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DeRank ™: 39,03
DeAge™ : 7567 days • Here since 25 september 2005
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Abbas Kiarostami Dov'è La Casa Del Mio Amico? (1987)
Abbas Kiarostami Dov'è La Casa Del Mio Amico? (1987)
24 apr 07
Voto:
I agree (albeit moderately).
John Butler Trio Sunrise Over Sea
John Butler Trio Sunrise Over Sea
21 apr 07
Voto:
Unpleasant and sincere de-paginam, Dear Monsieur Surfer (moreover) Kangaroo. Never eavesdropped effectively/completely on any proto-disqo-qountry in (short) my life, moreover. Mixed-assorted obedience.
Exploding Star Orchestra We Are All From Somewhere Else
Exploding Star Orchestra We Are All From Somewhere Else
20 apr 07
Voto:
A warm (almost stellar..) de-thank you to you all cordial and (potentially) explosively welcome: Your (habitual as much as undeserved) magnanimity and kindness moves and affects me for the n-th/infinite time. Moderately sinusoidal regards to the shock absorbers.
Willy Mason If The Ocean Gets Rough
Willy Mason If The Ocean Gets Rough
20 apr 07
Voto:
"But if you’re always sending texts, how do you find the time to hook up? Damn you!! It's clear that the world is full of unsatisfied women with all these keyboard wankers!!" :D EcchiLLedice, really far too Qordial/Gentility (and so honest, it seems) Madame/oiselle Laura (besides) Fiesolana that I, the humble scribbler of half a thaler, do not rightly (and inversely) belong to that unfortunate woman-complaining-unsatisfaction category? In any case + participation: inquisitive, pleasant and amusing (I would dare to argue similar to PoetRaineriqa: hoping you are not potentially bad) of the pages. Pseudo-rabdomantic regards to qatinelle.
Trentemøller The Last Resort (2 CD)
Trentemøller The Last Resort (2 CD)
18 apr 07
Voto:
This is the DeBaser that I like. Opinions, thoughts, experiences. Thanks to all your Lordships.
Guttural Engorgement The Slow Decay Of Infested Flesh
Guttural Engorgement The Slow Decay Of Infested Flesh
18 apr 07
Voto:
I will tell you, courteous Sir Guido777, not knowing the epochal (and quite brutal) work you mention and enlighten us about, I will focus exclusively on the iconographic part: therefore, I believe I can support, with some veiled reasonable reasoning, that it may even be compared to "La Pietà" by Antonello Da Messina (which I suppose you are familiar with). Awaiting your kind response, I would like to extend my respectful regards.
Blonde Redhead 23
Blonde Redhead 23
17 apr 07
Voto:
De-Qapperi!! I didn’t know it had already been released, but since I’m reading it casually, it seems really /as usual/ interesting (instead of not). Thanks for the quick de-segnalaptionem. Au revoir.
Lisa Gerrard 13.04.07 Concerto @ Conservatorio 'G. Verdi' Milano
Lisa Gerrard 13.04.07 Concerto @ Conservatorio 'G. Verdi' Milano
17 apr 07
Voto:
‘..The audience is in a frenzy and giving a standing ovation..’ after all, it couldn't be otherwise in front of such a spectacular vocality (even though some of his outings post-DCD don't exactly scream miracle, but this is another discussion). Gratifying accolades.
Trentemøller The Last Resort (2 CD)
Trentemøller The Last Resort (2 CD)
17 apr 07
Voto:
@Qosmomoeller: elvish drugs? OmmonDieu!!! What on earth would that ever be (forgive my habitual ignorantia as well as ignominia)? @Messer George: regarding the Bloù Appe I would (more or less) fully agree with your personal opinion (if you don’t mind, of course). Respect to both.
Trentemøller The Last Resort (2 CD)
Trentemøller The Last Resort (2 CD)
17 apr 07
Voto:
De-qaspita: I confess that my "involvement" with the (in my modest way of reading) appreciable Italian musicological monthly and the related, furthermore, pulled in qausa Mr. Zingales, caused me (in a preparatory phase, I mean) some de-reflection on the real opportunity to operate in this direction... but my reflection was directed more towards the supposition that (in some way) a certain visibility (minimal, obviously) "propagandistic" would be given to the publication in question. Now, the discussions just de-liced by the kind de-commentators (that I clearly respect, of course, but I wouldn't fully share) are oriented vice/versa in a completely different direction. I also wish to emphasize that the discussion Trentemolleristiqa arises (?) from a personal reflection: having eavesdropped on certain snippets of it (and then read the related journalistic analysis) I found a certain discordance between my personal "feeling" and that of the gentleman in question; having (finally) obtained the double-CD (and with this I respond transversally to the kind Mr. No+Fake) I realized (only after repeated and careful listening for about two months: the work dates back to late 2006) what I am talking about (albeit deliriously) in this discursive-treatment: a work particularly "broad" which houses within it quite appreciable moments and others less interesting, this evidently (at least from my point of view) does not represent a "throwing away" of anything but rather an enrichment and search for the acceptable part that resides in it (a classic case of half-full glass perspective). Forgive the lengthiness. Thank you very much to todos (commentators & non). Osseuquità para-scandinave.
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