claudio carpentieri

It is true that a historical document like "Houses Of The Holy" can spark exchanges of "felt" opinions among supporters and detractors of the four Zeppelin, but one thing I'm sure of: it is not an album that can be considered secondary for the history of music or within the discography of Jimmy Page & co. An album with a strong impact, the music speaks for itself, with Plant proving himself always up to the task, magnifying a winning combination whose legacy will only be validated by time and worthy disciples.

It is indeed true that in some reviews you may have exaggerated, but on this occasion, I do not feel and do not permit myself to judge the content of what you wrote, even if it may not be fully shareable. Even Madonna (among many others) said: "What do I care if so many people talk badly about me? The important thing is that they talk about me...!" Next time, I want the review of "Like A Virgin." I've even been nicknamed among the comments on this page. That's fine, new name, new life... who knows.

Great record and (always) GREAT Rax... I would miss it :-)

"Green" is an album that I willingly listen to again, even more so after the inspired words of our friend and attentive "reviewer."

Great comment, wild boar... the album truly deserves the appreciation you've given it. It was a work that didn’t receive a warm welcome, except for the entry of the single (it was called a 45 rpm back then, and "Reach Out" was also featured on it) in the UK chart. An album with excellent tracks, but like nearly all Iron Maiden works following the first two albums, it needs a bit of time to become pleasantly familiar.

Hi Paolo, every time I read one of your reviews it's always a surprise. You've expressed beautiful words regarding this track, also explaining aspects that perhaps aren't known to everyone. Having listened for a long time to the gigantic debut of the Doors, I feel compelled to add to what you've written that the so-called "Oedipal" section was inspired by Friedrich Nietzsche's "The Birth of Tragedy." The atmosphere, perfectly complementing the recording (the studio was completely dark), greatly enhances the success of the sessions, as the only illumination came from the LEDs of the instruments and a few dim candles. The recording captures musicians and technicians as the tape continues to run for over a minute and a half after it ends. I believe I understand that dedicating a thought solely to this track stems from a true love for the band from Venice and should therefore be respected.

Hi Floyd, you chose a record that's not easy to describe but you've managed to do so commendably. I didn't experience the release live, so to speak, but beyond personal emotions (which matter more than anything else...), objectively it was an album that mirrored a strong crisis within the group which nonetheless facilitated an agile growth of the sound of the four.

An extraordinary album that is worth being appreciated and (re)listened to. Good commentary..and welcome.

I have followed the career of Pink Floyd as much as that of Waters, and I believe that the album in question is a work that has managed to hit the mark, continuing to explore themes that are consistent with what the bassist from Great Bookham has done throughout his glorious artistic journey. Good (and even more) the comment with which you described the work.

To be fair, I have always believed that "Greetings.." should not be regarded as a job of little importance, even though many of you consider it one of the testimonies of Springsteenian purism. Beyond personal considerations and the respectable opinions of everyone, it remains a pleasant compilation of enjoyable songs to listen to, reflecting fully the sounds of a happy period for music in general.