voiceface

Poletti, Innuendo is a scintillating album that oozes art and emotional fervor in every note, but the weak thoughts expressed by the reviewer are nothing compared to the irreverent arrogance of your writing style, an attitude that I hope you only exhibit in front of a computer keyboard...

my God...

a record whose beauty is directly proportional to the size of the bullshit written in the review...

The review is too simplistic, although I agree with the overall judgment. The album is indeed beautiful only at first listen, but at least for me, it became tiresome very quickly... unlike Waters' albums, which I’ve fortunately been listening to for years...

primiballi, I agree with you when you say that you won’t provide copies of Battisti’s unreleased material to stay true to a commitment made. However, I do not share the attitude of those who, based on the family's wishes, decide not to distribute the material they possess. I believe that the moment material leaves the hands of the copyright holders, in any form, it should belong to everyone. The actions of the family and the Freemasonry you mention should stop at the threshold of the recording studio. What some fans of Battisti are currently doing is vulgar art collecting, much like those who legally or illegally appropriate a great work of art and keep it for themselves in their own living room.

the review is heavy as a boulder...the album is really beautiful...

four, just because if you were to put five, you would have to go overboard with the last two works which are simply immense...

I think I'll write a review of Mellon Collie... sooner or later...

Yes, I reread the post and I think I misunderstood, forgive me for being an idiot... but with what goes around here, it’s easy to get confused and take for granted what isn’t...

The review in many ways almost makes me suspect a copy and paste from specialized magazines, given the linguistic and thematic care you put in. I'm still optimistic and I give you a solid five, because I wouldn't know how to write something like this, and neither would 99% of the site's visitors... as for the album, I am among those who believe that Zooropa will one day, when the band has finally split up, be the most re-evaluated album, precisely for its extreme originality (to the detractors I say: find me an album that sounds the same!)... regarding the discussion I vaguely read about some idiot circulating on this site, claiming that U2 or Battisti don't deserve in-depth analysis, I say it's just musical fanaticism... there is no artist from this land, from Meneguzzi to Battiato, who doesn't deserve exploration... best regards.