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 Controdanza is nothing more or less than a revolution: a new, unconscious birth of Italian music which is now no longer (only) Italian.

 Valerio and Mirco decide to send a little tape with their demos to Mr. Ribot... and he picks up the receiver and answers, congratulates them, and asks to play with them.

Mazapègul's debut album Controdanza is a landmark in Italian alternative music, blending folk traditions with jazz, Balkan, and South American sounds. The band’s originality and radical reinterpretation of cultural influences are highlighted, with significant praise for guest guitarist Marc Ribot. The review delves into the Romagnola roots of the band and its tragic end, emphasizing the album's emotional and musical depth. Explore the revolutionary sounds of Mazapègul's Controdanza and discover an unforgettable mix of folk traditions and musical innovation.

 Their misplaced expressions at the wrong time did not denote a lack of awareness of where they were or what they were doing, quite the opposite, there was in their eyes a total devotion to the life they had chosen and the music that would inevitably follow.

 In their best moments, these three guys managed to sublimate that kind of country exercise through total immersion in the purest feelings that only a 20, 25-year-old can know, today as then.

Uncle Tupelo's second album, Still Feel Gone, is a heartfelt and raw exploration of alt-country fused with punk energy. The review highlights the band's honest emotions, distinctive style, and the deep friendship between Jay Farrar and Jeff Tweedy. Noted are the dynamic instrumentation and the thematic depth reflecting a generational malaise. Though not their best work, it remains a crucial, pioneering record in the band's legacy. Discover Uncle Tupelo's raw alt-country sound in Still Feel Gone—listen to this pioneering album and feel the spirit of early '90s Americana.

 Mudddy Middle of Nowhere is a ripping epiphany that tears the fabric of our everyday life.

 They play a new and ancient symphony together, and perhaps 'In Oeland' is part of that small circle of albums capable of merging earth and paradise within a few grooves.

Pharaohs' 'In Oeland' is a 7-track sonic exploration blending ambient, funk, disco, and krautrock. Inspired by visionaries like Brian Eno, it evokes timeless journeys across mystical landscapes. The album thrives on atmosphere rather than destination, mixing tribal rhythms with ethereal synths and evocative saxophone lines. It's a unique, immersive experience that bridges past and future. Experience the mystical journey of Pharaohs' 'In Oeland'—listen now and immerse yourself in a unique fusion of ambient and funk.

 Too many things to say and ideas to communicate, too much sincere passion in addressing current and therefore particularly thorny topics.

 The JCD overturns the premises and makes these defects the main strength of the album.

Joe Cova Duo’s debut album Troppo a Sud draws inspiration from Fabrizio De André while exploring current social themes through carefully crafted acoustic songs. The duo’s blend of jazz and blues guitar work stands out amidst the Italian music scene. The album is noted for its thoughtful lyricism and cultural reflections rooted in Trentino's unique position. Though the style might feel outdated and geographically isolated to some, the album presents a sincere and promising artistic voice. The reviewer awaits their next work with curiosity. Discover Joe Cova Duo’s unique acoustic sound and dive into Troppo a Sud’s poetic journey today!

 Lowell George dominates it for the most part with his slide, which is essentially the fifth member of the group.

 This is the album with the first version of Willin... Amidst the turmoil of the various currents touched... a gospel breath even pops up from time to time.

The review reflects on Little Feat's debut album as a unique blues record distinct from their later work. It highlights Lowell George's dominant slide guitar and the album's harmonic complexity. The album is praised for its raw and daring style influenced by artists like Ry Cooder and Zappa. Notable tracks like 'Willin' and 'Hamburger Midnight' are featured as standouts. Overall, the album is celebrated as a foundational and adventurous blues rock work of the early '70s. Listen to Little Feat's groundbreaking debut and discover the raw blues brilliance of Lowell George and his band.

 "The bass lines are a real joy for anyone who loves funk, try and see."

 "We wanted to dismantle the mythology of the musician as a wandering minstrel... 'Let's tear off the mask and see what's underneath.'"

Heaven 17's Penthouse and Pavement is a groundbreaking synthpop album that blends funk rhythms, political lyricism, and cutting-edge electronics. Inspired by pioneers like Robert Fripp and Brian Eno, Martyn Ware and Ian Craig Marsh crafted a dynamic sound that challenged rock's excesses. The album's concept critiques consumerist society and embraces a futuristic, danceable aesthetic. Despite some less inspired moments, the record remains a touchstone of early '80s electronic music and cultural commentary. Listen to Heaven 17’s Penthouse and Pavement and discover the roots of synthpop innovation and timeless social critique.

 Someone who puts together 'Sulla sponda del fiume' like that, without any regard for rhymes or linguistic embellishments for their own sake, can only have my esteem and appreciation.

 What should be its strong point ends up being its worst flaw.

Roberto Angelini's album 'Phineas Gage' showcases a deep sincerity and evident musical skill, but struggles with inconsistent songwriting and an experimental approach that sometimes misses the mark. While the opener and some singles stand out, the overall album is marked by unevenness and a lack of memorable songs. Influenced by mentors like Fabi, Angelini attempts to break free from conventional structures but sacrifices polish and cohesion. The review acknowledges his talent, especially on guitar, but ultimately hopes for a more focused direction in future works. Explore Roberto Angelini's 'Phineas Gage' and dive into a sincere yet adventurous musical journey.

 Perhaps the most visionary guitarist of his era, the offspring of the incestuous union between Hendrix and Fripp.

 It’s 34 minutes of sparkling guitars, more often electric than acoustic, with sustained rhythms that never fall into the banal.

The Bears' self-titled 1987 debut album is a vibrant blend of 80s power pop and 60s pop revival, fueled by Adrian Belew's visionary guitar work. The band members' strong chemistry and playful songwriting create a refreshing and fun listening experience. With catchy melodies, imaginative arrangements, and tight performances, the album captures the spirit of its era while paying homage to classic pop influences. Standout tracks like 'None of the Above' and 'Fear is Never Boring' showcase the band's energetic, melodic style. Explore The Bears' debut album now and experience a sparkling blend of 80s power pop and timeless guitar genius!

 You can strongly, very strongly feel that every passage of this album has been meticulously crafted, and yet somehow the three Romans managed almost always to prioritize spontaneity in their recordings.

 What distinguishes us in some way, not so much three artists who enjoy themselves on stage, but rather three men who enjoy getting dirty with the earth.

This review reflects on the unique collaboration of Fabi, Silvestri, and Gazzè in their album 'Il Padrone della Festa.' Despite initial personal prejudices, the reviewer praises the album's spontaneity, meticulous craftsmanship, and the evident friendship that enriches the music. Highlights include standout tracks like 'Life is Sweet' and 'Alzo le mani,' with notable contributions from guest musicians. The album is recommended for folk and intelligent music fans seeking a unified artistic experience. Listen to the heartfelt synergy of Fabi, Silvestri & Gazzè in 'Il Padrone della Festa' and experience one of Italy’s finest musical collaborations.

 The closing Come On Eileen remains the seal of an intense and unrepeatable album not only by the Dexys but by anyone.

 The New Caledonian Soul was now the style for saturday night stars performing under a different light, at times more fierce, certainly more thrilling and seductive.

The review recounts the journey of Dexys Midnight Runners and frontman Kevin Rowland, highlighting their evolution from punk roots to a bold fusion of funk, jazz, and Celtic influences on Too-Rye-Ay. The album is praised for its intense energy, innovative musical arrangements, and timeless hits, notably 'Come On Eileen.' While acknowledging Rowland's struggles, the review celebrates the album as a defining moment in 1980s British music history. Discover the magic of Too-Rye-Ay and experience the unforgettable sound of Dexys Midnight Runners today!