puntiniCAZpuntini

DeRank : 14,42 • DeAge™ : 7928 days

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  • Here since 21 october 2003
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San Pellegrino: Jimi on Guitar / Oransoda: Roger on Bass. Tièh tièh tièh.
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Ok, long live Marilin Manson, and 3/5 to Cream. Now you've been very clear. Finally.
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Lately it's trendy, when someone says something outrageous, to say "it was a provocation." To me, it seems that even if you change its name, there remains a vague resemblance to a galactic bullshit. Then there's even the claim that it was "partly" a provocation; what's the other part? Come on, let's hear it, because today I see you in the mood worse than Christiana F.
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Carillon, you said one thing in the review and 187 in the comments; first you talk about the 90s, then about Rock, then about Metal, and then about the Industrial legacy. After that, you jumped from the 90s to 7-8 years ago, and then you say that Meshuggah are the same as Sepultura (and that really cracks me up)... take Josi_'s advice, make yourself an introspective sandwich and after a nice breath, go buy yourself a truckload of the albums you're missing.
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Carillon, besides not knowing the bands and reading randomly and quickly from the internet, you don't even read the Comments. I didn't bring up the Nile in a discussion of seminality, you know. Besides, they really have little to do with Morbid Angel, and I’ll repeat it again... but then you, since there are bands that have proposed Industrial Dark to Mensola, why do you even listen to Mensola? But has Broken by NIN ever brushed past your ear?
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Did I take the conversation too far? Dude, just look, you opened all the discussions in this review, I'm telling you again: reread yourself from time to time.
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Alright, find me a bad Psychedelic Suite in Black Sabbath. There isn't one. In the Wizards, there is. Find me electronics in Sabbath: there isn't any. In the Wizards, there is. Then: Meshuggah & Sepultura? You're hilarious. You're googling quickly to read pairings and throwing them out there randomly; explain to us how a Nothing or a Catch 33 relates to Sepultura, but please avoid exaggerating. Also, excuse me, but if for the Wizards you listen to Sabbath, then why the hell do you listen to Manson? Aren't NIN - Ministry - Godflesh etc. enough for you? Come on, take a trip to the record store and come back when you've done your homework.
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Come on! Orange bits are super rare in orange sodas. You’re talking like a Sicilian, and I’d throw in a “thank you very much,” because if I say “you can find excellent cheese at the supermarket,” it's a “thank you very much” where I live, but not in the rest of the world. Think global, Enea, get into the New Economy, set up a retirement plan, buy an I-mod cell phone, damn it Enea: it’s all around you.
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Oh, Infernal, you change the subject with every post; you don't seem very logical, do you? What does "it's shit" mean? We were talking about seminalness and innovation, a topic that you brought up. There's no such thing as beautiful or ugly, gold or crap; there's only innovative and derivative. The names I mentioned have all been innovative, and if you don't think they are, then you're ignorant. There is no "for me" or "in my opinion" in a discussion like this; there are only release dates and the genres proposed. And the fact that Fear Factory came out before Manson is equally out of context; the first FF album = 1991, and you asked for names of people who innovated in the '90s. Re-read yourself every now and then; it seems like you lose the thread of the discussion.
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No no, the Oransoda always has the deposit of little orange pieces at the bottom. Don't be like Scaruffi, who starts a logically coherent argument on false premises, so that the argument, although coherent as an argument, doesn't correspond to reality. All of this to tell you more gently: "Hey, don't hit me with bullshit about the Oransoda, you jerk."