puntiniCAZpuntini

Yes, yes, I have them all. I even have a double Live in Torino from 1978 that doesn’t even appear in the official discography, it has beautiful packaging... but it sounds like shit, you can’t understand (in fact, Patrizio didn’t include it in the discography), you can even hear the voice of the guy recording the live, like when Denterio hits a high note, you can hear the guy above the music saying, “Wow, what a voice Demetrio has, Nèèh!” ... it really pissed me off, I picked it up at Fnac a long time ago, the cover has a drawing of Demetrio and in his hands, he has a sphere made of blue lights; if you come across it: leave it on the shelf. Oh, it’s not that the concert at Elfo (which, if I’m not mistaken, is titled under "Event 76", with Frankestain and a little girl by the lake on the cover) sounds wonderful either, but at least you don’t have the comments from the Torinese over it :D (But isn’t it Odradek talking on the CD?)

Orchis, in two lines you can't make yourself understood. I don't know what you listen to, I don't know what you like, I don't know you... if you tell me one thing I have to take you literally, how can I interpret the thoughts of a stranger?

Do you like She by the Maldoror?

<<<I don't get one thing, man... you throw shade at punkers and rich kids who go to CCCP concerts wearing Che shirts, and then you say "how cool and lazy these idiots are," when they flaunt such attitudes and then drive around in Bentleys and Aston Martins around their family estates...?>>> The money they've made, they deserve every single penny, they fully earned it, I bought all of them too (except Dark Side :D, and I probably bought Final Cut about 6-7 months ago) including the DVDs, because they deserve it. Just to be clear, I have absolutely nothing against rich people, not at all; I have a problem with those who go "poor yeah! poor but badass!" and then when you tell them they have to take a cargo ship from Cagliari to Genoa due to lack of available spots, they'll say "no way." If someone is rich and they made their money without hurting anyone, they have my utmost respect; I would like to make a ton of money too. The Floyd made it by giving emotions to millions of people, they deserve all the Aston Martins in the world. A quick fun fact: "not everyone knows that" Mason has a crazy collection of cars? Many he rents out for films, and during the recording of The Wall, he stepped out to race at Le Mans. :D

Thanks for the titles, but... what about the album? :D I sent an email to Akarma to find out what they have of Stratos apart from what I already have (of course I gave them the list), but they still need to reply; I just wrote to them yesterday. Odra, I’m going for the practical side: I want the original CD, I absolutely need to have everything by Stratos on principle... I thought I was done, but it was a nice surprise :D

No no. Bike praises drugs.

But in the sense that, as Bogus says, there’s a belief in a game that's more literary than anything else… for the rest, we’ve lived on the wave of Waters’ "enthusiasm." In short, if I think of Mason's goofy smile and compare it with that of someone really high, whether it’s Dylan, Jagger, or Rose, don’t confuse acid with heroin, they are TWO COMPLETELY DIFFERENT things in terms of effects both during use and with prolonged use. Sure, Mason was different from Rose, but I don’t think Mason ever did heroin; I was talking about hallucinogens, you know.

Okay, it's cinema, and I POINT OUT THAT it's CINEMA that I believe they held BACK. We will never know for sure, but in the other DVD, the one of Syd, it is clearly stated: WE LOWERED OUR SOUL. But guys, think about it for a moment: in '68 Barrett goes off the rails, in '76-77 Waters goes off the rails, and at Live 8 I saw a Mason who struggled to coordinate despite not being that old; for example, Billy Cobham is much older than him and plays like a metalhead, and even Billy has taken his hits. Waters is trembling... For me, if there's one who has done little, it's Wright; the other four took serious hits.

Aeneas, you fall into the mundane like this. You have to consider that Pompeii is THE FIRST Music Home Video in history, and it was 1971. Do you really think that in 1971, if they were speaking honestly, what was going on? It would have been a mega scandal. Then, come on, they deflect the answers, they don’t say a damn thing, like the guy asks Roger "are you getting along with the group?" and he goes "what do you mean getting along with the group?" and the guy says "Well, are you happy?" and he replies "what do you mean happy?" and the guy says "Come on, be serious" and Roger takes the last two millimeters of his cigarette, reaches the filter, and shoots a couple of rings of smoke in his face. Sure, it could be interpreted as "snobby" behavior, I see it as "slacking off," but I’ve never been in Roger's mind so I can’t assure you. At least concerning the performance of A Saucerful of Secrets, though, you have to agree that David’s dark sunglasses are a bit suspicious, right? ;) If I'm at home, I watch musical DVDs; I might be the person who has seen the fewest films that I know, but the DVDs I have, I know them almost by heart from watching them so often: for me, in Pompeii, they were having a trip that's hard to explain :D, but hey, all impressions... however... the laughter... dark glasses... acid symbols on the shirts... too many clues, Watson, really too many.

Anyway, if I have problems with logical connections, then it means you have some trouble understanding the music and its titles: all the CDs by Napalm Death should be called rock-crushers, choppers, or something like that. >>> And why, excuse me, what are they called? Are you kidding me? Band Name: DEATH TO NAPALM (which isn't very nice, dying burned, is it?) First album: "Scum" - second: "From Enslavement To Obliteration" - third: "Harmony Corruption" - fourth: "Death By Manipulation"... should I keep going? Come on, the singles: "You Suffer," "Malignant Treachery"... and I think you've taken the wrong example, huh?