puntiniCAZpuntini

DeRank : 14,42 • DeAge™ : 7881 days

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  • Here since 21 october 2003
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She's among the coolest overall, including everything. Aside from him, where can she be found?
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Power Hor had the "designed" cover (it was crap) by O'Malley. Incredibly, in color. This one definitely seems more on theme. The guitarist was also in the first ASVA album.
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Ah, I almost forgot that even by finding better musicians (even making them up from scratch), no one would have the musicians plus the content. For everything else, there are Litfiba, Nerorgasmo, or Lunapop.
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Normally, I would agree too, especially because the phrase "absolute best in Italy" is a bit of a contradiction being an "absolute limited." However, in this specific case, it is absolutely true. The other good Italian bands usually had a good guitarist and a singer with other standard members, like PFM, Banco, and Le Orme. Those who had a good rhythm section either lacked a guitarist or a keyboardist, like Arti & Mestieri or Osanna or Rovescio della Medaglia, each missing something or someone. Some had a lot of good elements but had a medieval shit singer like Picchio Dal Pozzo, I would have beaten him for twenty years straight if I had been in his band. The only ones who could compete with Area were Perigeo, with a better guitarist than Tofani and also a better bassist than Tavolazzi. But Capiozzo would still wipe the floor with Biriaco, and above all, they didn't have Stratos. Area are comparable to very few people, but in Italy, absolutely to no one.
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The second one would be even better if it weren't for that guy from Agitation Free who truly looks like someone selling Cocco Bello on the beach. This is amazing, but at several points Gottsching really goes overboard; my favorite here is Henke. They could have given more in general; they gave a lot, but if they hadn't always made their records practically live and high on merzapane, they could have left an indelible mark in history, as well as in their minds.
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Go there and bring the whole building; it's something that doesn't exist. Everyone minding their own business, but all on time for their own business. The only slightly off note, but justifiable, is when Tofani recites some lines from Stratos; there they slow down for a moment. For the rest, they're a galaxy roller, with a sound system so noteworthy that I believe they would have all the girls in the front to the seventeenth row feeling it. Better than records, better than before, better than Nutella.
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I saw them yesterday in a godforsaken little town, a reunion of all the living; no voice, Walter Paoli on drums. It’s not that they play, they provide answers to all your whys. They are the cosmic whole.
Grido Io, Grido
17 aug 11
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<< the pivot and the word and the art of manipulating it, rhythmically, metrically >> Exactly. So the texts you mention as manipulation are zero, talking about something is not manipulating the word. The real rap game is talking about nothing and keeping attention. Fibra, the things he says he did as a kid drawing inspiration from Neffa by his own admission, not by chance is his first album produced by Neffa. And the results were these Neffa before giving it all up reached the Zenith with this I’ve listened to all Italian rap albums from the Mesozoic to today, and no one has ever talked about nothing better than Neffa. The other side of the rap game is to take the piss, and there the Zenith belongs to Gruff Fibra is good if he wants to be, but comparing him to the "Bolognesi" is non-existent, he's also quite inferior to the Milanese, and even Il Grido from the review messed him up years ago and Fibra has never replied out of shame, rather he eventually turned to commercial for shame and apologized to him. To compare Neffa to someone who apologizes to Grido... come on...
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And to finish, look at Crispino. At least he knew something about the old events; in fact, he stays quiet and has crapped himself. Every time they try to interview him, he only says "I’m scared." I believe that he's scared.
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Oh look at Saviano. He has only and exclusively reported legal documents in his book. He hasn’t said anything new, and the little that comes out of the legal document framework talks about scugnizzi worth nothing. Basically, he hasn’t done a damn thing, but he’s not calm at all; he’s scared just because he has raised his head a bit. When Mancini disappears under mysterious circumstances, maybe I’ll start to believe it. Maybe. Just listening to him speak makes it clear that he’s a poor fool, a bar brawler who ended up like a bar brawler.