Lord.Galamoth

 This 'You Won't Remember Dying' is one of the most unhealthy and dark records you can listen to in hard rock.

 Fever Machine Man is probably the masterpiece of the album, turning this track into an underworld version of 'Help Me' by Ten Years After.

Bulbous Creation's 1970 album 'You Won't Remember Dying' is a rare and dark hard rock record blending psychedelic sounds with early doom metal riffs. The album, influenced by Hendrix, Black Sabbath, and Uriah Heep, explores occult themes with distinctive vocals and dynamic instrumentation. Despite low production quality, the album impresses with its originality and memorable guitar work. It stands as an overlooked classic from the Texas early 70s rock scene. Dive into the dark, psychedelic world of Bulbous Creation and experience this rare classic album now!

 It’s 1976. Five guys decide to form a band...to mix straightforward guitar phrasing with more melodic, more pop songs in the most honorable sense of the term.

 No album has ever managed to embody so well...the warm and cheerful atmosphere of American summers.

This review honors Brad Delp, Boston's late singer, by celebrating their 1976 debut album as a perfect blend of melodic rock and American sound. The album's exceptional production and timeless appeal helped it sell millions and remain a classic. The reviewer invites listeners to remember Delp's contribution to music while recommending the band's first three albums as masterpieces of their genre. Discover Boston's legendary debut album and experience the lasting legacy of Brad Delp's unforgettable vocals.

 Their music was indeed based on the use of everyday objects, from teaspoons to jackhammers, including hoses, grinders, and anything they deemed necessary to reproduce the "cry of industrial civilization."

 Kollaps is a manifesto of industrial avant-garde, one of the harshest and darkest records in the entire contemporary music scene.

Kollaps, released in 1981 by Einstürzende Neubauten, is a pioneering industrial album defined by its innovative use of noise and everyday objects as instruments. The band's sound abandons traditional melody, emphasizing raw, claustrophobic industrial atmospheres. Vocalist Blixa Bargeld delivers haunting screams and cryptic lyrics, adding to the album's intensity and depth. Tracks vary from tribal rhythms to melancholic ballads, painting a vivid portrait of urban decay and modern collapse. This album remains a landmark in the industrial and avant-garde music scenes. Explore the raw power and avant-garde innovation of Einstürzende Neubauten's Kollaps—listen now to experience industrial music at its darkest and most groundbreaking.

 This album, both in the stunning poems recited by De André’s baritone voice and in the redundant and baroque arrangements, is the darkest and most desperate thing ever recorded up to now.

 We are facing one of the greatest masterpieces of modern music of our time: it is an album truly worthy in all respects, and at least one listen among friends is a must.

This review explores Fabrizio De André’s 1968 album Tutti Morimmo A Stento as one of the darkest and most emotionally intense records ever made. Highlighting its baroque orchestration, poetic lyrics, and sociopolitical undertones, the reviewer praises its artistic boldness and lasting impact. Despite minor flaws, the album stands as a modern musical masterpiece. The review includes a track-by-track analysis, emphasizing themes of despair, violence, and social critique. Dive into the depths of Fabrizio De André's haunting masterpiece and experience the profound emotions of Tutti Morimmo A Stento today.

 Cradle of Filth suck. It is not an idea or a theory, but an unyielding, monumental certainty.

 Because black metal is, above all, emotion, and in this CD, there is no trace of it.

This review offers a strongly negative perspective on Cradle of Filth’s debut album, 'The Principle of Evil Made Flesh.' Criticisms target banal riffs, poor vocals, weak lyrics, and lack of genuine black metal emotion. Drums and keyboards receive mild praise. The reviewer advises fans not to label the album as true black metal. Explore this candid review and decide for yourself if Cradle of Filth's debut lives up to black metal standards.