puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 7999 days

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  • Here since 21 october 2003
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Of course, this phrase << amarla e tentare (inutilmente) di capirla. >> is something made by high school kids; you'll need a degree in psychology to understand it.
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Mama mia, but why? Linkin Park and Limp Bizkit were born so late that "crossover" was already out of use, and "nu metal" was the term being used instead. Mr. Bungle is a reference; the "mess" has very little to do with it. The '90s? This record contains tracks from '86 to '89; this is a GREATEST HITS COMPILATION FROM '91. The push isn't from The Real Thing, which is two years older, but at best it came out almost alongside the Live at Brixton, and the big push came with Angel Dust, which was released a year later. Given that the Bungle sold more in Europe than in the USA. The sales data you read is at least ten years old; this sold more in the immediate, let's say in the first two years, but we are in 2012, and disco volante has been printed TEN TIMES. TEN. The second to last print was a 108g vinyl, sold out and reprinted again. This one has been printed at most 5 times, and the 180g vinyl hasn't even sold out its first print yet. Review really famous stuff; you're better at that.
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I didn't know one had died, I didn't even know about the 2009 album. I discovered them here the best remix of the entire album.
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One of those films where the credit should go to the screenwriter and the director should come last. If Scorsese had directed it with De Niro as Keaton, it would have won a truckload of Oscars.
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But does he try to make a big impact by talking about the fact that he was a queer (not recommended), the witch hunt against communists, the assassination of Kennedy and that of the Black Panther, blackmailing uncomfortable people... or does he stick to well-trodden paths like the arrest-ghengsta? If it’s “Ellroy Oriented” I’ll check the box office stats, otherwise I’ll wait for the .mkv on torrents; the wood from the East always deserves a glance.
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If Jalamanta went unnoticed, you’re a funny one. It was released under Man's Ruin, in the year of the Desert Sessions and Unida. In every review of one of the three projects, they talked about the other two; it was impossible not to notice it unless you had turned the other way. I will never understand this need people have for "historical references," if they're not sure about it. Even at the end, you specify that it’s just a Duna product (perhaps at the time it was still called "El Camino Records," now it’s called "Low Desert Punk Records") without even touching on the Kozik who contributed so much. Who knows what the hell kind of work he’s doing now.
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Everything's nice, including the avatar; strange that no one ever spent a couple of words on them. But you can't say that "the classic doesn't stand out": there's a piece that's twenty minutes long, more spikko than kosì
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I didn't understand the cover. Ingrandisci questa immagine
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Yes, Beckett's house.
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The Cathedral are under Nuclear Blast, Dorrian has produced two little shits (the latest live album and maybe a single) and moreover he distributes them through Metal Blade. Apparently, Gaz (whom I believe is 55% of the Cathedral Inc.) is not satisfied with Rise Above.