Zarathustra

DeRank ™: 0,46

DeAge™ : 7356 days • Here since 21 april 2006

Brian Eno Music For Films

11 aug 06

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It's what you get when you write 5 anonymous comments in a row voting for yourself 5 times; I believe they are no more than 15 years old. I'm even sorry for having called them an idiot.

Let me explain it to you: he’s an idiot, he rewrote the same comment I left on his review, I think it was about Coldplay. I invite you to visit it to understand the subject. X & Y - Coldplay - Recensione di Liamyes

Aerosmith Toys In The Attic

11 aug 06

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@DEDOLUZ: you're right, their music lately is very commercial, and there's no doubt that the music from their early days has a much different authenticity and musical depth. My judgment is purely emotional, it disregards technical evaluations. Anyway, I reread the review and I affirm, it’s very well written.

Aerosmith Toys In The Attic

11 aug 06

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Well, to be honest, I prefer the "radio-friendly" turn, as you rightly put it. Their original music wasn't exactly very original...

Coldplay X & Y

11 aug 06

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This band is incredible; it started to repeat itself already with the third album (it's the third one, right? Anyway, we’re there)... There isn’t a single song that highlights any evolution. Everything is incredibly flat, like the electroencephalogram of a dead person. Only the craftsmanship saves it, as someone used to say. Not a very useful review in the debaserian context.

Motörhead Kiss Of Death

11 aug 06

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God Was Never On Your Side is simply magical, the rest I don't know, anyway their genre doesn't drive me crazy, apart from Lemmy's beautiful voice.

Gentle Giant Three Friends

10 aug 06

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Overall, the review is written quite well, and it is very clear in explaining the concept and the pieces.

Gentle Giant Three Friends

10 aug 06

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Bah, one of the most complex cases in prog music. Undoubtedly and clearly great musicians, but I find their music to be almost completely uninspiring on an emotional level: odd time signatures, intricate arrangements, daring vocal intertwining, some truly brilliant like the one in Schooldays, others headache-inducing, a music that is extremely cerebral and quite cold. I would place them more in the avant-garde music category than in progressive, where all the elements listed above serve to create epic and grandiloquent atmospheres. Here, technique really is an end in itself.