mien_mo_man

DeRank : 2,02 • DeAge™ : 6739 days

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  • Here since 22 january 2007

 Just as quickly come the millions of dollars, the magazine cover closeups, the platinum records, and the MTV awards.

 A light, light album, polite and well-mannered, just like this handsome young man of the nineties would seem to be.

Jakob Dylan, son of Bob Dylan, found success with The Wallflowers' 1996 album Bringing Down The Horse. The album features polished, radio-friendly rock with hits like "One Headlight" and "6th Avenue Heartache." While not groundbreaking, the album is well-crafted, melodic, and earned multiple platinum records. Jakob's voice, influenced but distinct from his father's, shines throughout the album. It offers an entertaining and polished 90s rock experience. Listen to Bringing Down The Horse and explore The Wallflowers' polished 90s rock sound today!

 Against all odds, the remaining Gin Blossoms band together and roll up their sleeves.

 This 'Congratulations... I'm Sorry' has no acoustic 'lapses' and features extremely effective tracks on par with or better than previous singles.

This review explores the Gin Blossoms' determination to push forward following the tragic loss of their lead songwriter. 'Congratulations... I’m Sorry' is praised as a stronger album than its predecessor, filled with catchy, electric guitar-driven tracks. The band evolves beyond their roots while preserving their signature sound. Despite personal and group struggles, their efforts resulted in a memorable, resilient rock album. Listen to Gin Blossoms’ powerful comeback album and experience their resilient rock sound today!

 If the Gin Blossoms had disbanded then, maybe their leader Doug Hopkins wouldn’t have let himself go in that way with the beloved alcohol.

 ‘Just South Of Nowhere’ represents, in its geometry and sounds, the full range of this band’s influences in just over three minutes.

The review takes a thoughtful look at Gin Blossoms’ 1991 Up & Crumbling EP, highlighting the band’s internal struggles and raw sound before their major label breakthrough. It analyzes the mix of roots rock, alt-rock, and folk influences in this compact release. Key tracks are dissected for their stylistic variety and emotional depth. The review also reflects poignantly on frontman Doug Hopkins’ personal battles and the band’s uncertain future during this period. Ultimately, the EP is seen as an important artistic snapshot preceding their celebrated success. Explore the raw and heartfelt sounds of Gin Blossoms’ Up & Crumbling EP—listen now and uncover the roots of a 90s alt-rock classic!

 "An album that’s not difficult but also not complacent and catchy enough to launch Rob... around half the radios of Europe."

 "The concluding 'Towering And Flowering' is... a homage to his own past, to the Catherine Wheel, to shoegaze... with one of the most effective choruses of the entire album."

Rob Dickinson’s debut solo album is a mature and well-crafted work that blends Britpop, classic rock, psychedelia, and shoegaze influences. While the album features many ballads and a warm vocal delivery, it gains momentum in later tracks with energetic guitar-driven songs. The record honors his past with Catherine Wheel while exploring Britpop sounds reminiscent of Coldplay and Radiohead. Despite not breaking new ground, it is praised for its quality and emotional depth. Discover the rich textures and heartfelt melodies of Rob Dickinson’s debut solo album—listen now and experience classic Britpop with a fresh twist!

 Up till now, inevitably, there’s the sensation of being faced with something already seen, already heard, assimilated millennia ago, whose addition of the famous Dublin pesto doesn’t pass it off as a new dish.

 Liam Ó Maonlaí and his band combine Radio MotherMary-like choruses with tracks of epic-Celtic structure, on which they graft saxophones and spiritual choirs at the end.

Hothouse Flowers’ 1988 album 'People' explores a distinctive fusion of Irish folk, blues, gospel, and pop rock. The band blends traditional Celtic sounds with American blues influences, resulting in a sound that is both familiar and unique. While some 1980s production choices, such as keyboard-heavy tracks, may seem dated, the album conveys a sincere and spirited musical expression. The band stands out as Irish buskers bringing street-level passion and gospel energy into their debut work. Discover the unique blend of Irish folk, blues, and gospel in Hothouse Flowers' debut album 'People'—listen now and experience their soulful sound.

 Whatever the surname of the Wallflowers’ leader was, these songs would always and invariably make one think of Bob Dylan.

 A decidedly mediocre and static work, for a band that will dissolve only to be reborn four years later, with an entirely different lineup alongside Dylan jr.

The review examines The Wallflowers' debut album led by Jakob Dylan, highlighting the unavoidable comparisons to his father Bob Dylan. Despite some enjoyable blues and rock tracks, the album is largely seen as mediocre and unremarkable in the root-rock genre. Jakob's image and name opened doors, but musically, this effort falls short of lasting impact. The review acknowledges Jakob's groundwork but questions the album's originality and endurance. Discover The Wallflowers' beginnings and judge Jakob Dylan’s roots and challenges for yourself.

 In the initial "Savage," her voice is that of a priestess, and the taste for gothic emerges clearly.

 "Child Molester" is lethal; "Wild" is a spectacular ride; ... "World War III" is a spit in the face.

The Nuns' self-titled debut album is a solid mix of raw punk and proto-gothic elements anchored by Jennifer Miro's captivating keyboards and vocals. While not highly original in punk structure, the album delivers fierce, muscular energy and compelling dark-wave touches. Miro's larger-than-life persona adds intrigue despite some clichés. Overall, it's a great listen for punk and new wave fans seeking early San Francisco punk history. Discover The Nuns' bold punk-goth fusion and Jennifer Miro's unforgettable charisma—listen now and explore punk's early San Francisco roots!

 Rundgren has inspiration to sell, and he was right to sell it all with his Patronet.

 TRTV is anything but a must-have, but it can be defined as another further testament to this artist’s prolificacy and versatility.

Todd Rundgren's TRTV is a raw and experimental collection originally released via his Patronet subscription in the late '90s. It features homemade sounds, TV themes, and diverse musical styles, emphasizing his creative freedom rather than polished excellence. While not essential for casual listeners, it stands as a testament to Rundgren's prolific nature and willingness to diverge from commercial clichés. The release is better suited as a rarity for dedicated fans. Discover Todd Rundgren's raw and adventurous TRTV – explore the experimental sounds made just for his fans!

 The first album by the Gin Blossoms... is a work that initially went completely unnoticed and was re-released later by the major labels.

 The solos... are undeniably the best part of the song.

Gin Blossoms' debut album Dusted offers a raw and less polished version of their later mainstream success. Though it lacks the production polish of New Miserable Experience, it showcases the band's youthful energy and Byrds-inspired sound. The album contains faster tempos and noisier guitars, with compelling solos but weaker vocal melodies. It is notable for its indie roots but may not appeal to casual listeners seeking radio-ready tracks. Listen to Dusted to discover Gin Blossoms' authentic early sound and explore their evolution from raw indie roots to 90s rock fame.

 Ridiculous because the pretty boy with the mole in the right spot seemed to want to take style lessons from the 'drunkard' Mick Hucknall, not exactly a hottie.

 Seeing how many excellent artists went unnoticed because they were sacrificed on the altar of that decade of trade and consumerism, it’s a good thing people like Kamen dedicated themselves to something else in life.

This review reflects on Nick Kamen's 1990 album 'Move Until We Fly' as a well-intentioned but ultimately unsuccessful attempt to reinvent himself musically. Drawing stylistic comparisons to Simply Red and British funk-soul, the album fails due to Kamen's limited vocal ability and heavy reliance on image. While the effort is seen as touching and genuine, it does not resonate beyond Italy and highlights the challenges artists face in reinventing their careers amid consumerist industry pressures. Explore the story behind Nick Kamen's ambitious but flawed 1990 album and discover why some reinventions just don’t take off.

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