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Rating:
THE REVIEW
The first work associated solely with Hitchcock's name, somewhat known in selective circles for the two LPs by the Soft Boys (Invisible Hits has yet to be released, even though it's been ready for years).
Robyn tries to preserve the timbral polychromy of earlier works and occasionally recovers the swirling phraseology of Kimberley Rew (featured here alongside much of the troupe). Hitchcock said he was happy to write for himself and not just for the group, but everything here is designed and arranged for ensemble work.
The music itself is often disappointing, apart from some not unpleasant jangly rides (Brenda's Iron Sledge, which will be improved by the Egyptians, Meat, Out of the Picture), the menacing back-and-forth of Do Policemen Sing?, while, despite its exaggerated melodic stylization, The Lizard manages to captivate with its savory atmosphere.
The rest is unfortunately mediocre retro-style pop (Acid Bird dedicated to Syd Barrett and becoming a classic "on principle") and hastily rendered.
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Summary by Bot
Robyn Hitchcock's Black Snake Diamond Role marks his first solo album, preserving some qualities of his previous band work. While some tracks stand out with jangly and atmospheric elements, much of the album suffers from mediocre retro-style pop. The tribute to Syd Barrett with 'Acid Bird' feels more principle-driven than inspired.Tracklist Lyrics Videos
Robyn Hitchcock
Robyn Hitchcock is a British singer-songwriter and guitarist, former frontman of the Soft Boys, and a key figure in neo-psychedelia. His solo work—often with the Egyptians—blends surreal, witty lyrics with folk, pop, and jangly psychedelia. He was the subject of Jonathan Demme’s concert film Storefront Hitchcock.08 Reviews
