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DeRank ™: 0,05 • DeAge™ : 5587 days
The surreal little stories are delightful; it’s a shame for the exclusion of the best-made track ('Filthy Bird'). The Hitchcock of 1998 is no longer much inclined to pretend to be Syd Barrett, and if in general this is a great fortune, here the interpretations lack punch.
The surreal little stories are delightful; it’s a shame for the exclusion of the best-made track ('Filthy Bird').
The Hitchcock of 1998 is no longer much inclined to pretend to be Syd Barrett, and if in general this is a great fortune, here the interpretations lack punch.
Storefront Hitchcock, the soundtrack to Jonathan Demme's live documentary, captures Robyn Hitchcock performing acoustic versions with a surreal and intimate vibe. While the album offers delightful storytelling and reinterpretations, it lacks the energy and punch typical of Hitchcock's work. The exclusion of 'Filthy Bird' is noted but doesn't justify purchasing the album solely for that track. Overall, it's an interesting mid-career curiosity but not essential listening. Discover Robyn Hitchcock's intimate acoustic side—listen to Storefront Hitchcock and explore its surreal, stripped-down stories today!
Many of the unreleased tracks are second and third-rate rejects (nadir the barely sketched-out cover of Roxy Music’s 'More Than This'). Shameful the absence of 'Arms of Love', misleading the diachronic criterion.
Many of the unreleased tracks are second and third-rate rejects (nadir the barely sketched-out cover of Roxy Music’s 'More Than This').
Shameful the absence of 'Arms of Love', misleading the diachronic criterion.
This review critiques the compilation of Robyn Hitchcock & The Egyptians' Greatest Hits as subpar given its limited scope, missing key tracks, and inclusion of weaker unreleased songs. It praises some gems and notes interesting collaborations. The absence of certain fan favorites is seen as a disappointment. Dive into Robyn Hitchcock & The Egyptians' hits and discover the gems — but don’t miss the notable absences!
"Moss Elixir is a well-structured album, no longer 'Beatlesque' or a fake of much of the work of the Egyptians." "Heliotrope, Filthy Bird, Sinister But She Was Happy are gems of his entire career, arranged moreover with sparse timbral wisdom."
"Moss Elixir is a well-structured album, no longer 'Beatlesque' or a fake of much of the work of the Egyptians."
"Heliotrope, Filthy Bird, Sinister But She Was Happy are gems of his entire career, arranged moreover with sparse timbral wisdom."
Moss Elixir showcases Robyn Hitchcock's evolution into a mature singer-songwriter, moving away from Beatlesque influences. The album contains standout tracks like Heliotrope and Filthy Bird and benefits from well-crafted sparse arrangements. A few weak moments don't overshadow the overall competent and reflective work. This album invites repeated listening to fully appreciate its nuances. Listen to Moss Elixir and experience Robyn Hitchcock's mature artistry and hidden gems today!
The swan song of the Egyptians is their most atypical album and the only one, along with Fegmania!, to preserve a precise identity as a whole. His serious authorial ambitions reach their peak with The Wreck of the Arthur Lee and Serpent at the Gates of Wisdom.
The swan song of the Egyptians is their most atypical album and the only one, along with Fegmania!, to preserve a precise identity as a whole.
His serious authorial ambitions reach their peak with The Wreck of the Arthur Lee and Serpent at the Gates of Wisdom.
Robyn Hitchcock and The Egyptians' album 'Respect' stands out as an atypical and complex final work. The album blends electronic sounds with Hitchcock's serious songwriting, drawing comparisons to the Magnetic Fields and Brian Wilson. Despite its difficulty and lack of accessibility, it preserves a cohesive identity and showcases Hitchcock's artistic peak. Dive into 'Respect' to experience Robyn Hitchcock's intricate and ambitious musical journey today!
Hitchcock mimics John Lennon but his ease is not enough. A small failure.
Hitchcock mimics John Lennon but his ease is not enough.
A small failure.
The review critiques Robyn Hitchcock and The Egyptians’ 'Element of Light' as a transitional album aiming for the indie market but falling short in songwriting. While the album shows melodic clarity and meticulous arrangements, many tracks are seen as sleepy or subpar. Attempts to channel John Lennon and psychedelic elements offer occasional highlights but fail to lift the overall experience. The album is described as a minor failure in Hitchcock's discography. Explore Robyn Hitchcock's 'Element of Light' and decide if this transitional album resonates with your indie and jangle-pop tastes.
The only real thing it illuminates is the wavering nature of Hitchcock’s muse. Robyn Hitchcock’s leftovers are predictably embarrassingly poor in quality.
The only real thing it illuminates is the wavering nature of Hitchcock’s muse.
Robyn Hitchcock’s leftovers are predictably embarrassingly poor in quality.
This review critiques Robyn Hitchcock's 'Invisible Hitchcock' as a collection of leftover songs that lack cohesion and quality. It largely consists of traditional blues tracks, many of which come off as uninspired. While the album offers some insight into Hitchcock's evolving muse, the overall success of this compilation remains questionable. Discover if Robyn Hitchcock's 'Invisible Hitchcock' catches your ear or just leaves you wanting more.
The solidity of the rhythm section gives enormous satisfaction in the more compressed and treacherous tracks. My Wife and My Dead Wife, the masterpiece of Egyptian Cream, the subtle Insect Mother – meticulously arranged and witty pop.
The solidity of the rhythm section gives enormous satisfaction in the more compressed and treacherous tracks.
My Wife and My Dead Wife, the masterpiece of Egyptian Cream, the subtle Insect Mother – meticulously arranged and witty pop.
This review praises Fegmania! for recapturing the group spirit missing in earlier Robyn Hitchcock works. Despite the absence of guitarist Kimberley Rew, the rhythm section's strength and witty, polished pop songs shine through. Some trivial elements are noted but don't detract from the album's overall quality. The album is seen as a satisfying continuation of Hitchcock's post-Soft Boys career. Discover the unique charm of Fegmania!—listen to Robyn Hitchcock and The Egyptians' clever and captivating 1980s classic now!
The music itself is often disappointing, apart from some not unpleasant jangly rides. 'Acid Bird' dedicated to Syd Barrett and becoming a classic 'on principle'.
The music itself is often disappointing, apart from some not unpleasant jangly rides.
'Acid Bird' dedicated to Syd Barrett and becoming a classic 'on principle'.
Robyn Hitchcock's Black Snake Diamond Role marks his first solo album, preserving some qualities of his previous band work. While some tracks stand out with jangly and atmospheric elements, much of the album suffers from mediocre retro-style pop. The tribute to Syd Barrett with 'Acid Bird' feels more principle-driven than inspired. Discover the unique blend of jangly retro pop in Robyn Hitchcock's solo debut—listen and decide for yourself today!
Latimer’s tedious solos dominated the instrumental ballads. The frayed concept of Berlin divided by the wall was not enough to hold together a collection of tracks packaged for the radio.
Latimer’s tedious solos dominated the instrumental ballads.
The frayed concept of Berlin divided by the wall was not enough to hold together a collection of tracks packaged for the radio.
Camel's Stationary Traveller follows up on The Single Factor with polished production and detailed arrangements. However, its commercial ambitions result in dry compositions and tedious solos. The Berlin Wall concept feels fragmented and the album lacks cohesion, producing a somewhat disappointing listening experience. Explore the depths of Camel's Stationary Traveller and discover why this ambitious prog-rock album fell short.
Thanks to greater awareness and variety at both the melodic and timbral levels, the result has the colors of a broad cantautorial and sonic palette. An overflowing chorality keeps the thread of the work tightly stretched, preventing the eclectic timbral drifts from dissolving it into a series of juxtaposed episodes.
Thanks to greater awareness and variety at both the melodic and timbral levels, the result has the colors of a broad cantautorial and sonic palette.
An overflowing chorality keeps the thread of the work tightly stretched, preventing the eclectic timbral drifts from dissolving it into a series of juxtaposed episodes.
The Sea Nymphs' self-titled album is a significant improvement over their previous work, blending psychedelic folk with progressive influences. The trio showcases a rich melodic and timbral palette, balancing eclecticism with cohesive chorality. Its inventive songwriting features lyrical and sonic depth, highlighted by the single 'Appealing to Venus.' While some keyboard parts evoke liturgical moods, the album remains engaging and well-crafted. Explore The Sea Nymphs' unique psychedelic folk sounds and dive into their rich, progressive melodies today!
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