puntiniCAZpuntini

I was there.

I don't remember where, but you had asked me for it. Unfortunately, the scanner I have at home is terrible, I don't remember where to upload large images, and I even found no CD in the case when I opened it. I believe it's still in a portable CD player that I haven't seen in at least 10 years, probably hidden in some box in someone's basement, and all of this has ruined my day, so I just uploaded the central part for you. The back of the CD is nice too; I'll upload it as soon as I recover.

It's not bad, but it's too much of a joke. As long as the actual events help them not to struggle to invent something, they use them (and attract a lot more; the US loves the History Channel). As soon as there's a microscopic hitch, they come up with macroscopic turbo 4WD bullshit. Luciano taking orders from a Jew, come on, give me another one and clap your hands. At least Lucky is played by someone who speaks Italian-American; Capone, oh my God, what a terrible choice: great actor but with that accent, you can't pull him out of Ritchie-related films. He tries his best to avoid the Cockney, achieving a result that's Scottish/Aussie/deep-fried potato. It remains something not bad, but in relation to the resources and the human material at their disposal, it's an insane load of crap. The little I've seen gave me the impression of a Ferrari with a limiter, smurf-colored, with "Bulloneria Pautasso" written on the sides and a Padre Pio magnet on the dashboard.

The other day, very reliable sources told me that listening to it while mixing records on the PC is not the same, because the vibrations from the woofer add, cancel, or contrast with each other. Still, even the reliable sources have never performed the miracle of listening; you could go to Barbara D'Urso for Lo Show Dei Record, give it some thought.

Thank you for the quote, but I trust the crowd and avoid the listening test. Anyway, don’t worry, everyone has a shitty record that gets them hyped. Hours.

10 reviews of this shit and everyone wastes half their time telling us they had a falling out, that then they made up, that one didn’t want to, that the others won the case. But how about taking a trip to :: procatinator :: instead of flooding the server with the same old tired and overused shit, right? Upload a cat, share a song, and stop bothering others. The disc is as useful as the review.

The plural is a bit out of place, new bassist, old drummer with just one album, his woman who's there just for that... plus he’s already discarded this rhythm section, I got the email a few months ago. Even a band from Bournemouth, Liz was born in Cape Fear, North Carolina like the Buzzov*en, and it seems to me that Mappamondo is also mmerecano. Up to Let Us Pray yes, plural is a must and based in Bournemouth, Dorset, UK. I haven't heard many fans turning their noses up, certainly those who heard CMF a few years ago due to age obligations might be disappointed, but everyone who's aging with Cicciobomba Demoniaco, I’ve heard them happy about this and about Witchcult, and as usual, for some this is even the best of the lot. Everyone has a favorite from Panzerotto Corvino, and it’s rare that it coincides (except for those who still have a visceral need for chaos). I think it’s the only case I know alongside Pinfloi where the fan amidst so much diversity can absolutely confidently find their favorite, if one goes crazy for We Live it’s obvious the first one will be less liked, and vice versa. I’m all for the CMF Supercoven and Nesquik combo. Back to the album, a nice 5 from Vintage Doom, and Jus always gets the highest vote, he’s the undisputed king of the genre, the only one who varies while remaining static, making you digest the changes slowly like great chefs do. Candlemass, Pentagram, Saint Vitus etc. don’t even come close to his artistic journey. Panzerotto knows one more than the devil. In short, if it wasn’t clear, for me you should only talk about Jus and how fat he is, do you think I’d waste words on the songs with a character like that? :-)

It sounds clean and muffled; not that they ever had that hair-pulling sound, but I thought it was the fault of the '80s. The bass is the only good thing, the drums are not bad, but the guitar - despite having great riffs - sounds like power metal played behind a wall. Considering I’ve never liked Wino as a singer, it really disgusted me.