mementomori

 "No one will ever know what really happened and this impossibility is openly expressed in the emblematic phrase placed at the film's beginning: 'Based on truth and lies'."

 "Dead emerges as a boy 'different' from the others, between mental disorders, loneliness, and real depression, but he will never appear pathetic."

The review critically assesses 'Lords of Chaos' as a mediocre film that struggles to satisfy both metal enthusiasts and general viewers. It praises some stylistic efforts but highlights narrative flaws, historical distortions, and a lack of emphasis on the music's revolutionary nature. The film’s depiction of key figures like Dead, Euronymous, and Vikernes is scrutinized, emphasizing the tragic human story amid a complex subculture. Despite shortcomings, the film provokes reflective insights into the notorious black metal scene. Explore this thought-provoking review and decide if 'Lords of Chaos' captures the dark essence of black metal's infamous history.

 After years of rigor and severity, the author is heading towards more melodic, rhythmic dimensions, in a word: catchy.

 Rome can boast the status of the most credible standard-bearer of apocalyptic folk in the third millennium.

Rome’s ninth album, The Hyperion Machine, marks ten years of Jerome Reuter's prolific career with a mature and evolving sound. Combining apocalyptic folk with goth-rock influences, the album revisits literary themes of exile and harmony. While the arrangements shine, some focus shifts from pure songwriting. Yet, the album balances dark poetry and accessible melodies, pointing toward a new creative direction. Standout tracks blend deep emotion with innovative sounds, reinforcing Rome’s status as a leading figure in contemporary dark folk. Dive into The Hyperion Machine and discover Rome’s unique blend of dark folk and poetic artistry—listen now and explore a decade of musical evolution.

 Pearce could have afforded a bit of healthy self-celebration, but instead seemed the ultimate anti-hero.

 Despite the opportunity, Ian Read did not join Blood Axis on stage, missing a salt to an otherwise bland performance.

This review covers the 2016 live shows of key apocalyptic folk artists including Death in June, Fire + Ice, Hypnopazuzu, and Blood Axis in London. While the venues and crowds suited the genre’s underground nature, performances varied in energy and cohesion. Douglas Pearce's Death in June balanced haunting moments with a somewhat listless delivery, David Tibet struggled to recreate his recorded magic live, and Blood Axis delivered a minimalistic set lacking intensity. The review reflects on the diminishing live presence and questions the vitality of these veteran artists on stage. Explore the enigmatic world of apocalyptic folk live—discover the haunting performances and evolving legacies of these underground icons.

 "If I had to rank the top ten albums of apocalyptic folk... I would unhesitatingly include this 'Beauty Reaps the Blood of Solitude.'"

 "The methodological correctness of titling the article 'Folk Noir' is equal to that adopted by someone who would find themselves titling 'Rock Baroque' an overview of progressive rock!"

This review analyzes Paolo Bertoni’s article on Folk Noir published in Blow Up magazine, praising its depth but noting difficulties due to its complex style. It discusses the origins and influences of neofolk and critiques the selection of albums, especially the exclusion of Death in June’s seminal "Brown Book." The reviewer highlights the geographical imbalance in the chosen artists and calls for a more systematic approach to the genre. Despite minor disagreements, the review appreciates the framework provided for exploring an obscure music sub-genre. Dive into the unique world of Folk Noir—read the full review and explore the essential albums that define this underground genre.

 I would include without hesitation this "Beauty Reaps the Blood of Solitude" by Nature and Organisation among the top ten albums of apocalyptic folk.

 Cashmore doesn’t lose his qualities as a composer, a refined performer, and a cautious arranger, given the presence of a chamber ensemble called to accompany his dreamy ballads.

‘Beauty Reaps the Blood of Solitude’ is considered a top apocalyptic folk album by Nature and Organisation, the solo project of Michael Cashmore. Featuring notable collaborations and a unique blend of chamber, folk, and industrial sounds, this 1994 release captures the golden age of the genre. The album’s recent reissue includes rare bonus tracks and an unfinished follow-up, making it essential for fans. Despite a slight imbalance in pacing, its exquisite quality and emotional depth remain unmatched. Explore this apocalyptic folk gem—listen to 'Beauty Reaps the Blood of Solitude' and dive into the evocative world of Nature and Organisation today!

 With lucid detachment, Jerome Reuter narrates the events... through the tearful eyes of a poet.

 Now a mature artist with a defined personality, Reuter handles his artistic material with great ease.

Rome’s album 'A Passage to Rhodesia' is a mature, poetic exploration of Rhodesia's troubled history through apocalyptic folk music. Jerome Reuter masterfully combines evocative arrangements with literary references, delivering a powerful narrative from both perspectives of the conflict. The album balances emotional restraint with strong storytelling, reaffirming Reuter’s status as a visionary artist. Notable for its blend of African themes and Central European moods, it stands as a profound and haunting musical experience. Discover the haunting storytelling and powerful folk melodies of Rome’s 'A Passage to Rhodesia'—listen now and dive into a poetic journey through history.

 "Death is not a novelty for Battiato, but even when treated explicitly, it is contemplated with serene detachment or irony."

 "Death attracts and repels him at the same time, and it is in this dialectic that his visions remain trapped."

This review explores Franco Battiato’s album Verso la Morte, highlighting his ongoing philosophical and existential engagement with death and life. It traces Battiato’s spiritual quest through lyrics that balance detachment, nostalgia, and intellectual depth. The album is part of a thematic trilogy reflecting on mortality, blending Eastern spirituality with critical observations of modern life. Despite some tracks being musically sparse or banal, the album carries a profound meditation on human existence and the inevitability of death. Dive into Franco Battiato’s profound reflections on life and death—listen to Verso la Morte and explore its rich philosophical depths.

 His path is ... suspended between exceptional moments and an overall aftertaste of a missed masterpiece.

 Patterson was the one who brought Pink Floyd into a band of mere metalheads.

This review highlights Duncan Patterson's significant contribution to the evolution of Anathema and his subsequent work with Antimatter. It discusses his distinctive blend of dark folk, psychedelic rock, and doom influences, as well as his philosophical explorations of existential themes. Although occasionally flawed, Patterson's music is praised for its ambitious, layered sound and emotional depth. The review also reflects on Patterson's artistic persistence and the continuing journey toward what he considers a 'perfect song.' Discover Duncan Patterson’s evocative soundscapes—listen now and explore his journey from Anathema to Antimatter.

 Azagthoth, furious, will shout to the world: “Ungrateful bastards, I write my best album ever, and you don’t understand, but go fuck yourselves!”

 It is truly, objectively, historically, undeniably a shitty album, ugly, embarrassing, that gives chills of shame when putting oneself in the shoes of the musicians who conceived it.

This review analyzes Trey Azagthoth’s significant contributions to death metal through his work with Morbid Angel. It explores his complex personality, artistic vision, and the band’s evolving sound across key albums. The review critically assesses lineup changes and the controversial experimental album 'Illud Divinum Insanus,' ultimately affirming Azagthoth’s enduring influence and hopes for a brutal comeback. Discover the raw power and complexity of Trey Azagthoth’s work—dive into Morbid Angel’s legacy and hear death metal history in motion!

 For 'Lament'... the status of masterpiece becomes a due act.

 A colossus of over seventy minutes themed around the First World War is either an unlistenable brick or a masterpiece. I tend to lean towards the latter.

Einstürzende Neubauten’s 'Lament' is a highly ambitious conceptual album commemorating the centenary of the First World War. The work features rich percussion, complex arrangements, and dense historical references, highlighting the band's artistic maturity. Lead vocalist Blixa Bargeld’s distinctive performance adds depth and vision. Despite its challenging nature, the album stands as a masterpiece within the band's long career. Explore 'Lament' and experience Einstürzende Neubauten’s powerful tribute to WWI—listen to this masterpiece now!