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I suddenly got old. I got old and didn’t realize it. I dreamed of being in a madhouse but realized I wasn’t crazy. I just aged quickly. 'Mente Spostata,' based on captivating and rapid musical rhythms that pretend to offer a cheerful piece, contrary, revealing the exact opposite.
I suddenly got old. I got old and didn’t realize it. I dreamed of being in a madhouse but realized I wasn’t crazy. I just aged quickly.
'Mente Spostata,' based on captivating and rapid musical rhythms that pretend to offer a cheerful piece, contrary, revealing the exact opposite.
Dino Fumaretto's Sono Invecchiato Di Colpo revisits old, previously discarded songs with a more mature and cohesive approach. The album features profound introspection and blends dreamlike lyrics with richer piano arrangements. Tracks like 'Mente Spostata' and 'Insonnia' reveal dark emotional depths beneath seemingly upbeat rhythms. This work marks an important step forward for the Mantua artist, deepening his exploration of existential themes. Dive into Dino Fumaretto's haunting sounds and explore the emotional depths of Sono Invecchiato Di Colpo today!
"Edera" is musically complex and surreal with mandolins, violins, and organs delicately intertwined with magic. "Storie Crudeli (Non c’è Ragione Per Raccontare)" attacks the violent content of certain video games that rob kids of the desire to explore nature.
"Edera" is musically complex and surreal with mandolins, violins, and organs delicately intertwined with magic.
"Storie Crudeli (Non c’è Ragione Per Raccontare)" attacks the violent content of certain video games that rob kids of the desire to explore nature.
Max Gazzè's album 'Quindi?' marks a return to his roots as a singer-songwriter after acting. The album features twelve tracks blending poetic, sometimes hermetic lyrics with musical complexity. Standouts include 'Edera,' 'DNA,' and 'Io Dov’ero (Atmos 5),' showcasing a mix of surrealism and sentimentality. Overall, the album is well-crafted, with thoughtful themes and excellent musicianship, confirming Gazzè as an underrated artist. Discover the poetic depth and musical finesse of Max Gazzè's 'Quindi?'—listen now and explore an underrated gem!
Foals expertly play the part of Math Rock with that heterogeneous and unusual rhythmic structure, angular melodies, sounds that go beyond the realms of traditional rock. Antidotes is a work that is not simple and not commercial as it is based on a foundation that is not purely 'popular', but this too is an advantage.
Foals expertly play the part of Math Rock with that heterogeneous and unusual rhythmic structure, angular melodies, sounds that go beyond the realms of traditional rock.
Antidotes is a work that is not simple and not commercial as it is based on a foundation that is not purely 'popular', but this too is an advantage.
Foals' debut album Antidotes delivers a dynamic and complex math rock experience that blends intense rhythms, angular melodies, and experimental sounds. Influenced by bands like Bloc Party and Battles, it features both hypnotic instrumental and vocal tracks. Despite some repetition, the album's intricate structure and artistic ambition stand out. It reached number three on UK charts and marks an impressive introduction for the Oxford band. Explore Foals' Antidotes and experience one of the most exciting math rock debuts of 2008 now!
"The song performed at Sanremo not only stands out enormously among those competing in the Festival, but also remains one of the two best tracks on the album." "A good album, varied and well-structured. Very well-crafted arrangements, the instrumental parts, and as Gazzè usually presents, the pieces are equipped with very refined and cared texts."
"The song performed at Sanremo not only stands out enormously among those competing in the Festival, but also remains one of the two best tracks on the album."
"A good album, varied and well-structured. Very well-crafted arrangements, the instrumental parts, and as Gazzè usually presents, the pieces are equipped with very refined and cared texts."
Max Gazzè's album Tra l'Aratro e la Radio offers a rich blend of rock, poetic lyrics, and refined arrangements. The review highlights standout tracks like "Il solito sesso" and "L'evo dopo il medio," emphasizing Gazzè's ability to avoid clichés in love songs. Collaborations with Carmen Consoli and Marina Rei add depth and energy. The album is praised for its variety, well-crafted instrumentation, and meaningful lyrics, wrapped in attractive packaging. Discover the poetic rock melodies of Max Gazzè’s album Tra l'Aratro e la Radio—listen now and explore its rich musical layers!
Songs From The Big Chair is a gem of pop-rock of immense elegance and quality. A structure that for six and a half minutes seems always on the same plane but has within it numerous points of different and excellent success.
Songs From The Big Chair is a gem of pop-rock of immense elegance and quality.
A structure that for six and a half minutes seems always on the same plane but has within it numerous points of different and excellent success.
This detailed review revisits Tears For Fears' iconic album Songs From The Big Chair, highlighting its blend of 80s pop and 60s psychedelic influences. The deluxe edition's rare tracks and remixes add depth, while standout songs like "Shout," "Everybody Wants To Rule The World," and "Mothers' Talk" exemplify the album's brilliance. The reviewer praises the album's timeless quality and musical craftsmanship despite some overdubbing excess. Overall, it’s highly recommended for both longtime fans and new listeners. Dive into the timeless magic of Tears For Fears and explore Songs From The Big Chair—listen now or grab the deluxe edition for rare gems!
R.E.M. seem quite in form in this performance, with vigorous and powerful sounds and the recovery of some forgotten tracks. Michael Stipe, a true rock icon of recent decades, no longer has the sci-fi vocal range of his best times, but on this occasion... he appears in excellent form.
R.E.M. seem quite in form in this performance, with vigorous and powerful sounds and the recovery of some forgotten tracks.
Michael Stipe, a true rock icon of recent decades, no longer has the sci-fi vocal range of his best times, but on this occasion... he appears in excellent form.
This R.E.M. live album, recorded in Dublin 2005, captures the band in excellent form with energetic performances and a well-chosen setlist including rare tracks. Michael Stipe’s vocals remain strong, supported by the skillful musicianship of Peter Buck and Mike Mills. The combination of two CDs and an engaging DVD offers fans a compelling package. The reviewer appreciates the revitalization of less frequent songs and praises the overall concert experience. Discover R.E.M.’s dynamic 2005 Dublin concert—listen to the live album and watch the captivating DVD now!
Instead, disappointment. And to think I listened to it a lot, trying to understand any of my possible shortcomings. The arrangements, too dance-oriented in many tracks, ruin an album that could have been a three-star if it had stayed somewhat darker.
Instead, disappointment. And to think I listened to it a lot, trying to understand any of my possible shortcomings.
The arrangements, too dance-oriented in many tracks, ruin an album that could have been a three-star if it had stayed somewhat darker.
This review expresses disappointment with Soerba's 2001 album 'La Vittoria Dei Cattivi', contrasting it unfavorably with their debut, 'Playback'. Despite some creative moments and notable collaborations, the album suffers from overly dance-oriented arrangements and weak tracks. Instrumental pieces diverge stylistically but do not compensate for the overall lackluster impression. The reviewer respects the band but finds this work falling short of expectations. Discover Soerba's controversial 2001 album and decide if it lives up to their debut – listen and explore its unique blend of styles.
I consider Gazzè one of the most interesting Italian singer-songwriters of the last ten years. Gazzè has all the ideas to try to disrupt a certain type of singer-songwriter music more heavily, but he doesn’t have the will to do it or something prevents him.
I consider Gazzè one of the most interesting Italian singer-songwriters of the last ten years.
Gazzè has all the ideas to try to disrupt a certain type of singer-songwriter music more heavily, but he doesn’t have the will to do it or something prevents him.
Max Gazzè's 2004 album 'Un Giorno' showcases his exploration of vintage sounds with notable collaborations and diverse tracks. While some songs lean nostalgic or experimental, the album stands out for its strong lyrics and musical variety. The reviewer appreciates Gazzè's artistry but senses an untapped potential to disrupt the singer-songwriter genre more boldly. Overall, 'Un Giorno' is a rewarding listen for fans and newcomers willing to engage deeply. Listen to Max Gazzè's 'Un Giorno' for a unique blend of vintage sounds and poetic Italian songwriting.
The instrumental track “Confessione” closing the first album has been recomposed and edited differently from the original. The true gem of the box set is the live CD that offers the approximately 40-minute performance on May 9, 1974, in Lecco.
The instrumental track “Confessione” closing the first album has been recomposed and edited differently from the original.
The true gem of the box set is the live CD that offers the approximately 40-minute performance on May 9, 1974, in Lecco.
Biglietto per L'inferno's 2004 box set is a meticulously crafted collection featuring remastered versions of their two albums, a rare 1974 live concert CD, a DVD documentary, and an insightful book. The sound restoration enhances the original recordings, while the live material offers a remarkable glimpse of their concert prowess. The DVD and book enrich the experience with behind-the-scenes stories and archival footage. This set stands as a definitive tribute to the Italian progressive rock band and their legacy. Discover the legendary sounds and stories of Biglietto per L'inferno—listen to the box set now and explore their progressive rock heritage!
The overwhelming hard accelerations, seasoned with extraordinary and dense electronic tones, remain the unmistakable trademark. The album showcases a profound and early maturation confirming the unmistakable debut artistic qualities.
The overwhelming hard accelerations, seasoned with extraordinary and dense electronic tones, remain the unmistakable trademark.
The album showcases a profound and early maturation confirming the unmistakable debut artistic qualities.
This review examines 'Il Tempo Della Semina,' a once-unreleased 1970s progressive rock album by Biglietto Per L'Inferno unearthed and mastered decades later. It highlights the band's artistic growth with sophisticated, cohesive compositions. The instrumentation, especially keyboards, flute, and guitar solos, is praised along with the shift towards more balanced lyrical themes. Despite some sound quality limitations, the album remains an important and captivating piece of Italian prog music history. Discover the intricate sounds and history of Biglietto Per L'Inferno's rare progressive rock classic—listen now!
DeRank™: 0,47
DeRank™: 5,21
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DeAge 6875
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