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DeRank ™: 39,03
DeAge™ : 7570 days • Here since 25 september 2005
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Colleen Everyone Alive Wants Answers
Colleen Everyone Alive Wants Answers
20 jan 06
Voto:
And to me (cordial Mr. Nobody) you don’t even refer to me in passing... I would also be a gabbox/de-appreciator (writing, of course). It wrecks me – miserable me, wheeled/tapped me: sadness aplenty if not more. Comical regards. Your s.c. of (m)istrust. P.S. I understand that I would be (without conditional: I am) a terrible de-reviewer... but come on, it’s not nice (part 2: part 1 for the most attentive/time-wasters resided in the Sofa Surfers’ dreadful de-reviewing action) to so dismiss the old grinder of (m)istrust.
Brusco Si fa presto a dire Brusco
Brusco Si fa presto a dire Brusco
20 jan 06
Voto:
Now we've moved on from de-reviewing actions to intentions... crazy stuff.
Suffocation Effigy Of The Forgotten
Suffocation Effigy Of The Forgotten
20 jan 06
Voto:
Dear de-reviewer Mister Tepes, a sound-meat grinder in abundance if not more. To be completely honest, it didn’t really excite me (I bought it on vinyl back in the day, just to be clear); too monochord/monolithic: in other words, a lot of impact but not much imaginative substance. Better (de gustibis, as usual) the previous mini-lp: “Mass Obliteration” (of which the eponymous track also reappears in this de-reviewed work). Best regards in abundance if not more. Your s.c. of (s)trust.
Colleen Everyone Alive Wants Answers
Colleen Everyone Alive Wants Answers
20 jan 06
Voto:
Warm de-reviewing Monsieur Gabbox, effective as well as intriguingly de-reviewing (as usual) Your; it seems like a decidedly cross-cutting intriguing work promulgated by the Colleen/sound-witch mentioned above. Another n-th note in the already stuffed note-crusher... Warm regards and plenty of them. Your s.c. of (s)trust.
Cocteau Twins Victorialand
Cocteau Twins Victorialand
20 jan 06
Voto:
Dear de-reviewing Monsieur Francesco/The Punisher, [in case I am mistaken about the person, please don’t take it amiss.. it’s merely a harmless de-review/idle pastime with a penchant for outright dismissal] almost-almost (let's say quite a bit..) I prefer it in the punishing/scurrilous version: there’s almost the impression that through this, dreamy de-commentation, you demand to compensate for the broad jesting present in the bad alter-ego’s de-reviews. A truly unique/pleasant record/band, but not necessarily, absolutely, one of my top favorites (de gustibus, as usual). Just a small note of a grammatical nature: iNnalzare (two Ns, not one). Scholarly regards in abundance. Your s.c. of (s)confidence.
Orbital In Sides
Orbital In Sides
20 jan 06
Voto:
Dear de-reviewer Monsieur LER0, while respecting your de-commentary and sharing the aforementioned five-star judgment, I would find your de-reviewing action not particularly effective; namely, an album of stratospheric beauty (pulsating and ecological electronic music might have been the more accurate definition, certainly not ambient..), definitely one of the most intriguing/intelligent works ever coined by the Hartnoll brothers. Perhaps it could/should (to each their own) have been attempted to better describe the materials contained therein; moreover, the track "The Saint" (qualitatively nearly negligible: perhaps created specifically to accompany the ValKilmerian vacuities) is not at all present in the digital copy in my possession (purchased at the time); to be frank, I believe it was released the year after the release of the de-presented album.. a mystery of faith. Warmest regards in abundance. Your s.c. of (mis)trust.
Il Balletto di Bronzo YS
Il Balletto di Bronzo YS
20 jan 06
Voto:
Dear de-reviewer Monsiuer Nick81, the review action is definitely concise and poor rather than that implemented for a decidedly unique and visionary record (goodness, we’re talking about 1971!!) and very pleasant. Best regards, nonetheless warm and abundant. Your s.c. of (dis)trust.
Sofa Surfers Sofa Surfers
Sofa Surfers Sofa Surfers
19 jan 06
Voto:
Damn... here, the de gustibus needs to be placed and replaced in every subsequent argumentation... and if even subliminally/actively they recalled and approached (to avoid misunderstandings: personally, I still don't find all these similarities, not even in Mr. Obeya's way of singing, but that's how it is...) the Vivid (an almost unknown record today, at least to the new de-generations) Living Colour-iano? We're not talking about the debut of Cadaver or the third difficult record by Hellhammer (which, by the way, never came out)... Vivid was and remains a great album (brave for its time, multicolored and globally intriguing); likewise, Sofa Surfers version 2005 (IN MY OPINION... respectable - I hope - as anyone else's) remains an intriguing, intelligent work, heralding new solutions (at least for their previous acoustic standard), fully mature and enjoyable. That's it. And anyway, it's always a pleasure (so to speak) to converse with thinking and pleasant entities like yours. Lastly, just a tiny note to the ghostly yet cordial Mr. Nobody: I wouldn't consider it very nice to use (when referring, among gentlemen, to entirely personal opinions) the absolutist formula issima (as you did): on one hand, a certain position is exalted and presented as an absolute truth (respectable, needless to say), while on the other hand, it tends to overly cut down the opinion of others. Always the warmest regards to both of you. Your (dis)trusting chauffeur.
Forgotten Tomb Songs To Leave
Forgotten Tomb Songs To Leave
19 jan 06
Voto:
As for tastes, as usual. Regards. Your s.c. of (dis)trust.
Sofa Surfers Sofa Surfers
Sofa Surfers Sofa Surfers
19 jan 06
Voto:
Living Colour? Uhm... pardon me, dear Monsieur Gabbox, but what are you talking about? It doesn't seem to me that the current (intriguing or not, de gustibus) Sofa Surferian atmospheres remind much of what was so thoroughly mixed and put into place (especially in the first significant work) by Corey Glover (I’m going by memory...) & Company back in the day.
To the cordial ghostly Monsieur Mr. Nobody: the beauty of the record lies exactly in what you have witnessed: at first listen, it appears to be a courageous album (and in this sense, it would deserve the highest star/score: they could have easily persevered indefinitely in the same well-known expressive formula... and yet) without shame and without praise... the problem (if we want to define it as such) is that its qualitative weight tends to grow disproportionately with the layering of listens. At least, that’s what happened with this tear-jerking writing. Cordial regards aplenty to both, if not more. Your veteran (s)fiduciam carrier.
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