puntiniCAZpuntini

DeRank : 14,39
DeAge™ : 8247 days • Here since 21 october 2003
Fabri Fibra Applausi Per Fibra
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In the early 90s, the genre had already become quite annoying. Go on, send them in droves. This is the bullshit of the century; it even beats the one of the year. Come on, tell us more about this genre you know so well. Surely you have all the masterpieces of the genre. Send them in droves; we are here for that. To put it plainly, if you care about what you do and don't want to stay in your bubble: make us laugh.
Fabri Fibra Applausi Per Fibra
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Hi Antimo. Send some to Bomba too. Whatever you want, we’ll enjoy it. As they say, we adapt meticulously to the same. As long as it’s in Bomba, of course.
Fabri Fibra Applausi Per Fibra
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<<< The fact is that rap already made its mark in the '80s >>> Congrats, this is the bullshit of the year. Come on, hit us hard. The thirst for objective bullshit is high, quench us. Go ahead. Hit us hard. This is truly the Bullshit of the Year.
Brian Eno Here Come The Warm Jets
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Come on, let's talk about Eno's album.
ATPC Nel Bene & Nel Male
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<<< Base yhea! Rime yhea! Scratches yhea signed by Dj Taglierino... >>> Are you serious?
Julie's Haircut After Dark, My Sweet
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In fact, I only heard it because you reviewed it writing "Sonic Boom Krautrock Dead Meadow gooey Wah Wah Mescaline". As for the relationship between the sisters, I couldn't care less unless they were both nymphomaniacs, but Sonic Boom Krautrock Dead Meadow gooey Wah Wah Mescaline is more than enough to convince me. Besides the gay tone, of course. Forever yours, impossible big cat (bless you all) PS: Sonic Boom uses Activia, he's always regular and you can tell.
Julie's Haircut After Dark, My Sweet
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An extremely smart album, especially in the mix. There are distorted guitars for the rocker - at a volume high enough to satisfy the rocker - without disturbing the alternative vibe. There are melodic-alternative tunes - not too many to annoy the rocker - but enough to appease the alternative listener. There’s a lot of things perfectly measured, both in quantity and volume, showcasing great quality. For me, it's more than a four, if only for the fact that it caters to half the spectrum of music listeners with just one record. Quotes inserted in the review, perfect. I would have added a touch of 35007 on the guitars of Sister Pneumonia (which, by the way, is my favorite) and on the first minutes of the last track (which, however, never fully explodes, losing its 35007-ness). The "more accurate" quote, Dead Meadow: see "Pistills." In summary: damn, beautiful. (I’m just a little bothered by the excessively feminine - let’s say gay - opening of "afterdark," but that’s nitpicking) // A review like the album, with a tone that’s pretty "gay" to please the alternative crowd while having mescaline-like gems to satisfy the rocker. Damn, well done. (but gay)
Tool 10000 Days
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Your review flows straight through, but in the end, one might say: okay, but WHY? You jump straight to the final conclusion without explaining the causes and reasons. That’s not arguing; it’s just letting your manneristic fingers dance on an uninspired keyboard. And the salami, damn it, is better with fine grain.
Tool 10000 Days
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You spoke about Aria. What distinguishes a "stylistic exercise" from a "technique at the service of emotion"? Why "no jolts"? What makes you say there are none (I find them, see the middle part on Vicarius)? And where would you have wanted these jolts? What the hell does "jolt" mean, in what sense? Useless Mannerism is the same thing as "stylistic exercise," which would be fine, if you didn’t also say that Aenima is a masterpiece, since they’re also there. Poverty of content, but musical or lyrical? Do you think it’s poverty of content to talk about mom? We all have a mom; it’s a common subject that is relatable and logically interesting. You haven’t said a damn thing; these are statements that can be attached to any discussion, you haven’t considered any central point, you’re firing off randomly about everything and nothing. Then, there’s no point in arguing about the Chili Peppers. As for Zorn & Papetti, one could argue about that for now, but Zorn & Papetti have nothing to do with Tool. Maybe Zorn, as a friend of Patton who is a friend of Adam, who collaborates with Fantomas and Melvins, but beyond the fact that they might have shared a beer together, it’s irrelevant. You say empty, useless phrases with no content. You are poor in content, useless literary mannerism, you have no spark of inspiration. Learn to think, not to swim.
Tool 10000 Days
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In short, in the end you didn't say a damn thing. The point is "it doesn't grab me." Honestly, we couldn't care less whether it grabs you or not, was there really a need for a third review just to say "it doesn't grab me"? What matters are the notes, the scores, the chosen sounds, the volume given to one instrument compared to another. The choice of one instrument over another. If you can't break down the final product into the concrete elements that make it up, it’s not the butcher's fault. He knows how to distinguish a fine-grained salami from a coarse-grained one. He does.