sfascia carrozze

DeRank : 39,03
DeAge™ : 7565 days • Here since 25 september 2005
Overkill Under The Influence
Voto:
:D \m/
Overkill Under The Influence
Voto:
Hail To MedalBrothaBartolo!
Overkill Under The Influence
Voto:
As far as I'm concerned, I remember it as their best album: heavy, tense, and with great power anthems to shout at the top of your lungs. Honestly, I’ve always found them stylistically moderately distant from the various Metallica, Anthrax, and the like: healthy carriers of a kind of ultra-dynamic and tough Power/Thrash, specifically in this album equipped with an appropriately earthquaking recording (in those years, finding albums that "sounded good" wasn't that common). At decent levels, their last studio album Ironbound - Overkill - Recensione di teenagelobotomy from last year is also good. UH!
Beastie Boys Hot Sauce Committee Part Two
Voto:
While I don't particularly appreciate the genre, the only album that I (quite a bit) listened to from the B-Boys in due time was "Ill Communication," perhaps because it wasn't exactly a canonically intended Rap/Hip Hop work. I have heard the preview of this and little else. It seems interesting. Who knows. Or Vuar.
Lorenza Ghinelli Il Divoratore
Voto:
I am a grown-up child who is not at all (like, not at all) courageous: what does it say: does it encourage me?
Beat Happening Black Candy
Voto:
Hey! Who gobbled up my peanuts?!
Pestilence Doctrine
Voto:
Fantastic! One of the worst sung records since the Pleistocene. Dear Bartolo, if I were you, I would give them a little auscultation: because these new recruits of brudal-medal don’t understand a damn thing. Instead of this.
Beat Happening Black Candy
Voto:
Dear Fiquata, allow me to remind you, without any polemical tone, that on the democratic DéBazer all kinds of music (but also films, paintings, books, games, and useless assorted trivialities) are discussed, starting from the decent ones (little question: who determines what is universally considered decent? You?) and reaching the indecent ones (same as before), without neglecting the historically significant and, of course, the insignificant: the astonishing thing, let me say it to you without any polemical tone (Pt. 2), lies in the fact that after—and despite—all the time you have spent (dedicating many enjoyable DePagine to it) at the multifaceted DeBazer, you are still here posing such a question. But are you really, truly sure that the idiots mentioned above are represented only by those who comment on the improbable (yet very popular) DePagine of the much-loved DeLorenzo? And then, excuse me, but baciperugina are truly good-great. Aren’t they? Now Vuar. P.S.: I don’t know the album, but I do know the band (moderately).
Sandro Bondi La Cultura E' Libertà
Voto:
If anything, it is "uncomfortable" that a disturbing presence like the one represented by this Ingrandisci questa immagine rag of a man has held sway over the Ministry for Cultural Heritage and Activities in Italy for more than two consecutive years. I would also like to remind, more than you, dear DeLorenzo, the readers of this page that all the (presumed) uncomfortable individuals mentioned [Giuliano Ferrara, Paolo Liguori, Fabrizio Cicchitto... but there is an endless sequence among the so-called Portatori della Libertà] are all employees, in other words, paid in various ways and with variable pecunia, by the sprightly little man from Arcore. No, just for the sake of accuracy.
Daniele Luchetti La Scuola
Voto:
The only teacher I really remember was the religion teacher from middle school: not because she was particularly attractive or anything, but just because in a moment of madness I hurled the eraser at her, with an Olympic arc, from the last row. She dodged it without batting an eye, but instead of forgiving me (and yet religion should teach to turn the other cheek…) she kicked me out mercilessly. The next day, she made me come back (alas) accompanied by my utterly furious parent.