El Guevo

An extraordinary album, a deceptively light authorial country that is actually full of pathos and fury. The album's short length is not a problem; rather, its brevity enhances its intensity. Lay Lady Lay is magical and mysterious, I Threw It All Away possesses a timeless melody and carries with it a melancholic charm that makes it immortal, Tell Me That Isn't True is disarming in its beauty, Country Pie and Peggy Day are two formidable tracks in their musicality (as evidenced by the fact that they are often performed at concerts by Bob), and the closing of the album is the most fitting with lyrics that are true snapshots, instant moments of a life that one wants to stop for just a moment or forever, to freeze happiness, to freeze love. This is Nashville Skyline.

I really like this album, I enjoy the songs on it, both the original ones and the covers. An album that is deliberately ugly, dirty, and mean.

An atypical yet very captivating album.

Great soundtrack, where each song and theme has its own logic and poetry. The ballad about Billy is chilling and boasts one of Bob's best lyrics.

The melody of never say goodbye is one of the most beautiful things ever written... then there are forever young and hazel.

It is definitely Dylan's most "felt" album, perhaps surpassed years later by Time Out Of Mind. In any case, it’s not important to hold a contest among Dylan’s albums, most of which are masterpieces; what is certain is that this is certainly one of the most beautiful titles one could give to an album...Blood on the Tracks...yes, in fact these are much more than songs, they are pure emotions, they are regrets, memories, resentments, they are bright and shining fragments of life.

A record full of beautiful and enigmatic songs, which the new remastering techniques have brought back to life.

McCartney is very different from Brian Wilson. Wilson wrote beautiful music, but he never managed to write a Hey Jude, Yesterday, Michelle, Let It Be, The Long And Winding Road, My Love, Live And Let Die, Helter Skelter, and many others. The difference is that McCartney's songs are not just good songs; they are simply monumental, eternal, and for everyone... it's a bit like the difference between Donovan and Dylan... Dylan himself, commenting on Donovan's work, said that all the songs he sang were beautiful, but he would never be able to write a It's All Over Now, Baby Blue. McCartney was a fan of Wilson's music just as Brian was a fan of the Beatles' music; in any case, I believe McCartney has already written something better than the central part of Smile, I’m talking about the triad that opens the legendary Sgt. Pepper's and then the second part of Abbey Road.

A very enjoyable album that features two of Harrison's most beautiful songs and a handful of almost irresistible Dylan's songs.

A record that will never die, these are grooves full of the desire to live music.