puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 8165 days

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  • Here since 21 october 2003
Voto:
Nice, but you're overdoing it a bit: "genius" and "battle trio" seem pretty forced to me... it sounds like you're talking about Cream :)
Voto:
Inside here are the same things that have been going around for years in the heavier clubs; going to the Sound Factory, to the Fridge, or listening to this is exactly the same thing... Banal Techno, I don't feel the experimentation here. Giubbo, I'm not coming to live with you because you don't know Squarepusher, and that's serious.
Voto:
4/5 is an interesting judgment; I couldn’t care less about fillers and I give it a 5, also because the Hendrixian style is not easy to reproduce.
Voto:
Well, the Lynyrd are (I don't know about now, but back when the album came out they definitely were) dirty, rough, racist, brawlers, offensive, misogynistic, and womanizers... what better review to tell you to fuck off? :D But yesterday I felt really sad, like really sad, even though it was for charity... they had Kid Rock sing Sweet Home Alabama. It was truly a terrible moment, although seeing them still in shape and with long hair like always made me happy.
Voto:
00 Void = Technically furious, but what a pain in the ass, really what a pain in the ass. Just like all the Sunn's albums on their own (just the two of them) without anyone else playing other instruments, their two guitars after a while (very little) are just annoying as hell. Just in Flight of the Behemoth, even though there are two of them at an unspecified point (in my memory) in the album, a somewhat cheerful keyboard comes in... and it seems like something significant has started, since after 20 minutes of low frequencies even a fart sounds like a whole orchestra. The Sunn in "just the two of them" mode are liked only by Moon, thanks to his Metal soul that occasionally surfaces.
Voto:
To me, it seems mostly made up of rather simplistic techno pieces, with a couple of experimental bits thrown in. In the end, the only departure from the usual patterns is K.Keith's feature. Tracks like Firestarter, Mindfields, and Breath are laughably monotonous; the theme doesn't change even if you shoot up, and the sounds (especially in Mindfields) are really weak. It's a '97 album; if it had come out in '89, I would have understood, but by '97, these things had already moved on. It sold for that exact reason: it's easy, catchy, radio-friendly... but it's pretty heavy (ugh) in terms of beats, so it fit well for that period when "rave" was really cool. :)
Voto:
One to zero for you. :D
Voto:
The only flaw is the production; if they took a hand to it now, cleaning up and enhancing the things that go into the background (as Psycho mentioned above, I can only hear Ericson's keyboards if I really focus) it would become much more approachable. The clutter is off-putting, at least to me. Airone, but did you catch the original Faust EP they did with Dälek? I still need to find the original; I only have a crude file :-( /// For me, the best of Acid Mothers Temple is "La Novia," which, even though it's hyper-experimental, doesn't come off as a joke like many albums, such as Makoto's solo one (Sodo_Caustico reviewed it, if I’m not mistaken): a classic example of a joke.
Voto:
Because Moon seems like an idiot, but deep down, he has his hands in everything. Have you ever wondered why tits and asses are overflowing on the cover of Panorama? Even DeBaser is in his crosshairs, and the dwarfs are quaking.
Voto:
Apart from the nonsense, it seems so, according to corriere della sera.it: <<< Chlorine water, new case in Chioggia ... the more serious one remains that of a young girl from Padua who ingested chlorine present in a fruit juice...>>> Unless corriere della sera has been hit by an avalanche of Polenta & Osei... or unless Moonchild has done her little jobs there too, it is now well known that behind Ricucci there is Moon. Corriere will become a partisan Drone publication.