puntiniCAZpuntini

DeRank : 14,42 • DeAge™ : 7876 days

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  • Here since 21 october 2003
Voto:
I am one of the listeners of "my" graphic artist, who also plays similar stuff with his band. What stands out compared to the rest is definitely one thing they have, which everyone should use more from the Apennines to the Andes and from pole to pole: the double drum kit.
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But who the hell is the "much-discussed Bletcher Queen"?
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Basically, an album that I already hated with all my heart just by reading you. I tried two and they even annoyed me (:D), I just don't understand this thing of using obsolete machines and I never will.
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I didn't know about the existence of either this or 1, I won't have flat ADSL for days and I hope to remember it at the right moment.
I already know it will be super light because Sorrentino is a jerk, but I will like it anyway because Masta Silvio could fill 15 seasons of a series just by describing the details. You can say all the meanest things in the world about him, but there's no doubt that HE GOT THAT FUCKIN THANG, AND HE GOT IT REALLY FUCKIN HUGE.
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Oh yes, let's all enjoy this perfectly styled meteorite with a Simmons hair gel that feeds on Spuntì. The female industrial that never goes into the red and caresses your speakers without ever making a "prot prot," and if your speakers go prot with Reptile, you need to change the speakers because it's their fault. Reptile is the industrial in a tuxedo with crocodile flip-flops and a Chanel bag.
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<< sound identifier of the spiral, >> EH? But it's super light. Closer is one of the most wonderful Pop pieces in the solar system, but to say it identifies the album, forgive me, is a furious bullshit, indeed it’s the only Pop piece in a wheelbarrow of punchlines. March Of The Pigs identifies the album, or if you really want to mention one that's half-pop and half-not, there's Heresy, but Closer has nothing to do with it.

Then think that this comes after Fixed, so actually, a single like Closer made a lot of people feel like it was a load of crap and luckily the album wasn’t all poppy (while reiterating that Closer is a wonderful poppy track).

You write 50 lines and you only mention Closer and Heresy, the pop tracks. In here there’s Reptile, I mean, REPTILE. When that chaos drops at the time, everyone and I mean everyone, no exceptions, said EH MY GOD WHAT THE HELL IS THIS? Even those from Reggio Calabria said EH MY GOD, I swear.

Okay, maybe you heard it years later and therefore you don't realize what that perfect chaos of Reptile and Ruiner was, but trust me, you can shove Closer up your ass in comparison.

Never say again that Closer identifies this album, depending on who you tell, they might headbutt you so you remember it.
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It's truly a wonderful marvel, and I also said a giant bullshit at first, because it’s not even that "sleep"; it was me being an idiot looking for the sleeps, I was "forcing" them but I ended up bewildered. They created something historic, the best Heavy album of the decade, and anyone who disagrees had Jovanotti in their walkman in 2000 and not Dopethrone.
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Okay okay, I got into it. It took a while and I still don’t understand the reasoning behind several choices - including the dry sound of the drums and very few cymbals - but they made something very serious, and it’s probably the best reunion album I've ever heard. Maybe not, but off the top of my head, I can't think of any others at this level.
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Anyway, in my opinion, Scott Hill is the biggest son of a bitch of Stoner.
He used to do everything with Glass, then Glass leaves and Bjork comes in, then Bjork leaves and we get these shitty records... Now, from what I read, there's again a good one, and strangely it’s a nice album, different from the others because the new guy, who is good, is in charge while the others aren’t.
It's something I don’t find in any other band, this hardcore that sucks and gathers new people to make good records.
It should be the opposite.
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FUCK BRO TOO RIGHT.