Ziggiejack

 It seems that Bowie is trying to return to being the old hit pop maker that defined the pre-Tin Machine era.

 The rest deserves to remain forgotten, where unfortunately the group has already ended up long ago, despite the presence of the legendary Bowie.

Tin Machine II follows David Bowie's experimental hard rock project but fails to match the energy and impact of the first album. While some songs like "Baby Universal" and "You Can’t Talk" show effort and variety, the album overall feels dull and inconsistent. Bowie appears to struggle adapting fully to this heavier rock style and hints at returning to his earlier pop sound. Despite a few bright moments, this album is largely seen as a weaker follow-up in Bowie's discography. Explore Tin Machine II and see how Bowie’s edgy rock experiment stands the test of time.

 An album that grazes perfection, like the others from our dear artist. Spine-chilling.

 The sense of dissatisfaction that pervades the human being now seems only an ancient memory, like something that never existed.

Eluvium, aka Matthew Cooper, delivers a nearly perfect ambient album that transports listeners through phases of tranquility, fear, and spiritual purification. The album's tracks craft a vivid emotional and imaginative journey, praised especially for its depth and atmospheric power. Fans of Brian Eno and krautrock will find much to appreciate here. Overall, a spine-chilling and highly recommended work. Listen to Eluvium’s 'Talk Amongst The Trees' to experience a haunting ambient journey you won’t forget.

 The album represents a sort of introspection on existential pain, especially reflected in the often macabre atmospheres.

 Dave Gahan now capable of producing music and lyrics even on his own, and the usual Martin L. Gore able to move the audience with great skill.

Playing The Angel marks a powerful return for Depeche Mode after a period of uncertainty following Exciter. The band showcases strong contributions from all members, with Dave Gahan’s vocals particularly praised. The album’s introspective themes and robotic, macabre atmospheres create a unique, high-quality electropop experience. Some minor critiques include Martin Gore's voice and the absence of his iconic guitar work. Discover the haunting beauty of Depeche Mode’s Playing The Angel—listen now and experience their electropop mastery!

 Depeche Mode make themselves loved by those who know them little, and make themselves even more loved by those who know them well.

 The Forum of Assago almost collapsed (from the emotion).

The review celebrates Depeche Mode’s powerful 2006 Milan concert captured in the 'Touring The Angel - Live In Milan' album. The band's dynamic performance, impressive setlist mixing classics and newer songs, and compelling visual effects create a memorable experience. The package includes two DVDs, one CD, and a photo booklet, impressing both casual listeners and longtime fans alike. Experience Depeche Mode’s legendary Milan concert – watch, listen, and relive the magic now!

 Jack does not disappoint and delivers a nice single with an R'n'B queen.

 Musically the song presents nothing extraordinary, but the voices are perfect, making the song very catchy.

Jack White teams up with Alicia Keys for the first-ever duet on a James Bond soundtrack. The song blends familiar guitar riffs with Alicia's powerful vocals, resulting in a catchy and rhythmic track. Though the music itself isn't groundbreaking, the collaboration is effective and enjoyable, showcasing both artists' strengths. Listen to the powerful duet by Jack White and Alicia Keys from the 007 soundtrack now!

 The bass in the foreground enters your brain and never leaves.

 'Shiny Star' is a harmony of sounds, something that words cannot describe.

Colder's 'Again' is a compelling synth-driven New Wave album that elegantly balances melancholy with hypnotic rhythms. The reviewer highlights its bass prominence, atmospheric synths, and standout tracks like 'Shiny Star.' The album evokes influences from Joy Division and Kraftwerk, maintaining a continuous rhythmic flow that fades slightly in the second half but leaves a lasting impression. Dive into Colder's 'Again' and experience a fresh take on New Wave with hypnotic synths and deep bass rhythms.

 An incredible flop... this is the only way to define this album.

 Pure mediocrity which, in the case of David Bowie, means uselessness.

This review strongly criticizes David Bowie's 'Hours' album, calling it a major flop and a stain on his career. It contrasts the album negatively with Bowie's previous acclaimed works, describing most songs as mediocre and unexciting. Only a couple of tracks show some redeeming qualities. Overall, the album fails to capture the essence and innovation associated with Bowie. Discover why 'Hours' is considered one of Bowie's weakest works and explore its contrasts with his classic albums.