sfascia carrozze

DeRank : 39,03
DeAge™ : 7564 days • Here since 25 september 2005
Olga Neuwirth Instrumental-Inseln Aus 'Bählamms Fest'
Voto:
As a devotee of the so-called genre (which is, by the way, much more avant-garde than this) Instrumental, I shall not utter a word. Rather.
The Astronomical Kid Stop Looking At My Moms
Voto:
Unmatched DeBasio! Seeing this little Astro(naut) near the Area truly makes one feel Paiura!!! Instead.
Area Live @ Crossroads, Roma 25.05.12
Voto:
But even if they held a concert with just marranzani Ingrandisci questa immagine and triccheballacche Ingrandisci questa immagine 5 all life long!
The Lemonheads Live @ Bloom, Mezzago 18.05.12
Voto:
The impressive thing is that inside Mr. Dando could easily accommodate at least two Pretazzi!
Pop. 1280 The Horror
Voto:
If you don’t mind, I would fully agree: new bands like The Unsane, Prong, and Cop Shoot Cop all come from the vibrant New Yorch.. :P Inquriosente ergo ottima DePagina, as usual. Or Vùàr.
Yes Tales From Topographic Oceans
Voto:
"Opinion of a fourteen-year-old"?! Orpogatto! And I thought that today’s youngsters were only into shooting Lady Gaga... What will they be listening to at sixteen? The complete works of Karlheinz Stockhausen?
Tim Burton Dark Shadows
Voto:
And in the end, whether it's the persistent torrential rain, or the lack of valid alternatives, I gave in and watched this Burton(dark)-philm… My (mono)neuron scattered around my head clearly agrees with the aforementioned "rated PG-13": a potentially entertaining little film that, despite starting off well in the first (10/15) minutes, could have been explored better and differently. But Tim (rightly) doesn’t give a damn about what we think. Upon reflection, the most chilling thing was seeing old Alice Cooper mimic himself. What do you say, shall we give it (at most) three stars of appreciation and leave it at that?
Garbage Not Your Kind Of People
Voto:
G's favorite album!
Shakira She Wolf
Voto:
Tim Burton: Dark Shadows - By Geo@Geo: Perhaps it's yet another film about vampires and villains, about family and good feelings, about impossible love and its curses, about a mix of all this and much more. One could say it's a Tim Burton film: that is the most accurate description.
Ultimately, it's a vampirized version of that poetic, melancholic, and beautiful story of "Edward Scissorhands": Depp doesn't even seem to have aged! It's the tale of a family cursed by a lovesick witch who was deceived by a young 18th-century playboy, who, upon waking up 200 years later, struggles to find his way: his only compass being a steadfast love for his family, or at least, what's left of his strange descendants. Burton has his favorite actors and has no qualms about calling them back whenever they are needed to embody his ideas: a wonderful exception is Michelle Pfeiffer, whom we haven't seen since her Catwoman role in 1992's Batman Returns. The dark-gothic setting and scenery, photography, special effects (not too many, but well chosen), and cast are perfectly integrated into the story, which ends exactly as it begins... It's impossible to explain much more, as it would risk being labeled as spoiler territory. If I had to define this latest work of Burton, I'd reuse the term "a mix of genres," but with a dose of romanticism and sentimentality that we probably haven't encountered in a long time.