puntiniCAZpuntini

Anyway, as a "Discoverer of Hot Water," the chubby guy is the best of all, "society oppresses us!" (Really?) "Rebel against the system!" (Oh, yes, and how, pray tell?) "We are all slaves!" (In what sense, chubby?)... he always speaks with clichéd phrases, spouting the usual big truths that all "anarchist" or similar groups say, with the small difference that he can't rap, is as ugly as sin, has an irritating voice, and lacks both meter and style. He is the militant rapper you find for dirt cheap at the supermarket, the bulked-up version of Public Enemy, the knock-off of Assalti Frontali, a revolutionary buffalo mozzarella, in two words: a total idiot.

The speech is all focused on the Coglionazzo, not on the 99 posse: Meg and company are all good artists, it’s the coglionazzo that ruins the mess. But is Plurilaureto really the fat guy? And in what? I’ve never heard anything like it, maybe I’m mistaken but I don’t think so. The fat guy is a coglionazzo, musically inept and useless: metrically flat, monotonous in content, and spouting judgments without having the right to. You’re the one who needs to argue your thesis, what’s so great about that idiot? We’re all united in a low profile of the fat guy, we don’t need to argue over what we agree on. Go to one of their live shows and all he knows how to do is say “fuckin' cops” and insult people who are just doing their job; he’s a colossal idiot, then he goes backstage to smoke, and those who attended the concert have to deal with the angry cops because of his insults. Tell us what’s so great about him? Why would he be a good rapper? Who gives him the right to judge and spout opinions like that? Why does he talk so much about acting and doing while he’s just a fat guy who spends his days smoking and making music? Why doesn’t he speak in Italian in interviews instead of that incomprehensible mix? What does he know about politics to have the nerve to talk trash and offend? Why do you say so much Peace & Love when he’s the one inciting revolt even with violent means in his songs? Why is he so violent that he sings "I Shoot on Sight" and similar tracks, only to take it all back with various "peace & love"? To me, he’s the biggest idiot in the Italian music scene, and I’ve seen him play at least 15 times from ’94 to 2000, explain to me what’s good about the piece of crap; maybe I’m the one who hasn’t seen it right.

No, Enea, don't worry, I was just joking about reviewing the Righeira. Anyway, I only know "Vamos Alla Playa Oh Oh Oh Oh!", and I thought all their songs were like that. If you're already talking about tear-jerkers, I'm out; thanks for the tip! :))

Stunning even Niun Niggung, oh, even Radical isn't bad, for once they took it easy, it may not be innovative but it’s still a really good album. There are very few bands that never miss like the Mouse in this field.

Eh, these are conversations that could fill a 30-page mental essay; the differences between the various derivations are minimal since it all ultimately comes from the '70s Hard Rock. Some have taken it to extremes in one way and others in another. In fact, on stonerrock.com, you can jump from a review of Astroniq to one of Krux, which are two completely different bands... but the root is the same. Today, I don't feel like getting into the nitty-gritty details. :D

Who eats healthy, returns to nature: oil Peter Tosh, and life smiles at you. (in the best shops in Holland)

Well, in my opinion, you didn't really hear the early works properly: We Live is clean both in the riffs and in the solos, you can hear the scales, the drums are on time and never go off the rails, the lyrics are understandable, there are no sound stretches of two or three minutes, it’s classically disgusting, and quite a bit different from Let Us Pray and the other works. I repeat, I think you need to listen to a lot more stuff and get your ear in a bit.

The Borises are named Boris after Boris, the first song of Bullhead, indeed.

Yes, but I actually didn't understand Birobiro's argument, not yours. However, since you bring it up, with Born Too Late you took one of the rare exceptions, you clever bastard. You know that 90% of 80s Doom sounds like We Live; it's just that now you deny your metal past, but you won't fool me, ha! Every genre or definition has its bands that are tangentially related and very different from each other; if you dig into the Border Line, we won't get out of it, but if we focus on the big part of the mass, the sound is that, ha! You made a blunder, but you can't keep going on like this for long; alternative bands fade away quickly. You're doomed.

Damn Enè, you’re right, the pinnacle of the Sunny album I reviewed is Betty Davis or Fu Manchu, who might be sunny but not in the purest sense of the word. I need to review a Sunny album, I hadn’t realized I was missing it; I owe you one, now I’ll review the Righeira ;-)