M.Poletti

 "More than a film about Giulio Andreotti, it seems like a remake of 'The Godfather'."

 "Sorrentino focuses obsessively on gestures, faces, expressions of the characters, creating tension through close-ups like in 'The Silence of the Lambs'."

The review praises Il Divo as a great film reminiscent of The Godfather but firmly grounded in Italian political reality. It highlights Sorrentino's direction, the performances, especially Toni Servillo as Andreotti, and the film's stylistic influences from iconic American directors. The narrative's chaotic nature and some superficial scenes are noted, but the film's emotional and visual power, particularly in key sequences, stands out. The review also contrasts it favorably with other Italian political films. Discover the gripping world of Italian politics through Il Divo – watch now and experience Paolo Sorrentino's cinematic vision.

 "Ran is nothing more than an Eastern free adaptation of the famous 'King Lear' by the Bard."

 "Watching it closely, one almost gets the clear sensation that 'Ran,' more than a film, is a splendid dream projected onto celluloid."

The review praises Akira Kurosawa's 'Ran' as a monumental masterpiece and possibly the greatest film of the 1980s. Highlighting its breathtaking imagery, exceptional battle scenes, and a unique blend of Shakespearean tragedy with Japanese culture, it is deemed essential viewing for cinephiles. The film's visual storytelling, supported by brilliant cinematography, elevates it beyond mere narrative into cinematic art. Discover the breathtaking visuals and timeless story of Kurosawa's Ran—watch the masterpiece that defines epic cinema.

 Watching this film again makes me cry.

 Those were good times, and today's times are crap.

This review of Jacques Demy's 1979 film Lady Oscar is less about the film's quality and more about the nostalgic feelings it evokes. The author reminisces about childhood experiences, 80s cartoons, and simpler times, contrasting them with the present day. The review connects the film to a bittersweet longing for the past and the emotional impact of memories. Rediscover Lady Oscar and relive the bittersweet nostalgia of childhood and simpler times.

 Ultimately, 'Spartacus' is the most unusual film in Kubrick’s filmography, his least felt, a Kubrick film that isn’t really his.

 If we were honest, when discussing 'Spartacus,' we shouldn’t say directed by S.K. but by Kirk Douglas, because the film is, 70%, his work.

Spartacus stands out as a unique film in Stanley Kubrick’s oeuvre, heavily influenced by star Kirk Douglas’s control. The production was marked by conflicts and a change of directors, resulting in an uneven script and pacing. While Kubrick’s trademark cohesion is missing, the film boasts strong performances and memorable sequences. Ultimately, it is a grand but flawed epic, blending spectacle with moments of artistic merit. Discover the story behind Spartacus and experience this grand yet flawed epic classic.

 With Braveheart we are facing the aping of great cinema, the most shameless plagiarism, swallowed by a seemingly uninformed audience who bought it all.

 Mel Gibson doesn’t even know what it means to sit down and study how to shoot a sequence millisecond by millisecond, his is an elementary, crude, superficial cinematic vision.

This review delivers a critical assessment of Mel Gibson's Braveheart, highlighting poor screenplay, uninspired direction, and clichéd rhetoric. The reviewer argues the battle scenes are derivative rather than original masterpieces, and the film’s emotional impact is superficial. Despite these flaws, the film's popularity and award success are acknowledged, raising concerns over audience reception and political exploitation. Discover why Braveheart's acclaim is questioned—read this detailed critique to explore the film beyond its fame.

 The mountain has given birth to a mouse.

 If these two cannot intersect, the film inevitably cannot take off.

This review critically examines Roberto Benigni's film Il Piccolo Diavolo, pointing out its weak storyline, forced humor, and poor chemistry between leads. While Benigni has had past comedic successes, this film disappoints due to bad timing and direction. The promising cast and crew fail to elevate a script that divides the film awkwardly into two uneven halves. Ultimately, it is considered a failure despite its cult reputation. Discover why Il Piccolo Diavolo missed the mark—read the full review and explore Benigni's unique film journey!

 Orson Welles is the William Shakespeare of cinema.

 The poverty of means allows Welles to unleash all his visual genius.

Orson Welles' Othello is celebrated as a cinematic masterpiece that rivals Shakespeare's literary genius. Despite minimal budgets and production hardships, Welles's creativity produced a visually striking, technically innovative, and emotionally powerful film. The review highlights the film’s focus on Iago, its unique visual style, and its unmatched cinematic techniques. Welles’ interpretation is praised as one of the most beautiful and essential Shakespeare adaptations in film history. Explore the brilliant artistry of Orson Welles' Othello and experience a timeless Shakespearean film like no other.

 "God... what a crap!!! A shamefully boring, overrated movie... Milestone of what???"

 "The most boring boredom ever seen... I don’t think I’ve ever been so bored by a movie! Avoid it!"

The review challenges the classic status of Michael Cimino's Il Cacciatore, describing it as verbose, slow, and often boring. Several users share frustrations with its pacing and confusing elements, despite acknowledging its theme of friendship. Critics also find the performances and Vietnam War depiction underwhelming. Overall, the film is seen as overrated and disappointing for many viewers. Discover why Il Cacciatore sparks such divided opinions—read the full review and decide for yourself!

 Despite Verdone's undeniable skill as an actor, everything is ruined by a patchy screenplay and the usual mediocre direction.

 Displays of brilliance, moments that taken individually are also funny, but inserted into a broader context such as a film risk sinking without even deserving it.

The review explores the transition in Italian comedy through Carlo Verdone's career, focusing on his 1998 film Gallo Cedrone. It praises Verdone's acting versatility but criticizes the film's fragmented and banal story. While some individual scenes are amusing, the overall screenplay and direction are weak. The movie was popular with audiences but largely panned by critics. Discover Carlo Verdone's unique comedic style in Gallo Cedrone – watch and judge the brilliance and flaws yourself!

 Bertolucci has (almost) always proven himself, first and foremost, as a great creator of human psychologies.

 The scam perpetrated against his son is cynical, hopeless, dark, and gloomy as mediocrity.

Bernardo Bertolucci’s 1981 film, 'The Tragedy of a Ridiculous Man,' offers a powerful exploration of human psychology through the story of a petty businessman facing a family crisis. Ugo Tognazzi delivers a masterful performance as Primo Spaggiari, a man driven by mediocrity and self-interest. Set against the bleak backdrop of Bassa Lombardy, the film combines strong acting, beautiful cinematography, and a subtle reflection on terrorism. Despite some minor script flaws, it remains an underrated gem in Bertolucci’s filmography. Explore this overlooked Italian classic and dive deep into Bertolucci’s masterful storytelling and Ugo Tognazzi’s unforgettable performance.