The characteristic that, in my opinion, distinguishes Coldplay is their ability to write excellent immediate and direct melodies, without ever being banal. If the previously excellent work âParachutesâ was mainly a "fresh" album, âA rush of blood to the headâ is much more mature with its wave guitars, âX&Yâ does not bring major innovations, it's simply a beautiful, well-written album, even if not their best work.
The arrangements are always very well curated, Martin's writing vein has absolutely not run dry, and if we want, there is a greater work in the melodic structures of the pieces.
The album begins with âSquare oneâ with a stunning breathtaking lyric. Guy Berryman's bass is practically useless in âWhat ifâ even though the song is very tender and among the best of the album. The organ in âWhite shadowsâ is absolutely beautiful. A small masterpiece of the album is âFix youâ, a delicate ballad with organ strokes, where Chris Martin's splendid voice ends in a truly remarkable choral. In the ballad âTalkâ, the riff of Kraftwerk's âComputer loveâ is used. Interesting âX&Yâ where a good blend of violins is noted, with a hint of psychedelic. What to say about âSpeed of soundâ? It can also be said that it has already been heard (it resembles âClocksâ a lot) but it is undoubtedly a very good song.
âA messageâ and âLowâ are two negative tracks of the album. The first starts with a somewhat improbable folk-guitar, the second after a decisive attack loses itself in a sort of very ugly fatalism, almost as if wanting to launch a desperate warning. But we definitely recover with âThe hardest partâ. âSwallowed in the seaâ is not particularly bad but gets lost too much in the overly sweet.
Very melancholic, but not bad âTwisted logicâ with a very dark riff, ending in a very Pearl Jam crescendo. âTil Kingdom Comeâ is a delicate pop-folk for acoustic guitar and organ that fits almost perfectly.
In short, it is certainly not their best album, few innovations but surely 6-7 wonderful songs and Chris Martin's voice, simply gentle, makes even the simply nice or mediocre songs better. To listen to without prejudice.
This flood of graceful melodies... is the artistic representation of the inability to reinvent oneself.
Even when they try to experiment... the result is amazing: it sounds exactly like 'Clocks,' in a stadium version.
X & Y certainly canât be called a masterpiece, but it is a very good album.
Fix You is perhaps the best track on the album, and the Ghost Track is a pleasant surprise.
Last Friday, when the first notes of "Square One" played, something inside me clicked...
By the end of the CD, there were twelve masterpieces!
"In this 'pop-rock-melancholic' domain, Coldplay are the best."
"The sweetness of 'Fix You' (the ending of the song is splendid)... can suffice and satisfy those expecting a regression from 'A Rush of Blood to the Head.'"
"X&Y is a sequence of pleasant tracks, but they sound a bit like a tennis player with the 'short arm syndrome,' the fear of daring, fear of taking risks."
Despite all this, Coldplay manages to produce pleasant melodies, of excellent and refined melodic structure, supported by Chris Martinâs evocative voice.