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DeRank : 39,03
DeAge™ : 7566 days • Here since 25 september 2005
Gil Goldstein Under A Rousseau's Moon
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The return of the Prodigal Son. It’s about time. UH!
Lord Belial Nocturnal Beast
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But that on the cover doesn’t damn well look like the legendary Goldrake? UH!
Stone Gossard Bayleaf
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Stonghossard (exactly) who?
Guido Passalacqua Il Vento Della Padania
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Mario Borghezio: a man, a reason. Enrolled since his youth in Umberto Bossi's party, that is the League of Nerds, to fulfill his destiny, Borghezio has a genuine obsession with non-EU immigrants, whom he tries in every possible way to help build a life here in Italy. It is not uncommon, for example, to see the affable Borghezio protesting against the Sicilian extermination camps where non-EU immigrants seeking asylum are inhumanely crammed and demanding their immediate release. His studies in oratory and literature under illustrious masters like Dante Alighieri, Cicero, Tacitus, Manzoni, and others should not be overlooked. Following these studies, he quickly adopted the motto (learned from an inscription on a wall in the Polentonia subway) "impara l'arte e mettila da parte" (learn the art and set it aside). He has miraculously survived various assassination attempts, the first being one orchestrated by the intellectual-musician-political scientist Sleepdriver, who, disguised as Osama Bin Laden, nonetheless managed to make him urinate profusely in his pants. It's also worth noting his twin brother Don Oreste Benzi, from whom he was separated at birth. Under Silvio Berlusconi's government, Borghezio wanted a specific law to protect black people and Muslims from the consequences of racism. Borghezio has also implemented a plan for modernizing the cleaning services of the State Railways (in which he himself boarded trains to disinfect properly) to allow Muslims to pray on the train in the traditional manner prescribed by Islam (prostrated on the ground, in short, with their faces pressed on the mat). In 2005, on the trains, Borghezio also met a group of protesters returning from the No Tav picket, with whom he amiably discussed the problems of the country and the ggggggiovani. After such cordiality, about a dozen of them, volunteering, conducted an interesting scientific demonstration on the (in)compatibility dimensions between Borghezio and Trenitalia windows. [http://nonciclopedia.wikia.com/wiki/Mario_Borghezio]
Juan Antonio Bayona The Orphanage
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Juanantoniobayona(exactly)what???
Blood Axis Blót: Sacrifice in Sweden
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@ALE9TO: but even the phenomenally spectacular "Torture Garden" could be a good prelude to Zornian madness. Quite the opposite.
Necrodeath Phylogenesis
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Out of curiosity, perhaps out of nostalgia, I wanted to listen to this latest work by Peso and the gang. The album certainly has a remarkable impact, so much vigor, so much determination: the only little issue (if we can call it that) lies in the fact that it really demonstrates once again, for the umpteenth time, that the genre (not just Necrodeath, of course) has absolutely nothing left to offer in terms of progressive drive. How many times have we heard the same riffs, the same screams, the overused breakneck rides contained in an album like this over the last 25 years? A chilling conservatism that has now taken on the traits of annoyance. I don’t doubt that all this might please some (perhaps the younger ones, who for purely generational reasons may not have any awareness of the authentic mountain of death metal records [all practically the same] produced by the half a million bands on planet Earth that came before this work), yet I find myself questioning the sense of recycling endlessly, back and forth, trying to reproduce what was good over twenty years ago. Mah! Actually: UH!
Pantera Reinventing The Steel
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The only record of theirs worth remembering, as far as I’m concerned, consists of "Volgare Display Di Viulenza." The rest (that is, from there onward) seems largely forgettable to me. I don't even remember having listened to it, but I believe, in any case, that I haven't missed out on a great work (NO! Ponte Sullo Stretto, relationshippes). O'-rvùàr. Indeed: UH!
Eurythmics 1984: For The Love Of Big Brother
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Nor will you buy the vinyl in the night of time upon its release: honestly, I didn’t like it much, being used to the pop-synthetic atmospheres of the phenomenal predecessor "Touch." I haven’t listened to it since then. Maybe I should give it another try. Who knows. O'-rvùàr.
Articolo 31 Domani Smetto
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Dear Mister Brat12, it doesn't seem that difficult to understand. DeBaser has an official HomePage (the CasaPagina) where the vast majority of reviews submitted by users are welcomed and published. Moreover, DeBaser has a section specifically defined [precisely] as "Casi Letterari" (the one you are in at this very moment) where the most peculiar, bizarre, hilarious, or simply incomprehensible reviews to most are published: in other words, the DeCasi (precisely). The fact that they are, according to you, less frequented than others is something to evaluate and verify numerically: there are DeCasi with a very high number of visits as well as "normal" pages on CasaPagina with none or very few visits from the diverse DeBaserian user base. To avoid any misunderstandings: the section of DeCasi should absolutely not be understood as a denigratory page (someone in the past has claimed this), nor as a DeGogna where one must necessarily humiliate and/or mistreat the person being hosted; it is a "side" section and should be understood as such. That's all. Moderately respectful regards to you and your whole little reading group. O'-rvùàr.