The collapse of "The Single Factor" was not a deterrent to the creation of a sequel, conceived by Latimer and recorded with the same lineup: this time the pop gallops of "Cloak and Dagger Man" and "West Berlin" revealed greater attention to detail, especially in terms of arrangement and production. However, the dry compositional vein and the desire to achieve a commercial result in tune with the times were evident from the first listen; Latimer's tedious solos dominated the instrumental ballads (the title track is little more than a mannerist rewrite of "Ice," from "I Can See Your House From Here"), and the frayed concept of Berlin divided by the wall was not enough to hold together a collection of tracks packaged for the radio.
Inspired instrumental-progressive moments are accompanied by more direct and immediate pop-rock songs.
The flaw that true 'progsters' do not forgive is the excessive use of electronic sounds and synths, more incisive but less clear and genuine than keyboards.