puntiniCAZpuntini

DeRank ™: 14,39
DeAge™ : 8248 days • Here since 21 october 2003
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Melma & Merda Merda & Melma
Melma & Merda Merda & Melma
26 aug 05
Voto:
Trilogy of the Tatami is from Loop, huh. I'm not thrilled by the whole thing but Trilogy of the Tatami is a great piece.
Fabri Fibra Mr. Simpatia
Fabri Fibra Mr. Simpatia
26 aug 05
Voto:
The true sacrilege is the absence of Rapadopa.
Primal Scream Dirty Hits
Primal Scream Dirty Hits
26 aug 05
Voto:
The remix by Del Naja is one of the best Trip Hop tracks ever made; just for that, one could buy the record, it’s fabulous. The rest is more or less average, the G.Hits album is the same as always.
Kyuss Blues For The Red Sun
Kyuss Blues For The Red Sun
26 aug 05
Voto:
I don’t agree with too many things, especially with the last sentence.
Kyuss Blues For The Red Sun
Kyuss Blues For The Red Sun
26 aug 05
Voto:
The delirium would fit very well with this album, but not this kind of delirium. I can’t even find a somatic trace of this album in your rec, and I give it a one not because of delirium, but because it’s a delirium not compatible with the sound. If you hadn’t poured blood and rivers into it, maybe it would work, but there really are no rivers and water here, not even blood. You should have made it drier and more hallucinatory; then you chose an album that, despite not being to everyone’s taste, has created a movement and marked a generation, you could have done better.
Stevie Wonder Songs In The Key Of Life
Stevie Wonder Songs In The Key Of Life
25 aug 05
Voto:
Blues and especially Rock 'n' Roll and Jazz were created by black people; narrowing down Black Music to Soul and the rap you see on TV is somewhat limited. This is a great album, but saying it's the pinnacle of black music seems off to me, very off: BB King, Miles Davis, Jimi Hendrix, without taking anything away from this album, seem to be a few millimeters above.
Godflesh Messiah
Godflesh Messiah
25 aug 05
Voto:
But that Napalm and Godflesh have similarities, not in sound but in attitude, is certain. However, to say that they contributed significantly to the flourishing of extreme English music is another matter; Napalm, with Justin, played hard but not that much, and he left precisely because he wasn't into what the others wanted to produce. Nevertheless, I was talking about imprecision and not completely incorrect information; I also mentioned that he was in the very early lineup, but precisely because they never recorded anything and no one except them can know what and how they played, he can't be brought into the discussion. So, since Hendrix and Billy Cox, as paratroopers, played in a rock band led by their captain (a real army captain), can we say that this captain significantly contributed to the flourishing of psychedelic hard rock in the '60s? They played in a garage, they were kids; from how you talk about it, it seems like he’s the inventor of the grid. Be more precise, come on.
Godflesh Messiah
Godflesh Messiah
24 aug 05
Voto:
the vote on the Disco, and I repeat: be more precise, we do not like incorrect information.
Godflesh Messiah
Godflesh Messiah
24 aug 05
Voto:
My love, there are no recordings of Justin with Napalm, not even a demo; he was in the first lineup of Napalm but left precisely because he didn't like the "proposed genre," and he left making way for Steer a full two years before the first album. When he played with Napalm, neither Steer, Dorrian, nor Shane Super Panza were there. What they played is little known, aside from a few interviews they've given, but to say that he "contributed not a little to the flourishing of extreme music in England" is quite a stretch. Pioneer of Industrial Metal, okay, Jesu is an amazing band and it's all his, okay, but with Napalm and grind, he really has very little to do with it. Be more precise; we don't like inaccuracies, no no. Get informed, check your sources, and write only when you're sure of what you're saying; it's better. Great album, though.
Lucio Battisti Hegel
Lucio Battisti Hegel
23 aug 05
Voto:
The first demos of what was then known as Militant Havana date back to the same period as Jovanotti's first album, even a bit earlier. The early moves of Italian Rap trace back to the Break Dance scene in Turin & Milan in the very early '80s, a militancy that Sandrino Sborone Orrù aka Dj Gruff still boasts about. Jovanotti has never been and will never be anything in Italian rap, neither a caretaker nor a retiree nor anything at all, and no old follower of rap has ever listened to him. Perhaps today's kids have also listened to the young man, but those who have been around for a while, I assure you they have not, absolutely not, simply because they were doing it long before him, way before him.
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