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DeRank : 39,03
DeAge™ : 7564 days • Here since 25 september 2005
The Beatles Sgt. Pepper’s Lonely Hearts Club Band
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Goodness! Has it come out already? The cotechino with polenta and spinach, I mean.
Chris & Cosey Heartbeat
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I love frying.
Not necessarily of squid.
Voivod Negatron
Voivod Negatron
27 may 17
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Here, the exemplification presented in the penultimate paragraph explains exactly why this is one of the "weaker" albums in the Canadians' career: Fear Factory and Pantera are a "by-product" [with two thousand quotes] of the insights of the early Voivod (to summarize: Killing technology era for the first, and War & Pain/RRRooooaaaarr for the second, but take all of this with a grain of salt, just to be clear). In this album, as the esteemed DeRecensore says, for a thousand reasons they have "started over" from here. And this, considering their historical role in breaking down the boundaries of the metal genre, is not exactly what we might define a "progressive" album (NO politics relationships). I didn't quite understand what I wrote. But by now, the mark is given. Haloa. P.S. Let's make it Tré-stellette-Tré and leave it at that. Or again. Comment vous voulez.
Devo Something Else for Everybody
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Personally, I don't quite agree with the introductory judgment on the "twin album" (the previous/official one, without "the else"), as well as with the definition of "triptych of shame" that would also include (the fantastically amazing) "Shout" [an album I literally wore out at the time of its release]. Of course, it's true that this (ahem..) "collection of scraps" is nothing transcendent and certainly doesn't change by a half comma their history (sincerely epoch-making, at times) for the 'normal music consumers', but for those who loved/adored/dissected them in every hidden nook of the pentagram (the infamous DeVoti supporters of DeVolution: and this album is aimed at them) I believe there are at least a couple of tracks that are more than dignified (as Ella also points out) that could have easily graced (in terms of quality) several of their previous works (even if not among the "historic" ones, but among the good ones). In short: "Freedom Of Choice" for everyone. (wow, look how many parentheses I've used)
Uberto Pasolini Still Life
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No. But. Come on. Three-star-reviews don’t do justice to this little, almost imperceptible, yet still quite a nice, micro-masterpiece of celluloid. No. Come on. Eh. But.
Matt Osterman 400 Days
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Accidentally! I’m an archaic admirer of "Space 1999" and "UFO S.H.A.D.O." but I haven’t (really) seen such a sci-fi film. Really. The last sci-fi film I appreciated [a lot] was that "Moon" by Duncan Jones from a few years ago. Perhaps precisely because sci-fi isn’t the film's sole core element, but something else. Who knows.
Matteo Caccia Il silenzio coprì le sue tracce
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Indeed, it is associated with Cormac McCarthy, isn't it! I'm curious. I also can't help but think that the author's surname must have subliminally influenced the plot, and thus the writing, of the tome. Or maybe not.
Tony Britten Bohème
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Oh! A (poor) DeRecensa without comments. Good: or bad. It depends on the (s)viewpoints. To hopefully attract a little DeGente, I’ll try to recount a little episode that happened to me just this morning: so: colon: I was minding my own business to take care of my own things and (while passing through a street that was taking me towards the place where I should have taken care of my own business) I caught a glimpse on the right edge (and where else) of the street leading me towards the place where I should have taken care of my own business, a splendid (so to speak) POSTER [giant] with Assad's Face (the well-known philanthropic-peaceful Syrian) in the foreground. I thought: what the hell was in the coffee this morning, along with the Savoiardi from Fonni.. Peyote? Hallucinogenic Mushrooms? Who knows! Yet it hadn't seemed so.. In any case, it was all true (alas): but the truly SHOCKING thing was the statement under Assad's face "The best defense for Europe against Terrorism". Here’s the wonderful imaginative link Ingrandisci questa immagine The question is: are these (idiots) completely out of it or have they always been just like this? I know. In a way, I’m giving them "advertising". And I shouldn’t have. And I’m deeply ashamed of it. But I swear this "thing" deeply disturbed me. Really a lot. Almost Assad-like. If anyone has had the same (sad and tragic) experience, they can openly talk about it down below: I hope the solitary DeRecensore won’t be upset about it. I hope.
Nine Inch Nails The Downward Spiral
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For the DeUnlocking of the DeReviewer, it is rumored that (aqquantopare) the magical & lubricating DeSvitol works: but I never quite believed it. I prefer good old elbow grease.
Soundgarden Live Torino Stadio Delle Alpi 27 Giugno 1992
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The DeRecensies of concerts from previous millennia have always fascinated me. In the past, it was a "DeGenre" quite common on the DeB, but now I'm not so sure. They captivated me to the point of wondering if these concerts had actually ever happened and/or if what was told to posterity had really occurred or was merely the result of fantasy/the obligatory blurred memory of something lost in the night of DeTimes and, essentially, made just to say: I was there. Without an apostrophe. However, in this case, the DePage seems beautiful. And sincere. That much is true.
P.S.: (I) saw the Vanadium (with Rude Boys as the opening act) in Macomer in the recent 1987. Now unfortunately I'm in a hurry, but tomorrow I'll gather my memories (or supposed such) and organize an appropriate DeRecensione. Of course: Pino Scotto wasn't Chris Cornell, but I was there.