible tracks the genius from Miami has ever conceived.

Megadebt’s 'Misadventures In Global Desecration' offers a diverse, sometimes chaotic, yet rewarding electronic album. Otto Von Schirach’s tracks stand out with innovative blends of genres like death metal, glitch, and techno. Other contributors bring contrasting styles, creating a rich but uneven listening experience. The limited version highlights the strongest pieces and is highly recommended. Despite its complexity, the album is a compelling exploration of experimental sounds. Dive into Megadebt's wild electronic chaos and discover Otto Von Schirach’s genre-bending genius today!

 "Tense but never over-the-top atmospheres, perfectly calibrated sounds, microspasms, industrial dissonances and MPCs violated for a Von Schirach that this time leaves zero room for the self-irony that has always characterized him."

 "Brainy and politicized work 'Misadventures In Global Domination' can boast an Otto in great shape who... spews out advanced hip hop beats and trademark complex IDM rhythms, accompanied by sporadic breakcore deviations."

Otto Von Schirach returns with Megadebt's 'Misadventures In Global Domination,' a complex and politically charged album featuring intricate hip hop beats, IDM rhythms, and breakcore elements. The work highlights Otto's experimental approach with tense atmospheres and industrial sounds. Departing from his usual self-irony, this EP shows a darker, more focused side of the artist. The collaboration with Rice and Beans and Beta Bodega activists adds depth and sharp production. Listen to Megadebt’s daring blend of IDM, hip hop, and breakcore—experience Otto Von Schirach’s innovative sound now!

 ‘Pig’ is first and foremost a delight to listen to, an almost metaphysical experience where in the dusty industrial-noise chaos one can even smell these future juicy and reassuring dishes.

 ‘Pig’ has not only philosophized ... on the concepts of mass, herd, and homogenization, but has in fact created one of the most experimental works ever appeared on media.

V/Vm's 'Pig' is a bold experimental album using pig sounds transformed through intense digital processing. The work conveys themes of mass and chaos, blending surreal noise with subtle musicality. It challenges traditional music norms, delivering a unique sensory experience. The project reflects both conceptual depth and sonic innovation. Dive into V/Vm's 'Pig' and experience one of the most daring noise experiments ever crafted.

 "It is also their worst, and probably the one in which the two Autechre had the least involvement."

 "The result is equally mediocre and without the slightest hint of inspiration."

Gescom's Motor EP from 1994 is considered their weakest release, with minimal input from Autechre. The tracks lean heavily on dated American electro and acid techno styles but lack development and inspiration. Motor 1 shows some Autechre influence, while Motor 2 and 3 feel uninspired acid techno experiments. Motor 4 tries to adopt an IDM approach but remains mediocre. The artwork is praised despite the music's shortcomings. Discover why Gescom's Motor EP remains a controversial and overlooked 1994 electronic release—listen and judge for yourself!

 Gescom EP: or when masters teach.

 Dan One flaunts dirty grooves, cosmic drones, disharmonic and sinister melodic patterns, techno beats with well-calibrated distortions in pure early Autechre style.

Gescom's 1994 debut EP on Skam exemplifies a collective approach to electronic music that blends Detroit techno with ambient and drone elements. The EP highlights the creative input of Autechre and Bola, presenting innovative, deep, and textured tracks. Each composition reveals a pioneering fusion characterized by complex rhythms and melodic innovation, cementing its status as a landmark release. This EP is a masterful example of avant-garde electronic music from the mid-90s. Discover the groundbreaking sound of Gescom EP – listen now and experience techno’s innovative evolution.

 The jewel, however, is the phenomenal "Bankrobber", one of the first examples of 'glitch hop', where a massive beat of snare and bass drum is followed by a series of electronic/idm digressions.

 Otto manages to do even better with the original, which boasts android and futuristic beats, delirious atonal riffs between cartoon and avant-garde, as well as the essential spoken word of Miami bass origin.

El Golpe Avisa by Otto Von Schirach is a compelling 2003 release that pushes the limits of experimental hip-hop and glitch hop. The EP features innovative beats, futuristic sounds, and vocal styles drawn from Miami bass, layered with complex electronic textures. Highlights include a standout remix of "Beta Bodega (La Guerra)" and the pioneering track "Bankrobber," noted for its glitch hop elements and inventive use of the MPC sampler. The album solidifies Otto’s reputation for high-quality avant-garde productions. Listen to Otto Von Schirach’s El Golpe Avisa and explore the roots of experimental glitch hop today!

 "GaijinCD4 is the sound that reaches our ears cannot be identified, labeled, or perceived as something that has anything to do with what is commonly known as 'music'."

 "What we hear on GaijinCD4 is proselytism, characters knocking on the door of your mind with the intent to spread the religion of Sound."

GaijinCD4 is a revolutionary experimental album crafted by Matmos, Kid606, and Jay Lesser. It transcends conventional music and noise, creating an abstract sound experience. The album challenges traditional music structures, embracing pure sound and glitch errors. It stands as an innovative ode to sound itself, pushing boundaries of sonic art. Dive into the radical world of GaijinCD4 and experience sound beyond music—listen now and explore the boundaries of audio experimentation!

 A record perhaps anachronistic, since porno-fascist power-electronics is purely an eighties affair, yet it manages to hit the target nonetheless.

 This is one of the last 'flashes' of the already dying industrial scene. But beware, do not drop dead from it.

The review examines The Grey Wolves' 1996 album 'Catholic Priests Fuck Children' as a seminal and abrasive work in the death-industrial and power-electronics genres. It highlights its unique blend of slow, droning harsh noise that stands apart from typical noisecore, evoking elements of Zoviet France and Whitehouse while incorporating black metal atmospheres. The album is seen as a powerful and somewhat anachronistic manifesto of 1980s porno-fascist power-electronics, demonstrating remarkable restraint and artistic ferocity. It ultimately represents one of the last major flashes of a fading industrial scene. Dive into the brutal and haunting world of The Grey Wolves' industrial soundscape—experience the raw power of 'Catholic Priests Fuck Children' now.

 "Otto Von Schirach is the most complex of this group of A+ students, creating music that could be labeled as 'IntelligentDM.'"

 "Earjuice Synthesis is yet another stroke of genius, a demented and grotesque track that balances avant-garde and cartoonish madness."

Earjuice Synthesis, the final chapter in Otto von Schirach’s Chopped Zombie Fungus series, showcases his relentless experimentation and refusal to conform. The album combines chaotic sound collages with intelligent, unconventional structures, setting him apart from peers. It’s a daring journey through abstract, grotesque, and satirical sonic landscapes blending IDM, breakcore, and Miami bass. Otto’s work defies expectations and celebrates creative freedom, solidifying his role as a pioneering electronic artist. Dive into Otto von Schirach's Earjuice Synthesis and experience a wild ride of experimental electronic genius today!