Genova 2011 Analisi di un processo - De Ferrari Editore
I would like to point out a truly illuminating pamphlet, which demonstrates - through the perspective of a non-lawyer and, therefore, not through the decrepit language used by those who study law - the dynamics of the criminal trial. The story is provocative, and the critique of the process is sharp. I would love to write a review about it, but for now, both energy and motivation are lacking.
Sátántangó — Tarr Béla, 1994. Opening Scene. The cows.

I accidentally discovered a great Hungarian writer, László Krasznahorkai. For about ten days, I've been reading what should be his debut work, Sátántangó. It's been a long time since pages have struck and unsettled me as much. Articulate sentences that envelop you and leave you breathless. Literature is important.
* * * *
"Not only could he no longer leave, but he didn't even want to leave now, because at least there he could huddle in the shadows of his usual visions, while outside, beyond the establishment, who knows what would be waiting for him."
* * * *
The monumental film by Béla Tarr was adapted from the book.
"1. The true world, accessible to the wise, the pious, the virtuous – he lives in it, he himself is this world. (The oldest form of the idea, relatively intelligent, simple, persuasive. Transcript of the thesis 'I, Plato, am the truth').

2. The true world, currently inaccessible, but promised to the wise, the pious, the virtuous ('to the sinner who does penance'). (Progress of the idea: it becomes more subtle, more insidious, more elusive – it becomes woman, it Christianizes...).

3. The true world, inaccessible, unprovable, unpromisable, but already, insofar as it is thought, a consolation, an obligation, an imperative. (Ultimately the ancient sun, but through fog and skepticism; the sublimated idea, pale, Nordic, königsbergian).

4. The true world – inaccessible. Still not reached. And insofar as it is not reached, also unknown. Consequently, it is not even consoling, saving, binding: what could bind us to something unknown?… (Gray morning. The first yawn of reason. The rooster's crow of positivism).

5. The 'true world' – an idea that is no longer of any use, not even binding – an idea that has become useless and superfluous, therefore a refuted idea: let us eliminate it! (Bright day; breakfast; return of common sense and serenity; Plato red with shame; the wild uproar of all free spirits).

6. We have gotten rid of the true world: what world remains for us? Perhaps the apparent one?… But no! with the true world, we have also eliminated the apparent one! (Noon; the moment of the shortest shadow; the end of the very long error; the apogee of humanity; INCIPIT ZARATHUSTRA)"

(F. Nietzsche, GD, 75-76, in G. Vattimo, Introduzione a Nietzsche, Laterza, 1985, pp. 81-82).
La Q di Qomplotto - Edizioni Alegre
I read somewhere about QAnon, this upcoming February release seems interesting to me.
Morire
«It is easier to imagine an end to the world than an end to capitalism».
I am rereading Blood Meridian by Cormac McCarthy (C. McCarthy, Blood Meridian or the Evening Redness in the West, transl. it. R. Montanari, Einaudi, 2014; orig. ed. Blood Meridian or the Evening Redness in the West).
In the coming weeks, I will publish a series of excerpts, without regularity.
#1
"Only now has the boy finally stripped away all that he has been. His origins have become as remote as his destiny, and in all the turning of the world there will never be territories so wild and barbaric again in which to test whether the raw material of creation can conform to the will of man or if the heart itself is nothing more than a different kind of clay" (p. 6).
Quadro di Troisi - Non ricordi
I find it an interesting, engaging project.
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