puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 7999 days

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  • Here since 21 october 2003
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The plural is a bit out of place, new bassist, old drummer with just one album, his woman who's there just for that... plus he’s already discarded this rhythm section, I got the email a few months ago. Even a band from Bournemouth, Liz was born in Cape Fear, North Carolina like the Buzzov*en, and it seems to me that Mappamondo is also mmerecano. Up to Let Us Pray yes, plural is a must and based in Bournemouth, Dorset, UK. I haven't heard many fans turning their noses up, certainly those who heard CMF a few years ago due to age obligations might be disappointed, but everyone who's aging with Cicciobomba Demoniaco, I’ve heard them happy about this and about Witchcult, and as usual, for some this is even the best of the lot. Everyone has a favorite from Panzerotto Corvino, and it’s rare that it coincides (except for those who still have a visceral need for chaos). I think it’s the only case I know alongside Pinfloi where the fan amidst so much diversity can absolutely confidently find their favorite, if one goes crazy for We Live it’s obvious the first one will be less liked, and vice versa. I’m all for the CMF Supercoven and Nesquik combo. Back to the album, a nice 5 from Vintage Doom, and Jus always gets the highest vote, he’s the undisputed king of the genre, the only one who varies while remaining static, making you digest the changes slowly like great chefs do. Candlemass, Pentagram, Saint Vitus etc. don’t even come close to his artistic journey. Panzerotto knows one more than the devil. In short, if it wasn’t clear, for me you should only talk about Jus and how fat he is, do you think I’d waste words on the songs with a character like that? :-)
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It sounds clean and muffled; not that they ever had that hair-pulling sound, but I thought it was the fault of the '80s. The bass is the only good thing, the drums are not bad, but the guitar - despite having great riffs - sounds like power metal played behind a wall. Considering I’ve never liked Wino as a singer, it really disgusted me.
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I’ve read a lot of crap in my life, but GANGSTA-HIP-HOP beats them all. Pretty soon we’ll have True-Nu-Metal, Hardcore-Pop, and especially Alternative-Mainstream. And this Gangsta Hip-Hop is even from a New Yorker. I won’t read the rest for fear of passing out. Aside from that, it’s a truly terrible album, born to be commercial to the core, 97% ruined by Sean Combs. And when you think about who was on the microphone, the annoyance skyrockets. But amidst all this crap, there’s one track that stands out for having a minimum of restraint and shame, leaving the rest of the album light-years away Rarely (or perhaps never) have I heard gems like this in so much intentionally made garbage; Biggie is the epitome of “wasted” talent (if you don’t consider the monetary aspect).
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I only know that an excess of protein you eliminate, so after a roast I make Giant Pythons that call me Dad.
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We just needed two hands that, emerging from the mountain, would send you the sacred dove.
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Nice, I had never heard of them before. The singer, not really, but he is bearable.
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Luke, I am your father.
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I'm looking for the record because you wrote kraut-rock, and we mean the same thing. You have the longest, highest, and most balanced average of reviews among this whole bunch of misfits. Lifetime achievement award.
Orbital Wonky
14 may 12
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<< I’m analog, I use Renoise >> It doesn’t make sense; you’re either analog or “you use Renoise” (which I assume is a computer program). You seem very confused, but trust me, you've heard the "others" wrong. If by “I’m analog” you mean that you connect the bass to your PC, then you can say “I was analog,” because the audio interface is meant for digitizing, and if you want to play dubstep sounds with your electric bass, damn, good luck. I want peace in the world.