You are not logged in
DeRank ™: 6,96 • DeAge™ : 6874 days
A vehicle to reach the heart of man, a force of immense efficacy and power, a peremptory invitation to salvation! The Saviour Machine almost appear blasphemous: their music is oppressive and tragic in every single note, weighed down by a ballast of macabre rituality.
A vehicle to reach the heart of man, a force of immense efficacy and power, a peremptory invitation to salvation!
The Saviour Machine almost appear blasphemous: their music is oppressive and tragic in every single note, weighed down by a ballast of macabre rituality.
Saviour Machine I is a unique and deeply Christian-themed dark gothic/epic metal album by brothers Eric and Jeff Clayton. Characterized by theatrical vocal delivery and a mix of classic heavy metal with dark-wave and operatic influences, the album stands out for its powerful, heartfelt passion and mystic-religious concepts. While it can be challenging and somewhat repetitive at times, it remains the most accessible entry point into the ambitious and complex world of Saviour Machine's music. Fans of epic conceptual metal will find much to explore here. Dive into the dark and epic world of Saviour Machine I—discover this unique blend of Christian faith and metal artistry now!
"Crucidiction does not belong to this world, it’s from a forgotten era, it seizes the Eternal, the end of every temporal existence." Luis B. Galvez is a virtuoso of the six strings, and purists might accuse him of affectation, but it’s a pleasure to be led through murky arpeggios, slow-motion rhythms, and never-ending solos.
"Crucidiction does not belong to this world, it’s from a forgotten era, it seizes the Eternal, the end of every temporal existence."
Luis B. Galvez is a virtuoso of the six strings, and purists might accuse him of affectation, but it’s a pleasure to be led through murky arpeggios, slow-motion rhythms, and never-ending solos.
Tristitia's Crucidiction is a seminal doom metal album that evokes timeless themes of death and transience through somber melodies and masterful guitar work. The album combines slow, ominous rhythms with intricate solos and evocative vocals by Thomas Karlsson, creating a balanced and immersive listening experience. It stands out from 90s gothic/doom acts by marrying technical skill with deep emotional expression. Considered a masterpiece and timeless classic, Crucidiction offers a mournful yet elegant journey into doom's darker realms. Dive into the haunting world of Tristitia's Crucidiction and experience doom metal at its finest. Listen now and embrace the eternal gloom.
"The album of maturity for the New York combo: a watershed between past and future." "A miraculous harmony between different and contrasting impulses, a hazy amalgam of frustrations, obsessions and emotional outbursts."
"The album of maturity for the New York combo: a watershed between past and future."
"A miraculous harmony between different and contrasting impulses, a hazy amalgam of frustrations, obsessions and emotional outbursts."
In An Expression Of The Inexpressible is Blonde Redhead's 1998 landmark album, showcasing the band’s transition from noisy beginnings to a more melodic, avant-garde sound. The album skillfully balances technical skill, emotional depth, and polished production. While the Sonic Youth influence is present, Blonde Redhead carves a distinct, personal sound. Its blend of noise-rock, indie melodies, and experimental touches makes it an intelligent and compelling listen. Discover Blonde Redhead’s unique blend of noise and melody—listen to In An Expression Of The Inexpressible now!
Into the Woods is the rest of a traveler who decides to pause and cradle himself in the intimacy of a shady grove. Tony remains steadily at the helm, an eternal rebel against his condition of defeat.
Into the Woods is the rest of a traveler who decides to pause and cradle himself in the intimacy of a shady grove.
Tony remains steadily at the helm, an eternal rebel against his condition of defeat.
Tony Wakeford’s solo album Into The Woods offers a calm, intimate contrast to his work with Sol Invictus. Blending English folk tradition with synths and psychedelia, the album evokes magical, melancholic atmospheres. The music balances acoustic and electronic elements to deliver a reflective and engaging listening experience. Standout tracks include the title song and The Devil Went a Travelling, capturing both folk intimacy and epic spirit. Dive into Tony Wakeford’s mystical Into The Woods and discover an enchanting folk journey like no other.
Laibach responds by dehumanizing rock, blending it in their ruthless operation of sound butchery and returning it to us in a 'totalitarian' form, bare and limping, devoid of all pathos and poetic intent. 'Let it be so', don’t change, don’t think about it: don’t think. This seems to be the new message of 'Let It Be', which, mockingly, wasn’t even included in the collection.
Laibach responds by dehumanizing rock, blending it in their ruthless operation of sound butchery and returning it to us in a 'totalitarian' form, bare and limping, devoid of all pathos and poetic intent.
'Let it be so', don’t change, don’t think about it: don’t think. This seems to be the new message of 'Let It Be', which, mockingly, wasn’t even included in the collection.
Laibach's 'Let It Be' is a bold and provocative industrial remake of the Beatles' last album. Known for their satirical and conceptual approach, Laibach deconstructs rock music, replacing its humanity with mechanical, totalitarian soundscapes. The album criticizes the decadence of rock as an institution while delivering a powerful statement on society and control. Milan Fras' commanding vocal performance enhances the album's dystopian atmosphere, making it a compelling cultural critique. Dive into Laibach’s bold industrial reinterpretation of the Beatles’ classic—discover the power behind 'Let It Be' transformed.
"The Devil’s Steed reveals itself as an album of great class, an album of heart." "Wakeford offers us a great generational, indeed universal, anthem to sing every day... 'We are the Dead Men.'"
"The Devil’s Steed reveals itself as an album of great class, an album of heart."
"Wakeford offers us a great generational, indeed universal, anthem to sing every day... 'We are the Dead Men.'"
The Devil’s Steed marks a powerful return to form for Sol Invictus, showcasing Tony Wakeford’s skill in apocalyptic folk songwriting. The album offers a hypnotic blend of acoustic ballads and evocative instrumentals. Its atmosphere is less bleak but retains the band's signature melancholic and dreamlike sound. Despite some longer tracks feeling slightly redundant, the album stands as a cohesive and emotionally charged experience. Dive into the haunting world of Sol Invictus’ The Devil’s Steed – listen now and experience apocalyptic folk at its finest.
"With elephantine steps, Cathedral venture into the colorful world of psychedelia, losing a bit of their peculiar heaviness but remaining widely lethal to our neurons." "This ’The Ethereal Mirror’ remains in my opinion the brightest and most grotesque diamond of the Englishmen’s career, a fantastic labyrinth which will be a pleasure to get lost in."
"With elephantine steps, Cathedral venture into the colorful world of psychedelia, losing a bit of their peculiar heaviness but remaining widely lethal to our neurons."
"This ’The Ethereal Mirror’ remains in my opinion the brightest and most grotesque diamond of the Englishmen’s career, a fantastic labyrinth which will be a pleasure to get lost in."
The Ethereal Mirror sees Cathedral evolving from heavy, oppressive doom metal to an adventurous blend of psychedelic and progressive rock. The band balances crushing riffs with colorful new sounds, driven by Lee Dorrian's charismatic vocals and Garry Jennings' dynamic guitar work. This 1993 album is praised as Cathedral's most vibrant and inventive work, bridging their classic heaviness with fresh, imaginative directions. It remains a favorite for fans of early 70s rock infused with doom metal intensity. Dive into Cathedral's The Ethereal Mirror and experience the daring fusion of doom metal and psychedelic rock now!
"...Again Shall Be is the blade that slowly sinks into your belly, but with the awareness that your sword is penetrating your enemy’s ass." "It’s like a long slow-motion sequence that describes the irresistible fall of the warrior: the gasp in the dust, the lump of blood choking you, the weight of the useless armor..."
"...Again Shall Be is the blade that slowly sinks into your belly, but with the awareness that your sword is penetrating your enemy’s ass."
"It’s like a long slow-motion sequence that describes the irresistible fall of the warrior: the gasp in the dust, the lump of blood choking you, the weight of the useless armor..."
This review praises Hades Almighty's debut full-length album ...Again Shall Be as a remarkable and atmospheric work rooted in Norwegian black metal traditions. The album draws heavily from Bathory’s epic style, combining slow, powerful passages with melancholic yet heroic Viking-themed lyrics. Janto’s distinctive anguished vocals and the album’s evocative atmosphere set it apart, celebrating a sombre and majestic Nordic landscape. Despite being somewhat anachronistic sound-wise, the album remains a compelling and unique contribution to black metal. Explore the haunting world of Hades Almighty’s ...Again Shall Be and experience epic Norwegian black metal like never before.
Cash silences all naysayers with the overwhelming weight of his talent. Unchained delivers for the last time a joyful and lively Cash.
Cash silences all naysayers with the overwhelming weight of his talent.
Unchained delivers for the last time a joyful and lively Cash.
This review praises Johnny Cash’s 1996 album Unchained as a lively and versatile entry point into his expansive catalog, highlighting the influence of Rick Rubin and collaborations with Tom Petty. Despite Cash's traditional country roots, the album's rock-oriented arrangements and heartfelt ballads broaden its appeal beyond typical genre boundaries. The reviewer emphasizes Cash’s unmatched vocal presence and the spiritual and emotional depth that characterize Cash's later work. Dive into Johnny Cash’s Unchained for a vibrant experience of his timeless music – listen now and feel the legend.
The music of Coroner is not easy... they primarily focus on atmosphere, crafting anxiety-inducing scenarios with the precision of a surgeon. 'No More Color' is a thrash very violent and extremely technical, on which hovers a gloomy atmosphere of decay and perdition.
The music of Coroner is not easy... they primarily focus on atmosphere, crafting anxiety-inducing scenarios with the precision of a surgeon.
'No More Color' is a thrash very violent and extremely technical, on which hovers a gloomy atmosphere of decay and perdition.
This review highlights Coroner's 'No More Color' as a pivotal album blending technical thrash metal with dark, introspective themes. It praises the musicianship, especially guitarist Tommy T. Baron, and the album's unique atmosphere untouched by mainstream thrash conventions. Though generally overlooked, the album is considered essential listening for thrash fans. The review contextualizes Coroner within the broader Swiss metal scene and its influences. Explore Coroner's 'No More Color' and dive into an intense, technical thrash metal journey that redefines aggression and atmosphere.
DeRank™: 1,73
DeRank™: 0,05
DeRank™: 0,24
DeRank™: -0,78
DeRank™: 4,45
DeRank™: 0,09
DeRank™: 2,46
DeRank™: 0,12
DeAge 6828
DeRank™: 39,03
Drag here or click to upload a photo.
Drag here or click to upload a video.
Drag here or click to upload an audio file.
You can take a note on this content. What you write here is visible only to you. To view your notes, go to the bookmarks section.