puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 7983 days

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  • Here since 21 october 2003
Voto:
00 Void = Technically furious, but what a pain in the ass, really what a pain in the ass. Just like all the Sunn's albums on their own (just the two of them) without anyone else playing other instruments, their two guitars after a while (very little) are just annoying as hell. Just in Flight of the Behemoth, even though there are two of them at an unspecified point (in my memory) in the album, a somewhat cheerful keyboard comes in... and it seems like something significant has started, since after 20 minutes of low frequencies even a fart sounds like a whole orchestra. The Sunn in "just the two of them" mode are liked only by Moon, thanks to his Metal soul that occasionally surfaces.
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To me, it seems mostly made up of rather simplistic techno pieces, with a couple of experimental bits thrown in. In the end, the only departure from the usual patterns is K.Keith's feature. Tracks like Firestarter, Mindfields, and Breath are laughably monotonous; the theme doesn't change even if you shoot up, and the sounds (especially in Mindfields) are really weak. It's a '97 album; if it had come out in '89, I would have understood, but by '97, these things had already moved on. It sold for that exact reason: it's easy, catchy, radio-friendly... but it's pretty heavy (ugh) in terms of beats, so it fit well for that period when "rave" was really cool. :)
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One to zero for you. :D
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The only flaw is the production; if they took a hand to it now, cleaning up and enhancing the things that go into the background (as Psycho mentioned above, I can only hear Ericson's keyboards if I really focus) it would become much more approachable. The clutter is off-putting, at least to me. Airone, but did you catch the original Faust EP they did with Dälek? I still need to find the original; I only have a crude file :-( /// For me, the best of Acid Mothers Temple is "La Novia," which, even though it's hyper-experimental, doesn't come off as a joke like many albums, such as Makoto's solo one (Sodo_Caustico reviewed it, if I’m not mistaken): a classic example of a joke.
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Because Moon seems like an idiot, but deep down, he has his hands in everything. Have you ever wondered why tits and asses are overflowing on the cover of Panorama? Even DeBaser is in his crosshairs, and the dwarfs are quaking.
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Apart from the nonsense, it seems so, according to corriere della sera.it: <<< Chlorine water, new case in Chioggia ... the more serious one remains that of a young girl from Padua who ingested chlorine present in a fruit juice...>>> Unless corriere della sera has been hit by an avalanche of Polenta & Osei... or unless Moonchild has done her little jobs there too, it is now well known that behind Ricucci there is Moon. Corriere will become a partisan Drone publication.
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Damn, I thought it was a detergent...
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<<< At that time, even if you were commercial, only the music mattered. >>> This is kind of like "once upon a time, it was all countryside here." To me, the only noteworthy track is Diesel Power, a great rap piece that says a lot about an album that aimed to be Techno. But the rap in that track is magnificent; it's not that "he can't rap," he can rap just fine, but there's a small detail: it's not Keith Flint but Kool Keith, and he has a completely different voice from Flint. At least check the credits of an album before reviewing it. :)
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Thank you, My Little One, I will treasure your advice.
Mare Mare
12 sep 05
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It's awesome, I would have included a "progressive" in the genres, that definitely needed to be there. The Post-HC can be overlooked, in my opinion, you did well to put "Alternative Doom" not caring that it was released by Hydrahead. Great debut: a unique album perfectly described.