puntiniCAZpuntini

DeRank : 14,39
DeAge™ : 8248 days • Here since 21 october 2003
Eric Clapton Slowhand
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How's the latest one?
J.J. Cale Naturally
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Then, about "for me" & "in my opinion": since we were talking about seminal works, since we were discussing who did certain things first and not who "is better," the "in my opinion" arguments don't mean a thing, because release dates are certain facts and not tastes: there’s no "in my opinion" that holds up, Bruss is not seminal, as skilled as you may think he is, but not seminal. And hey, if you throw out nonsense as bait, then it doesn't matter, right?
J.J. Cale Naturally
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I don't get you guys. First, one attacks those who copy and spouts the nonsense that Born To Run is seminal, then he claims he said it on purpose to make a point (which, honestly, who knows what that even means). I defended those who "copy" because it's normal in music, and then another one expresses solidarity with those who attack copycats, but then says that copying is normal, thus agreeing with me... and then from a simple discussion about the seminal nature of an album, it escalates to a galactic reasoning about the entire history of music, claiming that someone undermines Born To Run while we were only talking about its seminal quality. Do you even read the comments? Because I'm starting to have some doubts. And you, Massimof, trust me, you’re missing a lot when it comes to the legends of the 60s and 70s, it shows in what you write: listen to some stuff from those bands I mentioned before, and if you want, there are plenty more, all of which came before your Bruss.
AC/DC Stiff Upper Lip
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One of the best with Luca Sardella on vocals, but still not comparable to the works that came before Back In Black. The Stiff Upper Lip DVD was pretty crap to me (considering we are still talking about gods), not even remotely comparable to "If You Want Blood, You Got It."
Roger Waters Ça Ira
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I think it will be the first Lirica CD I buy. Maybe.
Kruder and Dorfmeister Dj Kicks
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Well, it's a bit easy to remix, good job, very good, excellent... but when are they going to make a piece of their own? (You could at least say that these aren't their own pieces :D)
Isis Panopticon
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Because they were under the Escape, which unfortunately doesn’t have much money or connections to send the promos around, Patton “pushed” them much more (compared to Escape, of course). And they aren’t the only ones of their kind who, even if born under Escape, have abandoned it; evidently, it doesn’t have the means to do much :)
Bronski Beat The Age of Consent
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I was watching him when I was melaghidonza. (only a few of us understand this, it's an underground-regional joke)
Sonic Youth & Fantômas live @ Ferrara Sotto le Stelle
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At the time I wrote that comment, the second ASVA had not yet been released; in the first album, the credits are written only by surname, and since it's a Drone album, since I read Dahlquist who is the bassist of Goatsnake, and since the artwork (including the second one) is credited to O'Malley, I naturally assumed it was Greg when reading Anderson. Then in the second album, they included full names, and it turns out it’s the one from Dale Crover's Porn, meaning Billy and not Greg. It’s a bit of a mess to navigate between these few guys who are in 10 bands a year if they don’t put their names; when you read Anderson, you think Greg, it’s only natural.
J.J. Cale Naturally
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And the symbol of American music, damn it, is Bob Dylan, and if it's not him then it's Jimi Hendrix. Do you realize the nonsense you're spouting?