puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 8022 days

  • Contact
  • Here since 21 october 2003
Voto:
<< Every now and then, a little evolution is necessary, >> And there has been; there are nine million derivatives ranging from light to heavy, from symphonic to electronic, from fast to very slow. Anyway, I believe that the ones filling stadiums the most today are Avenged Sevenfold. They are liked by my friend’s little brother, who has seen them twice, and every time in the pictures it looks like the Pope's Youth Day. If you’re over 25, you pay double.
Voto:
I’m putting all my bets on Motorhead; I think they’re going to make it big.
Voto:
but the English are better
Voto:
The Mushroom are the frontrunners of Israeli Psytrance, the first track you played is a bit outside the norm, the second is THE norm.
Voto:
Let’s say that if I were drunk and on a dance floor that isn’t a sausage festival, pretty well stocked with drunks like me, maybe I’d dance to the first track. The second one, even more willingly, because the first one has some really sad sounds. The only stuff they play in “trendy” clubs that I might remotely “like” (in the sense that I could maybe hear a couple of tracks at home) is from SebastiAn and his peers (because the older guys in clubs never went) or from Boys Noize and friends since they’re all around the same age, so there’s no distinction. If we’re talking about English/Israeli/Brazilian Psy-trance, Filthy Dubstep, or minimal techno with systems six meters high, then it’s all good, but that stuff is a bit rarer to find in the club around the corner. For example, I’ve seen Richie Hawtin twice but never “in the guise” of Plastikman (the last time he even played Justice, incredible).
Voto:
Never heard of it. I searched for it on YouTube, and I don’t know what to say speaks for itself. (anyway, that piece I’ve never heard either)
Voto:
Nico, if you liked that, you shouldn't have any trouble finding similar ones; it's the trend of the moment. Anyway, the best is him both in a duo and solo
Voto:
In fact, that piece by Oizo sounds like today’s Filthy Dubstep, but his records were filled with something completely different (better stuff, I mean, more refined, more varied, more of everything). To me, it’s more slowed-down D'n'B without the snare than anything else; it’s not by chance that those who produce the best stuff (or those who perform the most around) all come from D'n'B, but it's also a matter of the succession of trends anyway. Out of this whole circus with the Wobble and the Compressors, I only like Broken Note (16 Bit and another one I didn’t figure out who it is). << nico, can you dance to that stuff? >> Of course you can dance, if you’re good you can dance to everything from to
Voto:
Oh, she broke up with him? At least she took after her father; now that she's the queen of Italy, she's dating Justin Bieber.
Voto:
And you don't like Modern Dance, and you don't like Classical (as far as I understand, Vanadia was a serious one), well, you don't like anything. So you're a fan of the non-dance dance or of the power move that’s not in time aka I do artistic gymnastics and pass it off as dance.